
Ben Brantley on two plays by Simon Stephens: "Song from Far Away" and "One Minute."
SOURCE: The New York Times Subscription at 08:10PM[SHARE]This romantic love triangle, which played at the Abrons Arts Center, is now playing in Brooklyn.
SOURCE: The New York Times Subscription at 10:26PM[SHARE]So many plays and musicals are being revived so soon after their previous runs that it's best to appreciate the opportunity rather than curse the production.
SOURCE: The New York Times Subscription at 11:22AM[SHARE]Ben Brantley reviews "The Heresy of Love" and "Jacqueline Wilson's Hetty Feather."
SOURCE: The New York Times Subscription at 03:58PM[SHARE]A review of Imelda Staunton in "Gypsy."
SOURCE: The New York Times Subscription at 09:19AM[SHARE]A review of Duncan Macmillan's new play "People, Places and Things."
SOURCE: The New York Times Subscription at 04:03PM[SHARE]Timberlake Wertenbaker's "Our Country's Good" has been given a big, handsome and somewhat literal-minded revival at the National Theater.
SOURCE: The New York Times Subscription at 03:07PM[SHARE]"Bend It Like Beckham: The Musical," with its focus of dreams of the future, has many parallels to "Billy Elliot: The Musical." Then, also in London, there is the Hitler-era "Grand Hotel."
SOURCE: The New York Times Subscription at 08:30AM[SHARE]"Bakkhai," "Splendour" and "The Trial" are among the worthy offerings on London stages this summer.
SOURCE: The New York Times Subscription at 02:15PM[SHARE]This production in London frames Mr. Cumberbatch like a saint in an old-master painting, reflecting the fervor surrounding his star turn.
SOURCE: The New York Times Subscription at 07:28PM[SHARE]David Suchet plays Lady Bracknell in Oscar Wilde's "Importance of Being Earnest" at the Vaudeville Theater and, across the river, Michelle Terry is the cross-dressing heroine of "As You Like…
SOURCE: The New York Times Subscription at 02:00PM[SHARE]In Abi Morgan's "Splendour" at the Donmar Warehouse, Sinead Cusack plays a dictator's wife who drinks shots with her guests at the palace in a revolution-torn city.
SOURCE: The New York Times Subscription at 02:27PM[SHARE]A throbbing, infectious production of Euripides' "The Bakkhai" stars Ben Whishaw as Dionysos; and Rory Kinnear plays Joseph K, Kafka's bewildered and shame-stained hero, in "The Trial."
SOURCE: The New York Times Subscription at 04:37PM[SHARE]This dark play features grotesque festivities that are staged in New York after society has become only a shadow of what it once was.
SOURCE: The New York Times Subscription at 10:37PM[SHARE]Ben Brantley reviews "Three Days in the Country" and "Operation Crucible."
SOURCE: The New York Times Subscription at 06:03PM[SHARE]New York won't be quite the same helluva town after Sept. 6, when this happy revival closes. Misty Copeland, the reigning It girl of American ballet, joins the cast Tuesday.
SOURCE: The New York Times Subscription at 12:51PM[SHARE]Jane Anderson's new play, a Shakespeare & Company production in Lenox, Mass., is about the headaches of rearing a truly gifted child: Joan of Arc.
SOURCE: The New York Times Subscription at 07:10PM[SHARE]How I would love to see this dark masterpiece again, in that same state of unsullied expectation.
SOURCE: The New York Times Subscription at 12:55PM[SHARE]This revival of Eugene O'Neill's play centers on people who assume false roles that allow them to function in their daily lives.
SOURCE: The New York Times Subscription at 06:13PM[SHARE]In its move to Broadway, the show about America's founding fathers is proof that the musical is not only surviving but evolving in ways that should allow it to thrive.
SOURCE: The New York Times Subscription at 08:18PM[SHARE]The British troupe Cheek by Jowl infuses Alfred Jarry's satirical drama with the kind of angry adolescent sentiment that gave birth to it.
SOURCE: The New York Times Subscription at 06:26PM[SHARE]Taking their cues from an essay Keller wrote, actors try to approximate how she perceived the world.
SOURCE: The New York Times Subscription at 01:08PM[SHARE]Carey Perloff's heavy-breathing drama at the Williamstown Theater Festival centers on two newspaper colleagues on the brink of an affair.
SOURCE: The New York Times Subscription at 05:16PM[SHARE]The Potomac Theater Project presents an earnest pair of feminist plays by Caryl Churchill and Howard Barker.
SOURCE: The New York Times Subscription at 04:34PM[SHARE]Encores! presents a concert revival of Andrew Lippa's version of a lurid 1920s poem about a gathering full of sex, drugs and violence.
SOURCE: The New York Times Subscription at 01:34PM[SHARE]Ms. Maxwell, a five-time Tony nominee, says that the play, set in 16th-century Venice and produced by the Potomac Theater Project at Atlantic Stage 2, will be her last.
SOURCE: The New York Times Subscription at 10:54PM[SHARE]This work, under the direction of Garry Hynes and performed by Ireland's Druid Theater Company is a seven-hour adaptation of "Richard II," "Henry IV" and "Henry V."
SOURCE: The New York Times Subscription at 12:46PM[SHARE]The magicians perform many familiar tricks in their show at the Marquis Theater, but they also demonstrate a 21st-century edge.
SOURCE: The New York Times Subscription at 10:58PM[SHARE]This William Inge play revolves around a midcentury woman whose troubles include an abusive husband.
SOURCE: The New York Times Subscription at 06:27PM[SHARE]This play by Daniel Goldfarb focuses on an older author (Eric Bogosian) who becomes obsessed with having a child, to the dismay of his wife (Jessica Hecht).
SOURCE: The New York Times Subscription at 07:09PM[SHARE]Daniel Fish's excavation of Rodgers and Hammerstein's classic at Bard College asks that we listen with virgin ears to the show that changed the Broadway musical.
SOURCE: The New York Times Subscription at 10:57AM[SHARE]

