All stories by Elisabeth Vincentelli on BroadwayStars

Wednesday, April 26, 2023

‘New York, New York’ Review: The Big Apple, Without Bite by Elisabeth Vincentelli

Based loosely on the 1977 film, a show about performers making it in the big city comes to St. James Theater with the sharper edges of its source material sanded off.

SOURCE: The New York Times Subscription at 10:18PM
Friday, April 14, 2023

‘The Phantom of the Opera’: Thinking of a Spectacle Fondly by Joshua Barone, Alexis Soloski and Elisabeth Vincentelli

As the longest-running musical in Broadway history closes, Times critics with a lasting affection for the show take stock of its legacy.

SOURCE: The New York Times Subscription at 02:24PM
Tuesday, April 11, 2023

‘Covid Vortex Anxiety Opera’ Review: Gloom, Zoom and a New Bloom by Elisabeth Vincentelli

The veteran performance artist Karen Finley leads the audience through the troubles that plagued New York City at the peak of the pandemic.

SOURCE: The New York Times Subscription at 12:32PM
Tuesday, March 28, 2023

‘According to the Chorus’ Review: Backstage Truths by Elisabeth Vincentelli

In Arlene Hutton’s play at 59E59 Theaters, the members of a Broadway cast reveal their hopes and fears tucked away in a quick-change room.

SOURCE: The New York Times Subscription at 08:18PM
Monday, March 27, 2023

Review: In ‘Día y Noche,’ Opposites Intertwine by Elisabeth Vincentelli

David Anzuelo’s generous, unwieldy play about an oil-and-water friendship between two high school boys opens at 59E59 Theaters.

SOURCE: The New York Times Subscription at 02:42PM
Friday, March 24, 2023

In ‘Up Here,’ the Song Stuck in Your Head Might Be Your Mean Ex-Crush by Elisabeth Vincentelli

Developed by a team of Broadway and Hollywood all-stars, the new Hulu series sets a chorus of inner critics to song.

SOURCE: The New York Times Subscription at 10:32AM
Sunday, March 5, 2023

Review: Mining a Whimsical Absurdist Vein in ‘The Trees’ by Elisabeth Vincentelli

In Agnes Borinsky’s latest play, a brother and sister returning from a party suddenly find their feet stuck in the earth. But to what end?

SOURCE: The New York Times Subscription at 09:00PM
Wednesday, March 1, 2023

‘Becomes a Woman’ Review: A Girl Gets Wise in Brooklyn by Elisabeth Vincentelli

A young woman works to free herself from the expectations of men in Betty Smith’s 1931 play.

SOURCE: The New York Times Subscription at 04:49PM
Friday, February 24, 2023

Alexander Zeldin Brings ‘Love’ to the Park Avenue Armory by Elisabeth Vincentelli

The British writer and director Alexander Zeldin is bringing “Love,” a European hit set at a temporary-housing facility, to the Park Avenue Armory.

SOURCE: The New York Times Subscription at 10:00AM
Wednesday, February 15, 2023

Hari Nef and Parker Posey: Two ‘It’ Girls Whose ‘Humanity Peeks Through’ by Elisabeth Vincentelli

In a pairing that seems almost predestined, the actresses are sharing a stage in “The Seagull/Woodstock, NY,” a contemporary riff on Chekhov.

SOURCE: The New York Times Subscription at 05:00AM
Thursday, January 26, 2023

‘Without You’ Review: Anthony Rapp’s Seasons of Love, and Loss by Elisabeth Vincentelli

The actor, who starred in the original Broadway run of ‘Rent,’ reflects on the show’s early days and dealing with the grief of his mother’s death.

SOURCE: The New York Times Subscription at 12:01PM
Wednesday, January 25, 2023

Monica Bellucci Tries on the Dress, and Life, of Maria Callas by Elisabeth Vincentelli

The film star embodies one of opera’s greatest divas in the solo show “Maria Callas: Letters & Memoirs,” coming to the Beacon Theater.

SOURCE: The New York Times Subscription at 10:00AM
Friday, January 20, 2023

‘The Immortal Jellyfish Girl’ Review: A 26th-Century Love Story by Elisabeth Vincentelli

Featuring a lobster telephone and a robot boy with batlike wings, this puppet romance set in a future post-ecological collapse succeeds on its own weird terms.

SOURCE: The New York Times Subscription at 02:26PM
Thursday, January 19, 2023

Review: ‘Not About Me’ Remembers Decades Shrouded by AIDS by Elisabeth Vincentelli

Eduardo Machado’s autofictional play follows the playwright’s alter ego as he navigates gay life in the 1980s and ’90s.

SOURCE: The New York Times Subscription at 04:54PM
Wednesday, January 18, 2023

At Under the Radar, Family Histories Bubble Up With No Easy Answers by Jesse Green, Laura Collins-Hughes and Elisabeth Vincentelli

The Public Theater’s experimental theater festival is back in person for the first time since 2020. Here, our critics review a second selection of the works on display.

SOURCE: The New York Times Subscription at 02:20PM
Friday, December 9, 2022

‘Off Peak’ Review: Caught in Limbo on the Northbound Track by Elisabeth Vincentelli

Two passengers share more than just an eerie commute aboard a train headed upstate.

