All stories by NEIL GENZLINGER on BroadwayStars

Wednesday, November 30, 2016

Review: ‘Not That Jewish,’ but Funny Just the Same by Neil Genzlinger

The comic and writer Monica Piper tells stories about her life and her casual relationship with her religion in a one-woman show at New World Stages.

SOURCE: The New York Times Subscription at 06:48PM
Friday, November 18, 2016

Review: Cooking Their Way Out of the ’50s, Singing by Neil Genzlinger

In “A Taste of Things to Come,” a breezy musical at York Theater Company, four friends navigate the 1950s, the 1960s and the inevitability of change.

SOURCE: The New York Times Subscription at 04:36PM
Wednesday, October 12, 2016

On PBS, the Story of ‘Hamilton’ and Hamilton by Neil Genzlinger

The Broadway musical and the man it’s about are the subject of a “Great Performances” documentary.

SOURCE: The New York Times Subscription at 12:27PM
Thursday, October 6, 2016

Review: The Golden Girls, Back Again as Wisecracking Puppets by Neil Genzlinger

Jonathan Rockefeller’s puppet play at DR2, ‘That Golden Girls Show! A Puppet Parody,’ features the familiar sitcom characters, doing what they always did.

SOURCE: The New York Times Subscription at 05:46PM
Thursday, August 25, 2016

Review: In ‘A Day by the Sea,’ Words Unsaid or Said Quite Bluntly by Neil Genzlinger

The overall portrait in this 1953 play by N.C. Hunter is of an economically comfortable English family in coastal Dorset in the anxious postwar years.

SOURCE: The New York Times Subscription at 10:52PM
Thursday, August 18, 2016

Review: Daniel Radcliffe Battles Homegrown Extremists in ‘Imperium’ by Neil Genzlinger

Inspired by the career of a former F.B.I. agent who infiltrated white supremacist groups, the film may get moviegoers’ blood boiling.

SOURCE: The New York Times Subscription at 09:35PM

A Week of Mel Brooks in Brooklyn by Neil Genzlinger

“History of the World, Part I” is one of seven Brooks movies being served with food and drinks at the theater-restaurant Syndicated.

SOURCE: The New York Times Subscription at 09:35PM
Monday, July 25, 2016

Review: If You Want to Find Your Way Out of ‘Paradiso,’ Think Fast by Neil Genzlinger

Michael Counts’s newest adventure mixes theatrical flourishes with the escape-room fad.

SOURCE: The New York Times Subscription at 05:50PM
Friday, July 22, 2016

Review: A ‘Macbeth’ at Ease in the Dark and Noisy City by Neil Genzlinger

Outdoors at Marcus Garvey Park, a Shakespeare classic plays out in a free production that’s enhanced by its urban surroundings.

SOURCE: The New York Times Subscription at 06:18PM
Sunday, June 26, 2016

Review: In ‘Katdashians! Break the Musical!,’ Cats Talk Like Kardashians by Neil Genzlinger

Another mash-up from the team that turned “Full House” and “Saved by the Bell” into stage parodies.

SOURCE: The New York Times Subscription at 05:58PM
Sunday, June 19, 2016

Review: ‘I’ll Say She Is’ Revives a Marx Brothers Revue by Neil Genzlinger

Noah Diamond delivers a precise revival of Groucho and Company’s first assault on Broadway.

SOURCE: The New York Times Subscription at 05:58PM
Monday, June 13, 2016

Review: ‘Wrecked,’ on TBS, Finds Comedy in a Desperate Situation by Neil Genzlinger

This comedy isn’t above lowbrow humor as it melds elements of “Gilligan’s Island” and “Lost.”

SOURCE: The New York Times Subscription at 05:42PM
Thursday, June 9, 2016

Review: In ‘Lone Star Spirits,’ Haunting High School Memories by Neil Genzlinger

In a ratty Texas liquor store, several people show up, along with that small-town specter, the rift between those who leave and grow and those who don’t.

SOURCE: The New York Times Subscription at 06:26PM
Wednesday, June 1, 2016

Review: ‘You’re a Good Man, Charlie Brown’ Takes a Youthful Turn by Neil Genzlinger

There are positive and negative aspects to this York Theater Company production’s casting of young children instead of adults.

SOURCE: The New York Times Subscription at 05:03PM
Sunday, May 29, 2016

Review: In ‘The Dresser,’ Ian McKellen and Anthony Hopkins Give Riveting Performances by Neil Genzlinger

A stage actor struggling with the demons of old age is propped up by his personal assistant in this period piece, set during World War II.

SOURCE: The New York Times Subscription at 04:58PM
Thursday, May 19, 2016

Review: Bryan Cranston Shines as Lyndon Johnson in ‘All the Way’ by Neil Genzlinger

This HBO film, directed by Jay Roach and covering Johnson’s first year in office, is based on Robert Schenkkan’s Tony Award-winning play from 2014.

