All stories by Ben Brantley on BroadwayStars

Friday, September 11, 2015

ArtsBeat: London Theater Journal: Nowhere Man by Ben Brantley

Ben Brantley on two plays by Simon Stephens: "Song from Far Away" and "One Minute."

SOURCE: The New York Times Subscription at 08:10PM[SHARE]
Thursday, September 10, 2015

Review: Richard Maxwell's 'Isolde' Returns With Starry Eyes by Ben Brantley

This romantic love triangle, which played at the Abrons Arts Center, is now playing in Brooklyn.

SOURCE: The New York Times Subscription at 10:26PM[SHARE]

Ben Brantley on Learning to Embrace Broadway Revivals by Ben Brantley

So many plays and musicals are being revived so soon after their previous runs that it's best to appreciate the opportunity rather than curse the production.

SOURCE: The New York Times Subscription at 11:22AM[SHARE]
Monday, September 7, 2015

ArtsBeat: London Theater Journal: Firebrands by Ben Brantley

Ben Brantley reviews "The Heresy of Love" and "Jacqueline Wilson's Hetty Feather."

SOURCE: The New York Times Subscription at 03:58PM[SHARE]
Friday, September 4, 2015
Wednesday, September 2, 2015

ArtsBeat: London Theater Journal: Rehab and Resistance by Ben Brantley

A review of Duncan Macmillan's new play "People, Places and Things."

SOURCE: The New York Times Subscription at 04:03PM[SHARE]
Monday, August 31, 2015

ArtsBeat: London Theater Journal: Discipline, Punish and Put on a Play by Ben Brantley

Timberlake Wertenbaker's "Our Country's Good" has been given a big, handsome and somewhat literal-minded revival at the National Theater.

SOURCE: The New York Times Subscription at 03:07PM[SHARE]
Thursday, August 27, 2015

ArtsBeat: London Theater Journal: Make 'Em Dream by Ben Brantley

"Bend It Like Beckham: The Musical," with its focus of dreams of the future, has many parallels to "Billy Elliot: The Musical." Then, also in London, there is the Hitler-era "Grand Hotel."

SOURCE: The New York Times Subscription at 08:30AM[SHARE]
Wednesday, August 26, 2015

Ben Brantley on London Theater, Where Characters Drink to Dull the Pain of Life by Ben Brantley

"Bakkhai," "Splendour" and "The Trial" are among the worthy offerings on London stages this summer.

SOURCE: The New York Times Subscription at 02:15PM[SHARE]
Tuesday, August 25, 2015

Theater Review: Review: Benedict Cumberbatch in 'Hamlet,' Cocooned in an Aura on a London Stage by Ben Brantley

This production in London frames Mr. Cumberbatch like a saint in an old-master painting, reflecting the fervor surrounding his star turn.

SOURCE: The New York Times Subscription at 07:28PM[SHARE]

ArtsBeat: London Theater Journal: En Travesti, Both Sides Now by Ben Brantley

David Suchet plays Lady Bracknell in Oscar Wilde's "Importance of Being Earnest" at the Vaudeville Theater and, across the river, Michelle Terry is the cross-dressing heroine of "As You Like…

SOURCE: The New York Times Subscription at 02:00PM[SHARE]
Friday, August 21, 2015

ArtsBeat: London Journal: Inside, Vodka and Stilettos; Outside, the Revolution by Ben Brantley

In Abi Morgan's "Splendour" at the Donmar Warehouse, Sinead Cusack plays a dictator's wife who drinks shots with her guests at the palace in a revolution-torn city.

SOURCE: The New York Times Subscription at 02:27PM[SHARE]
Thursday, August 20, 2015

ArtsBeat: London Journal: A Nonstop Carnival of Culpability by Ben Brantley

A throbbing, infectious production of Euripides' "The Bakkhai" stars Ben Whishaw as Dionysos; and Rory Kinnear plays Joseph K, Kafka's bewildered and shame-stained hero, in "The Trial."

SOURCE: The New York Times Subscription at 04:37PM[SHARE]
Wednesday, August 19, 2015

Theater Review: In Philip Ridley's 'Mercury Fur,' It's the World's End, and the Party's Here by Ben Brantley

This dark play features grotesque festivities that are staged in New York after society has become only a shadow of what it once was.

SOURCE: The New York Times Subscription at 10:37PM[SHARE]

ArtsBeat: London Theater Journal: Maximally Minimal by Ben Brantley

Ben Brantley reviews "Three Days in the Country" and "Operation Crucible."

SOURCE: The New York Times Subscription at 06:03PM[SHARE]

The Week Ahead: 'On the Town' Is Pulling Up Anchor Soon by Ben Brantley

New York won't be quite the same helluva town after Sept. 6, when this happy revival closes. Misty Copeland, the reigning It girl of American ballet, joins the cast Tuesday.