SOURCE: The New York Times Subscription at 05:42PM
Thursday, December 8, 2022

‘Dick Rivington & the Cat’ Review: A Civic-Minded Holiday Treat by Elisabeth Vincentelli

This wacky family show respects the codes of the British holiday tradition known as panto, which means playfully not holding anything back.

SOURCE: The New York Times Subscription at 02:32PM
Sunday, December 4, 2022

Review: ‘A Beautiful Noise’ Makes for a Morose Neil Diamond Musical by Elisabeth Vincentelli

In the new Broadway show, Will Swenson plays the superstar, who seems perpetually dissatisfied, as if on a quest — but for what?

SOURCE: The New York Times Subscription at 08:54PM
Friday, December 2, 2022

‘Ain’t No Mo’’ Review: After Great Tribulation, an Exodus of Black Citizens by Elisabeth Vincentelli

In Jordan E. Cooper’s biting satire, Black Americans descended from slaves are offered one-way airfare to Africa.

SOURCE: The New York Times Subscription at 04:06PM
Thursday, December 1, 2022

Dramatizing the Story of a Gay Mid-Century Tattoo Artist Who Was So Much More by Elisabeth Vincentelli

“Underneath the Skin,” a theater piece by John Kelly, meditates on the life of Samuel Steward, who always lived boldly when others dared not.

SOURCE: The New York Times Subscription at 03:54PM
Thursday, November 24, 2022

‘The Rat Trap’ Review: Together for Better, but Mostly for Worse by Elisabeth Vincentelli

Noël Coward’s bleak portrait of a collapsing marriage between two artists has its American premiere at New York City Center.

SOURCE: The New York Times Subscription at 08:06AM
Sunday, November 20, 2022

Review: In ‘Sandra,’ a Search for a Friend Leads to Self-Discovery by Elisabeth Vincentelli

In the playwright David Cale’s thriller, a woman looking for a vanished friend discovers a new sense of self.

SOURCE: The New York Times Subscription at 06:12PM
Sunday, November 13, 2022

‘The Old Man & the Pool’ Review: Wading Into Mike Birbiglia’s Comfort Zone by Elisabeth Vincentelli

The comedian once again proves his virtuosity as a narrator, weaving a new harrowing tale in his latest Broadway show.

SOURCE: The New York Times Subscription at 09:18PM
Tuesday, November 8, 2022

Anne Bogart Is Not Entirely Retiring by Elisabeth Vincentelli

“I think that the legacy is more how we offer a model for future young companies,” Bogart said of the theater company she leads, which is ending its producing activities.

SOURCE: The New York Times Subscription at 06:42PM
Friday, November 4, 2022

For ‘KPOP,’ a Broadway Transfer Is More Like a Reinvention by Elisabeth Vincentelli

The show’s creative team talks about revamping the immersive Off Broadway hit so that it moves “around the audience” at Circle in the Square Theater.

SOURCE: The New York Times Subscription at 09:32AM
Thursday, October 27, 2022

In a Marathon of One-Act Plays, Boundaries Are Pushed and Pulled by Elisabeth Vincentelli

Ensemble Studio Theater’s 38th Marathon of One-Act Plays showcases what can be accomplished in short-form productions, and how, in some cases, they hem ideas in.

SOURCE: The New York Times Subscription at 07:07PM
Wednesday, October 26, 2022

‘Hound Dog’ Review: A Soul-Searching Journey Strays Off Course by Elisabeth Vincentelli

Melis Aker’s new play with music, presented by Ars Nova and PlayCo., follows a musical prodigy without drive or passion.

SOURCE: The New York Times Subscription at 03:07PM
Monday, October 24, 2022

‘Chushingura — 47 Ronin’ Review: A Sprawling Tale of Loyalty by Elisabeth Vincentelli

The palace intrigue behind a mythic battle from 18th-century Japan is the subject of this bilingual play in Manhattan.

SOURCE: The New York Times Subscription at 03:07PM
Wednesday, October 19, 2022

Lars Eidinger Might Be the Greatest German Actor You’ve Never Heard Of by Elisabeth Vincentelli

He might be the greatest Shakespearean actor you’ve never heard of. At last, New Yorkers will get to see his no-holds-barred portrayal of Hamlet in Thomas Ostermeier’s production at BAM.

SOURCE: The New York Times Subscription at 05:33AM
Friday, October 14, 2022

Review: In ‘Everything’s Fine,’ the Discomfort of Adolescence by Elisabeth Vincentelli

In Douglas McGrath’s one-man show, his account of an experience as a teenager unfurls with the can’t-look-away quality of a slow-motion crash.

SOURCE: The New York Times Subscription at 02:07PM
Thursday, October 13, 2022

Kate Nash Keeps Getting Back Up. This Time, Off Broadway. by Elisabeth Vincentelli

After the twists and turns of a pop career, the British singer-songwriter adds a new string to her bow: musical composer.

SOURCE: The New York Times Subscription at 10:25AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 15, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
TBA: Titanic