Saturday, August 5, 2017
Part science lecture, part interwoven monologue drama, part cheery, chirpy sing-a-long, Joe Sellman-Leava and Michael Woodman’s three-handed Fix – one of three Worklight Theatre…
SOURCE: The Stage Registration at 05:19AMFriday, August 4, 2017
Solo Scottish storyteller Gary McNair was made an associate artist at the Traverse back in February, and he returns to the theatre
SOURCE: The Stage Registration at 01:19PMSaturday, July 29, 2017
In his productions of The Glass Menagerie and Harry Potter and the Cursed Child, Olivier-winning director John Tiffany crafted worlds of delicacy
SOURCE: The Stage Registration at 06:45AMFriday, July 28, 2017
Let’s be clear this is not a ”Bob Dylan musical”. Girl from the North Country might feature songs from the Nobel Prize-winning, singer-songwriter’s extensive catalogue,
SOURCE: The Stage Registration at 11:24AMWednesday, July 26, 2017
London’s Young Vic has moved into the West End this summer, with Australian director Benedict Andrews’ much-anticipated revival of Tennessee Williams’ Cat on a Hot Tin
SOURCE: The Stage Registration at 11:59AMMonday, July 24, 2017
Emma Rice’s valedictory Summer of Love season has so far whisked audiences from Shakespeare’s Globe to a grotesquely clownish Verona in Daniel Kramer’s Romeo and
SOURCE: The Stage Registration at 10:47AMMonday, July 17, 2017
Latitude is my local festival. I’ve been coming since 2009. I saw Damon Albarn in a thunderstorm, Bloc Party before they split
SOURCE: The Stage Registration at 09:46AMThursday, July 13, 2017
Dee is 33. She lives in an unglamorous bedsit in London, far from her home in the Welsh valleys. She has a
SOURCE: The Stage Registration at 07:01PMWednesday, July 12, 2017
What lengths would you go to for a child to call your own? What relationships would you forsake? What laws would you
SOURCE: The Stage Registration at 05:53AMMonday, July 10, 2017
Amer Hlehel’s one-man play Taha paints a personal portrait on a political canvas, weaving the life story of Palestinian poet Taha Muhammad Ali against the backdrop of the es…
SOURCE: The Stage Registration at 08:03AMMonday, July 3, 2017
Kenneth Grahame’s classic 1908 children’s novel has worked its way into the fabric of British society over the last century, adapted multifariously into films,
SOURCE: The Stage Registration at 12:29PMShit-faced Shakespeare – a pared down play in which one of the cast members is three sheets to the wind – has been a staple
SOURCE: The Stage Registration at 10:33AMFriday, June 30, 2017
Lanie Robertson’s 1986 work Lady Day at Emerson’s Bar and Grill isn’t exactly a musical and it isn’t exactly a play. Styled
SOURCE: The Stage Registration at 08:42AMThursday, June 29, 2017
Andrew Keatley’s Alligators has serious bite. Revised and refined since its 2016 developmental run, Simon Evans’ production returns to the Hampstead Theatre Downstairs a tigh…
SOURCE: The Stage Registration at 06:50AMWednesday, June 28, 2017
James Graham is having a busy 2017. His 2012 smash-hit This House finished its long-overdue West End run in February, his new comedy Labour of Love
SOURCE: The Stage Registration at 12:57PMBritain's best-selling fish-and-chip-wrapper: Fergus Morgan reviews James Graham's new play about the Sun.
The post Review: Ink at the Almeida appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 03:47AMThursday, June 22, 2017
Coupling the knotty legal dialectic of 12 Angry Men with the gut-wrenching emotional tug of United 93, Ferdinand von Schirach’s Terror makes
SOURCE: The Stage Registration at 06:00PMMeat Loaf has had one hell of a shelf life. Initially a barbarised Peter Pan musical project, then an operatic prog-rock album
SOURCE: The Stage Registration at 12:26PMSomething happens just before the interval in US playwright Branden Jacobs-Jenkins’ Gloria that shocks, viscerally. Out of the blue and on a
SOURCE: The Stage Registration at 06:03AMThursday, June 15, 2017
The first fruit of Furnace, the Birmingham Rep’s community theatre initiative, was We’re Here Because We’re Here, the Somme centenary memorial that flooded locations
SOURCE: The Stage Registration at 10:44AMFriday, June 9, 2017
A country on the brink of a society-defining technological change, viciously divided between the rich and the poor, the town and the country,
SOURCE: The Stage Registration at 06:39AMThursday, June 8, 2017
Staged with captivating simplicity, David Greig and Noah and the Whale frontman Charlie Fink’s new musical two-hander Cover My Tracks is a blissful
SOURCE: The Stage Registration at 07:01PMPhil Davies’ Landmines is potent stuff, particularly in light of recent events. Produced here by the Bridge Theatre Company, the professional arm of the Brit
SOURCE: The Stage Registration at 10:30AMWednesday, June 7, 2017
There’s a surplus of young talent on the West End stage at the moment. Dennis Kelly and Tim Minchin’s Matilda is still
SOURCE: The Stage Registration at 01:32PMA classic case of biting off more than one can chew: Fergus Morgan responds to the Time Out audience reviews of DC Moore's Common.
The post Review: Common at the National Theatre appeared f…
SOURCE: exeuntmagazine.com at 05:36AMFriday, June 2, 2017
There’s a thrilling, thought-provoking play to be written about the vituperative vengeance of social media, but Chris England’s new comedy Twitstorm definitely isn’t
SOURCE: The Stage Registration at 07:45AMThursday, June 1, 2017
IOU’s Rear View takes you places. Literally. After a brief prologue in an impromptu life drawing class – relax, you don’t actually put
SOURCE: The Stage Registration at 08:04AMWednesday, May 31, 2017
Emma Rice’s valedictory summer season at Shakespeare’s Globe started with a bang and is only getting louder. After Daniel Kramer’s raucous Romeo
SOURCE: The Stage Registration at 12:00PMTuesday, May 30, 2017
If I could take the entire Parliamentary Labour Party to see Luke Wright’s new verse play, I would. The Bungay-based performance poet’s last
SOURCE: The Stage Registration at 08:19AMSaturday, May 27, 2017
"One of the hardest things for boys to learn is that a teacher is human..." Fergus Morgan reviews Matt Parvin's play about the class clown and his former teacher.
The post Review: Jam at the…
SOURCE: exeuntmagazine.com at 07:11AMFriday, May 26, 2017
Harry Potter meets Star Wars in London’s Old Vic’s new production of Woyzeck. Joe Murphy’s production has a script from Cursed Child
SOURCE: The Stage Registration at 08:26AM 
