Thursday, April 2, 2020
Among his credits were Broadway shows, operas and the original production of “Hair.” He also influenced numerous actors’ careers as an educator.
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Though known from his TV role, he did much of his work on the stage, starting as an original Acting Company member.
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Mr. McNally, who died of coronavirus complications, introduced audiences to characters and situations that most mainstream theater had previously shunted into comic asides.
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A scholar and historian, he amassed an invaluable trove of interviews and other material with his wife, the filmmaker Camille Billops.
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Friday, February 28, 2020
He provided the administrative know-how that got the theater troupe off the ground in 1967. That he was white drew some criticism.
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Her signature performances included the title role in “The Prime of Miss Jean Brodie” and Maria Callas in “Master Class.”
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Friday, February 7, 2020
In a wide-ranging career, he was also the voice of Mark Twain for a Ken Burns film and of an “Outer Limits” reboot.
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Saturday, January 25, 2020
In an era when big-budget theater was an increasingly corporate affair, Ms. Lion was a proudly independent producer.
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His Broadway work won him four Tony Awards. A different audience knew another of his designs: the Parliament-Funkadelic Mothership.
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His family perished in the Holocaust. He survived and came to the United States, where he worked with Ben Gazzara, George Peppard, Samuel Beckett and Arthur Miller.
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He won theater’s top prize for his performance in “The Invention of Love,” one of numerous Broadway roles.
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Friday, December 6, 2019
In addition to his acclaimed turn as Roy Cohn on Broadway, he was known for his work in “Norma Rae,” “Slaughterhouse-Five” and other films.
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He directed numerous productions of Wilson plays, including two on Broadway, but some of his best work was done in regional theaters.
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His “Same Time, Next Year” ran for years on Broadway, was made into a movie and is often described as one of the most-produced plays in the world.
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The work, featuring a central character who is deaf, won the Tony Award for best play in 1980 and was turned into an Oscar-winning 1986 movie.
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After gaining fame as the blustery newsman Ted Baxter’s love interest, Ms. Engel went on to “Everybody Loves Raymond” and more.
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Friday, March 1, 2019
Before she found fame on two long-running television series, Ms. Helmond was a well-regarded stage actress.
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A founder of the Free Southern Theater in 1963, he was as eager to hear his audiences’ stories as he was to perform.
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Best known for the 1960s sitcom “The Mothers-in-Law,” she also had memorable turns in Broadway musicals and rode the nightclub circuit for years.
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When she led the orchestra for “The Music Man” in 1960, she became the first woman to be hired as a full-time conductor for a Broadway show.
Linked From The New York Times Subscription at 08:18PMHis work in opera, theater and ballet cast aside traditional ideas of what sets should be — realistic and utilitarian — in favor of abstract designs that made a statement.
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He became a core member of the Spanish-language troupe Repertorio Español after leaving Cuba, where he had spent time in a forced-labor camp.
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An “accidental actor,” he found himself on Broadway almost immediately after his career began and went on appear frequently onstage.
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His plays, produced frequently in the 1970s, ’80s and ’90s, often threw polar opposites together to explore themes both comic and serious.
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His cartoon show, loved by the 12-and-under crowd and by many much older fans as well, spawned two movies and a Tony-nominated Broadway musical.
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Mr. Rain was a regular on the stage at the Stratford Festival for decades, but he was perhaps best known as HAL 9000 in “2001: A Space Odyssey.”
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