SOURCE: The New York Times Subscription at 12:51PM[SHARE]
Friday, August 14, 2015

Review: 'Mother of the Maid,' a Lesson on Raising a Teenage Saint by Ben Brantley

Jane Anderson's new play, a Shakespeare & Company production in Lenox, Mass., is about the headaches of rearing a truly gifted child: Joan of Arc.

SOURCE: The New York Times Subscription at 07:10PM[SHARE]
Monday, August 10, 2015

Virgin Eyes: A Searing First Encounter With David Lynch's 'Blue Velvet' by Ben Brantley

How I would love to see this dark masterpiece again, in that same state of unsullied expectation.

SOURCE: The New York Times Subscription at 12:55PM[SHARE]
Sunday, August 9, 2015

Review: In 'A Moon for the Misbegotten,' Audra McDonald Is Front and Center by Ben Brantley

This revival of Eugene O'Neill's play centers on people who assume false roles that allow them to function in their daily lives.

SOURCE: The New York Times Subscription at 06:13PM[SHARE]
Thursday, August 6, 2015

Review: 'Hamilton,' Young Rebels Changing History and Theater by Ben Brantley

In its move to Broadway, the show about America's founding fathers is proof that the musical is not only surviving but evolving in ways that should allow it to thrive.

SOURCE: The New York Times Subscription at 08:18PM[SHARE]
Thursday, July 23, 2015

Review: 'Ubu Roi,' Mom and Dad's Party of Grown-Up Grotesques by Ben Brantley

The British troupe Cheek by Jowl infuses Alfred Jarry's satirical drama with the kind of angry adolescent sentiment that gave birth to it.

SOURCE: The New York Times Subscription at 06:26PM[SHARE]
Wednesday, July 22, 2015

The Week Ahead: Transport Group's 'Three Days to See,' Inspired by Helen Keller by Ben Brantley

Taking their cues from an essay Keller wrote, actors try to approximate how she perceived the world.

SOURCE: The New York Times Subscription at 01:08PM[SHARE]
Tuesday, July 21, 2015

Review: 'Kinship' Stars Cynthia Nixon as a Journalist by Ben Brantley

Carey Perloff's heavy-breathing drama at the Williamstown Theater Festival centers on two newspaper colleagues on the brink of an affair.

SOURCE: The New York Times Subscription at 05:16PM[SHARE]
Friday, July 17, 2015

Review: 'Vinegar Tom' and 'Judith' Examine Woman as Myth by Ben Brantley

The Potomac Theater Project presents an earnest pair of feminist plays by Caryl Churchill and Howard Barker.

SOURCE: The New York Times Subscription at 04:34PM[SHARE]
Thursday, July 16, 2015

Review: 'The Wild Party,' With Sutton Foster as a Louche Jazz Baby by Ben Brantley

Encores! presents a concert revival of Andrew Lippa's version of a lurid 1920s poem about a gathering full of sex, drugs and violence.

SOURCE: The New York Times Subscription at 01:34PM[SHARE]
Wednesday, July 15, 2015

Review: 'Scenes From an Execution' Features Jan Maxwell as a Difficult Artist by Ben Brantley

Ms. Maxwell, a five-time Tony nominee, says that the play, set in 16th-century Venice and produced by the Potomac Theater Project at Atlantic Stage 2, will be her last.

SOURCE: The New York Times Subscription at 10:54PM[SHARE]
Monday, July 13, 2015

Review: 'DruidShakespeare: The History Plays' Is Complete With a Crown Fit for Many Kings by Ben Brantley

This work, under the direction of Garry Hynes and performed by Ireland's Druid Theater Company is a seven-hour adaptation of "Richard II," "Henry IV" and "Henry V."

SOURCE: The New York Times Subscription at 12:46PM[SHARE]
Sunday, July 12, 2015

Review: 'Penn & Teller on Broadway' Explores the Illusions of Technology by Ben Brantley

The magicians perform many familiar tricks in their show at the Marquis Theater, but they also demonstrate a 21st-century edge.

SOURCE: The New York Times Subscription at 10:58PM[SHARE]
Wednesday, July 8, 2015

Review: 'Off the Main Road' Stars Kyra Sedgwick as a Wife in Distress by Ben Brantley

This William Inge play revolves around a midcentury woman whose troubles include an abusive husband.

SOURCE: The New York Times Subscription at 06:27PM[SHARE]
Monday, July 6, 2015

Review: 'Legacy,' an Uneasy Comedy of Morals at Williamstown Festival by Ben Brantley

This play by Daniel Goldfarb focuses on an older author (Eric Bogosian) who becomes obsessed with having a child, to the dismay of his wife (Jessica Hecht).

SOURCE: The New York Times Subscription at 07:09PM[SHARE]

Review: 'Oklahoma!' Preserves a Classic While Adding Punch by Ben Brantley

Daniel Fish's excavation of Rodgers and Hammerstein's classic at Bard College asks that we listen with virgin ears to the show that changed the Broadway musical.

SOURCE: The New York Times Subscription at 10:57AM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off