Wednesday, August 23, 2023
Saturday, June 17, 2023
Christopher Wheeldon’s “Like Water for Chocolate” is a new kind of endeavor for the company: a full-length work based on a contemporary novel and popular film.
SOURCE: The New York Times Subscription at 05:01AMFriday, May 26, 2023
Michelle Manzaneles’s new work for Ballet Hispánico is, she says, “a way of going personal through another person’s story.”
SOURCE: The New York Times Subscription at 05:01AMTuesday, March 14, 2023
With a new biography and a production of “Les Noces,” the time has come to reconsider the choreographer, whose work and reputation have languished since .
SOURCE: The New York Times Subscription at 05:00AMTuesday, January 31, 2023
The dancers in the United Ukrainian Ballet have found a home in the Netherlands. This week the company makes its U.S. debut in Alexei Ratmansky’s “Giselle.”
SOURCE: The New York Times Subscription at 10:01AMFriday, December 2, 2022
After a season of saying farewell to cherished roles, the City Ballet principal Sterling Hyltin prepares to take her final bow in “The Nutcracker.”
SOURCE: The New York Times Subscription at 10:00AMWednesday, October 19, 2022
Dance entered Steven Melendez’s life when Diana Byer met him at the shelter where he was living as a child. Now he runs the company she started.
SOURCE: The New York Times Subscription at 12:02PMThursday, September 1, 2022
Bijayini Satpathy has been remaking herself as an artist with the help of a residency at the Metropolitan Museum of Art.
SOURCE: The New York Times Subscription at 10:00AMTuesday, August 30, 2022
Alexei Ratmansky, one of the most important figures in ballet, is supporting Ukraine by staging “Giselle” with a company made up of Ukrainian refugees.
SOURCE: The New York Times Subscription at 09:00AMTuesday, June 14, 2022
Getting its delayed New York premiere, “Of Love and Rage,” at Ballet Theater, is like a time capsule of a more carefree period of Ratmansky’s life and art.
SOURCE: The New York Times Subscription at 05:00AMThursday, June 9, 2022
A program of early works at the Joyce Theater shows a different, more experimental side of the choreographer.
SOURCE: The New York Times Subscription at 10:00AMWednesday, April 20, 2022
Despite an impressive roster, including Manuel Liñán’s “Viva!,” this year’s edition, the 20th, represents a radically streamlined version of the festival.
SOURCE: The New York Times Subscription at 02:22PMTuesday, March 8, 2022
Opera houses and theaters in European cities are offering to help fleeing or stranded ballet dancers, even as many are still stuck in Ukraine.
SOURCE: The New York Times Subscription at 03:54PMSunday, February 27, 2022
The New York-based choreographer, who was working on a new ballet for the Bolshoi, said he doubted he would return to Russia to work “if Putin is still president.”
SOURCE: The New York Times Subscription at 04:15PMThursday, February 3, 2022
It has taken Miami City Ballet six years to get the Alexei Ratmansky production — the biggest and most expensive in the company’s history — off the ground.
SOURCE: The New York Times Subscription at 10:00AMThursday, January 27, 2022
“I was thinking about Balanchine a lot,” said Roberts, Ailey’s choreographer in residence, who is making his first work for New York City Ballet.
SOURCE: The New York Times Subscription at 10:00AMFriday, December 17, 2021
The spring-summer season is to include groups from abroad, as well as performances the Paul Taylor company, Dormeshia and others.
SOURCE: The New York Times Subscription at 02:00PMWednesday, October 20, 2021
Thomas Forster, promoted to principal dancer during the pandemic, makes his New York debut in “Giselle” as the company returns to Lincoln Center.
SOURCE: The New York Times Subscription at 10:20AMFriday, October 15, 2021
The pandemic was disastrous for tango. But milongas are thriving around the city now, capped by the return of Queer Tango Weekend.
SOURCE: The New York Times Subscription at 10:00AMTuesday, July 27, 2021
The season features 18 companies, including some, like Malpaso from Cuba, whose shows were canceled last year.
SOURCE: The New York Times Subscription at 12:00PMFriday, May 28, 2021
A major figure in 20th-century dance, she was acclaimed for her directness and emotional naturalness onstage, especially in the title role of “Giselle.”
SOURCE: The New York Times Subscription at 06:11PMFriday, May 7, 2021
Major companies return with outdoor performances at Jacob’s Pillow Dance Festival, Kaatsbaan Cultural Park, Lincoln Center, and more.
SOURCE: The New Yorker Subscription at 07:34AMFriday, February 26, 2021
One of the busiest choreographers in ballet is back in the studio, thanks to bubble protocols. “For what I do, and for the language I use, the stage is needed,” Ratmansky said.
SOURCE: The New York Times Subscription at 10:00AMTuesday, February 16, 2021
Streaming highlights: the New York Chorale Society, Ronald K. Brown/Evidence and City Ballet’s ‘Prodigal Son.’
SOURCE: The New York Times Subscription at 01:35PMTuesday, January 26, 2021
Mr. Copes, along with his partner María Nieves Rego, helped take tango out of the social club and make it an international craze. He died of complications of Covid-19.
SOURCE: The New York Times Subscription at 04:24PMFriday, May 18, 2018
Marina Harss writes about Michelle Dorrance, a tap innovator working with the American Ballet Theatre who wants to bring a little noise to ballet.
SOURCE: The New Yorker Subscription at 12:00PMTuesday, April 10, 2018
Buck and Boogz are idealists who want to bring dance to new audiences. Their stage show, “Love Heals All Wounds,” takes on contemporary social ills.
SOURCE: The New York Times Subscription at 08:00AMFriday, March 23, 2018
The musical puppetry of Mr. Twist’s “Symphonie Fantastique,” returning to HERE for a three-month run, blurs the line between eye and ear.
SOURCE: The New York Times Subscription at 10:51AMFriday, March 2, 2018
The two big New York-based ballet companies perform at Lincoln Center, and Dance Theatre of Harlem returns.
SOURCE: The New Yorker Subscription at 04:00AMMonday, December 25, 2017
Not too long ago, Robert Fairchild played a young god — Apollo — at New York City Ballet. Now, just two months after retiring from the company to try his luck in musical theater, he find…
SOURCE: The New York Times Subscription at 03:23PMTuesday, October 25, 2016
Springing from the New York avant-garde scene of the 70s, Jones has spent 40 years exploring narratives from Abraham Lincoln to Aids in dance. Now he’s turned to the work of WG Sebald – …
SOURCE: The Guardian at 02:33PM 
