
Alexei Ratmansky, one of the most important figures in ballet, is supporting Ukraine by staging "Giselle" with a company made up of Ukrainian refugees.
SOURCE: The New York Times Subscription at 09:00AM[SHARE]Getting its delayed New York premiere, "Of Love and Rage," at Ballet Theater, is like a time capsule of a more carefree period of Ratmansky's life and art.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]A program of early works at the Joyce Theater shows a different, more experimental side of the choreographer.
SOURCE: The New York Times Subscription at 10:00AM[SHARE]New ballets at American Ballet Theatre, the return of the Paul Taylor Dance Company, the tap artist Dormeshia, and more.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Despite an impressive roster, including Manuel Liñán's "Viva!," this year's edition, the 20th, represents a radically streamlined version of the festival.
SOURCE: The New York Times Subscription at 02:22PM[SHARE]Opera houses and theaters in European cities are offering to help fleeing or stranded ballet dancers, even as many are still stuck in Ukraine.
SOURCE: The New York Times Subscription at 03:54PM[SHARE]The New York-based choreographer, who was working on a new ballet for the Bolshoi, said he doubted he would return to Russia to work "if Putin is still president."
SOURCE: The New York Times Subscription at 04:15PM[SHARE]It has taken Miami City Ballet six years to get the Alexei Ratmansky production " the biggest and most expensive in the company's history " off the ground.
SOURCE: The New York Times Subscription at 10:00AM[SHARE]"I was thinking about Balanchine a lot," said Roberts, Ailey's choreographer in residence, who is making his first work for New York City Ballet.
SOURCE: The New York Times Subscription at 10:00AM[SHARE]The spring-summer season is to include groups from abroad, as well as performances the Paul Taylor company, Dormeshia and others.
SOURCE: The New York Times Subscription at 02:00PM[SHARE]Thomas Forster, promoted to principal dancer during the pandemic, makes his New York debut in "Giselle" as the company returns to Lincoln Center.
SOURCE: The New York Times Subscription at 10:20AM[SHARE]The pandemic was disastrous for tango. But milongas are thriving around the city now, capped by the return of Queer Tango Weekend.
SOURCE: The New York Times Subscription at 10:00AM[SHARE]New York City Ballet and American Ballet Theatre return to Lincoln Center, the Joyce hosts Ragamala Dance and Caleb Teicher, and more.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]The season features 18 companies, including some, like Malpaso from Cuba, whose shows were canceled last year.
SOURCE: The New York Times Subscription at 12:00PM[SHARE]A major figure in 20th-century dance, she was acclaimed for her directness and emotional naturalness onstage, especially in the title role of "Giselle."
SOURCE: The New York Times Subscription at 06:11PM[SHARE]Major companies return with outdoor performances at Jacob's Pillow Dance Festival, Kaatsbaan Cultural Park, Lincoln Center, and more.
SOURCE: The New Yorker Subscription at 07:34AM[SHARE]One of the busiest choreographers in ballet is back in the studio, thanks to bubble protocols. "For what I do, and for the language I use, the stage is needed," Ratmansky said.
SOURCE: The New York Times Subscription at 10:00AM[SHARE]Streaming highlights: the New York Chorale Society, Ronald K. Brown/Evidence and City Ballet's 'Prodigal Son.'
SOURCE: The New York Times Subscription at 01:35PM[SHARE]Mr. Copes, along with his partner MarÃa Nieves Rego, helped take tango out of the social club and make it an international craze. He died of complications of Covid-19.
SOURCE: The New York Times Subscription at 04:24PM[SHARE]Marina Harss writes about Michelle Dorrance, a tap innovator working with the American Ballet Theatre who wants to bring a little noise to ballet.
SOURCE: The New Yorker Subscription at 12:00PM[SHARE]Buck and Boogz are idealists who want to bring dance to new audiences. Their stage show, "Love Heals All Wounds," takes on contemporary social ills.
SOURCE: The New York Times Subscription at 08:00AM[SHARE]The musical puppetry of Mr. Twist's "Symphonie Fantastique," returning to HERE for a three-month run, blurs the line between eye and ear.
SOURCE: The New York Times Subscription at 10:51AM[SHARE]The two big New York-based ballet companies perform at Lincoln Center, and Dance Theatre of Harlem returns.
SOURCE: The New Yorker Subscription at 04:00AM[SHARE]Not too long ago, Robert Fairchild played a young god " Apollo " at New York City Ballet. Now, just two months after retiring from the company to try his luck in musical theater, he finds hi…
SOURCE: The New York Times Subscription at 03:23PM[SHARE]Springing from the New York avant-garde scene of the 70s, Jones has spent 40 years exploring narratives from Abraham Lincoln to Aids in dance. Now he's turned to the work of WG Sebald " and …
SOURCE: The Guardian at 02:33PM[SHARE]For years, the ballet world has been overwhelmingly white, but Copeland's well-deserved promotion will inspire legions of young people who feel excludedAfter much conjecture and a barrage of…
SOURCE: The Guardian at 10:54AM[SHARE]Ask any young female ballet dancer what role she'd most like to dance one day, and the answer is almost always the same: Juliet. "Swan Lake" may be the Mount Everest of the profession, but "…
SOURCE: The New Yorker Subscription at 10:22AM[SHARE]The dancer discusses the one-man show "Brodsky/Baryshnikov," which layers poems by his late friend, the Russian poet Joseph Brodsky.
SOURCE: The New York Times Subscription at 07:07PM[SHARE]A Museum of Modern Art retrospective highlights 18 films featuring dance numbers by Jack Cole, a performance coach to Rita Hayworth and Marilyn Monroe.
SOURCE: The New York Times Subscription at 10:44PM[SHARE]For years, the ballet world has been overwhelmingly white; Copeland's entirely deserved promotion will inspire legions of young people who feel excludedAfter much conjecture and a barrage of…
SOURCE: The Guardian at 05:18PM[SHARE]

