Friday, May 26, 2017
Harry Potter meets Star Wars in London’s Old Vic’s new production of Woyzeck. Joe Murphy’s production has a script from Cursed Child
SOURCE: The Stage Registration at 08:26AMIssue-driven theatre: Fergus Morgan reviews Charlotte Josephine's play about internet porn.
The post Review: Blush at Soho Theatre appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 05:09AMThursday, May 25, 2017
An Octoroon is America’s Red Velvet. Sort of. Like Lolita Chakrabarti’s 2012 play, Branden Jacob-Jenkins’ OBIE award-winning 2014 work finds a black presence in
SOURCE: The Stage Registration at 05:24AMMonday, May 22, 2017
Everyday Epic, the theme for the 2017 Brighton Festival, fits Richard Nelson’s Gabriel trilogy like a glove. The three plays – Hungry,
SOURCE: The Stage Registration at 05:36AMFriday, May 19, 2017
Housing is on the agenda. After Sh!t Theatre’s Letters to Windsor House and Cardboard Citizens’ Home Truths comes Matt Hartley’s Deposit, a
SOURCE: The Stage Registration at 06:06AMThursday, May 18, 2017
The baby and the bath water and the whole, cast-iron bath: Fergus Morgan reviews a slightly overwrought production of Mark Weinman's debut play.
The post Review: Dyl at the Old Red Lion appe…
SOURCE: exeuntmagazine.com at 05:29AMTuesday, May 16, 2017
It’s ambitious, to stage Richard III in the Arcola Theatre’s intimate main space, but it’s also injudicious. Mehmet Ergan’s unimaginative production is caught be…
SOURCE: The Stage Registration at 08:22AMFriday, May 12, 2017
Combining the disorientating technological playfulness and self-exposing theatricality of Simon McBurney’s The Encounter with the stealthy psychological tension of The Woman in Blac…
SOURCE: The Stage Registration at 06:57AMTuesday, May 9, 2017
Sam Shepard plays gnaw away at you. They tease you with cryptic clues, disintegrating storylines and restless, febrile characters. His 1985 play
SOURCE: The Stage Registration at 11:34AMThere are no prizes for spotting the thinking behind the Donmar Warehouse’s staging of a fresh adaptation of Bertolt Brecht’s classic 1941
SOURCE: The Stage Registration at 05:41AMMonday, May 8, 2017
You would have to have been on a Valium-induced holiday to Antarctica not to have heard about Angels in America at the
SOURCE: The Stage Registration at 12:25PMFriday, May 5, 2017
Selling out its Sloane Square run in a day, breaking the Royal Court’s record for fastest-selling production, with a West End transfer already confirmed and
SOURCE: The Stage Registration at 10:33AMIt’s 2017, and still not one Premier League footballer is openly gay. Eyeing this glaring anachronism, the Union Theatre has optimistically turned
SOURCE: The Stage Registration at 08:58AMWednesday, May 3, 2017
We’re only in April, but at the Globe, the Summer of Love is already bursting into life. Artistic director Emma Rice’s last outdoor season kicks off
SOURCE: The Stage Registration at 07:10AMChartres, August 1944. A teenage Nazi soldier and a French girl secretly meet on the eve of the American army’s triumphant arrival, spending one
SOURCE: The Stage Registration at 05:48AMTuesday, May 2, 2017
The troubled past and traumatised future of Northern Ireland come face to face in David Ireland’s ferociously funny 2010 two-hander Everything Between
SOURCE: The Stage Registration at 12:25PMFriday, April 28, 2017
Combining the creeping high school horror of Jay Asher’s 13 Reasons Why, the stigma-skewering impishness of Bruce Norris’ Clybourne Park, and a delectably bleak, Fargo-esque …
SOURCE: The Stage Registration at 08:38AMWednesday, April 26, 2017
Barely a month after the theatrical earthquake of Roman Tragedies, Ivo van Hove returns to the Barbican with Obsession, an adaptation of
SOURCE: The Stage Registration at 12:24PMWhat I'm suppose to think vs What I actually think: Fergus Morgan reviews the world premiere of Ivo van Hove's Obsession.
The post Review: Obsession at the Barbican appeared first on Exeunt…
SOURCE: exeuntmagazine.com at 05:33AMTuesday, April 25, 2017
It’s Moliere month in the West End. While David Tennant stars in Patrick Marber’s 21st Century update of Don Juan, and Lee Mack and
SOURCE: The Stage Registration at 03:48AMFriday, April 21, 2017
Home Truths is Cardboard Citizens’ attempt to tell the history of British housing in nine new short plays. Cycle One – of
SOURCE: The Stage Registration at 08:04AMTuesday, April 18, 2017
The third fruit of the opinion-dividing partnership between the English National Opera and production company GradeLinnit, Lonny Price’s semi-staged revival of Rodgers
SOURCE: The Stage Registration at 12:37PMWednesday, April 12, 2017
Albert Camus’ 1947 novel The Plague, the story of a city torn apart by infectious fever, is a bold allegory on the Nazi occupation. In Neil Bartlett’s compelling new
SOURCE: The Stage Registration at 08:14AMTuesday, April 11, 2017
It’s Edward Albee season in the West End at the moment. While Who’s Afraid Of Virginia Woolf? drags audiences into marital hell six nights a
SOURCE: The Stage Registration at 11:39AMFriday, April 7, 2017
Question: what do Harold Pinter, Ruth Wilson, Sandi Toksvig and Michael Billington have in common? Answer: they all, at one point or
SOURCE: The Stage Registration at 10:12AMFirst a novel in 1932, then a Hollywood film the subsequent year, then a smash-hit Broadway musical in 1980, 42nd Street’s route from page to
SOURCE: The Stage Registration at 09:20AMWednesday, April 5, 2017
The Who’s Tommy – the original rock opera – is a sprawling, kaleidoscopic storytelling experience. So it makes sense for Kerry Michael’s staging – a
SOURCE: The Stage Registration at 06:15AMMonday, April 3, 2017
Glenn Waldron’s new play, Natives, interleaves the stories of three teenagers on their 14th birthday, tracking their movements as they slowly and
SOURCE: The Stage Registration at 11:15AMBarney Norris’ new play Echo’s End, like so much First World War drama before it, is infused with an august Rupert Brooke
SOURCE: The Stage Registration at 07:37AMFriday, March 31, 2017
Caryl Churchill’s The Skriker is a tough nut. Dense, otherworldly and frequently incomprehensible, it deals with an ancient, female spirit – the Skriker
SOURCE: The Stage Registration at 11:20AMWednesday, March 29, 2017
Is Patrick Marber the busiest man in theatre at the moment? His National Theatre adaptation of Hedda Gabler has just closed (but will reappear
SOURCE: The Stage Registration at 11:49AM 