SOURCE: The New York Times Subscription at 08:07PM
Wednesday, May 11, 2016

Review: ‘This Time,’ a Woman Boldly Follows Her Heart in Search of Herself by Neil Genzlinger

The play, by Sevan K. Greene and directed by Kareem Fahmy, is inspired by a memoir written by Mr. Fahmy’s grandmother.

SOURCE: The New York Times Subscription at 06:34PM
Sunday, April 24, 2016

Review: ‘One Funny Mother’ Delivers One-Liners Without Depth by Neil Genzlinger

Dena Blizzard’s solo show about the travails of motherhood offers an evening of easy laughs but little insight.

SOURCE: The New York Times Subscription at 02:28PM
Monday, March 28, 2016

Critic’s Notebook: If You Want to Make a ‘Hamlet,’ You Have to Break Some Rules by Neil Genzlinger

If David Carl as Gary Busey as Hamlet is not exponential enough, the New York Shakespeare Exchange is offering “Hamlet” to the 10th power.

SOURCE: The New York Times Subscription at 10:24PM
Friday, March 18, 2016

Review: ‘Double Falsehood,’ and Just Maybe a Double Byline by Neil Genzlinger

A play that may have been at least partly written by Shakespeare is mounted by the Letter of Marque Theater Company.

SOURCE: The New York Times Subscription at 06:36PM
Friday, March 4, 2016

Review: ‘Neal Brennan 3 MICS’ Comes at Comedy From Several Directions by Neil Genzlinger

A solo show from a writing partner of Dave Chappelle, mixes one-liners, stand-up and the confessional.

SOURCE: The New York Times Subscription at 10:31PM
Thursday, February 18, 2016

Review: ‘Old Hats,’ Mime and Mayhem From Irwin and Shiner by Neil Genzlinger

The veteran stage clowns Bill Irwin and David Shiner bring back their sketches to the Pershing Square Signature Center.

SOURCE: The New York Times Subscription at 10:48PM
Thursday, February 11, 2016

Review: In ‘Thank God for Jokes,’ Mike Birbiglia Tells His Side of the Story by Neil Genzlinger

Mr. Birbiglia’s one-man show is an indescribably ridiculous collection of anecdotes and asides that miraculously blend into a whole.

SOURCE: The New York Times Subscription at 10:32PM
Thursday, February 4, 2016

Review: Seeking Common Ground in ‘Chatting With the Tea Party’ by Neil Genzlinger

Mr. Orloff, in this play, seeks to humanize members of a group dismissed by his friends and characterized as loudmouth reactionaries.

SOURCE: The New York Times Subscription at 05:56PM
Tuesday, February 2, 2016

Review: In ‘Death of the Liberal Class,’ a Writer Tones Down His Anger by Neil Genzlinger

This play imagines what happens to an author after he tires of railing against the capitalist system.

SOURCE: The New York Times Subscription at 02:02PM
Monday, February 1, 2016

Review: Spectacle of ‘Grease: Live!’ Puts Moments Above Story by Neil Genzlinger

With its bar-raising razzle-dazzle, “Grease: Live!” propels the trend of musicals-on-television toward a new art form: not theater; more like the movie, but performed live.

SOURCE: The New York Times Subscription at 06:36AM
Monday, January 25, 2016

Review: ‘Drunk Shakespeare,’ Where the Tipsy and the Sober Take Liberties by Neil Genzlinger

Each night the Drunk Shakespeare Society gathers with audience members on a library-like set, whereupon one actor downs alcohol, and the play commences.

SOURCE: The New York Times Subscription at 05:28PM
Friday, January 15, 2016

Review: In ‘God Bless Baseball,’ Japan, Korea and America’s Pastime by Neil Genzlinger

Toshiki Okada’s play at Japan Society uses an allegory to dissect the relationship among these three countries.

SOURCE: The New York Times Subscription at 07:14PM
Monday, January 11, 2016

Review: Lars Jan’s ‘The Institute of Memory (TIMe)’ Is a Search for Identity by Neil Genzlinger

Mr. Jan’s play is a multimedia quest to uncover details about his father’s past.

SOURCE: The New York Times Subscription at 06:04PM
Sunday, January 10, 2016

Review: ‘The Offending Gesture’ Takes On Foreign Policy’s Barking Madness by Neil Genzlinger

Mr. Wellman’s play at the Connelly Theater uses Hitler’s dog, among other tools, to criticize international relations today.

SOURCE: The New York Times Subscription at 06:19PM
Wednesday, December 30, 2015

Critic's Notebook: ‘Galavant’ Goes Medieval for the Biggest Laughs by Neil Genzlinger

The ABC musical-comedy series, starting its second season on Sunday, is mindless in all the best ways.

SOURCE: The New York Times Subscription at 08:56PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic