All stories by Laura Collins- Hughes on BroadwayStars

Wednesday, February 17, 2016

Snapshot: Q. and A.: Martyna Majok, Putting Immigrant Lives on Center Stage by Laura Collins- Hughes

Ms. Majok grew up in a gritty stretch of North Jersey, the daughter of a house cleaner. She now writes plays infused with economic insecurity.

SOURCE: The New York Times Subscription at 12:52PM
Monday, February 8, 2016

Review: ‘Rock and Roll Refugee,’ About the Singer Genya Ravan by Laura Collins- Hughes

This musical traces the evolution of a 7-year-old who arrives in New York from Nazi-occupied Poland and will grow up to become Ms. Ravan, a rock singer.

SOURCE: The New York Times Subscription at 05:38PM
Thursday, February 4, 2016

Review: ’Utility,’ a Woman’s Dance With Despair by Laura Collins- Hughes

The play, by Emily Schwend, is a domestic drama about a young mother raising three children on the low wages of her shift-work jobs.

SOURCE: The New York Times Subscription at 05:32PM
Monday, February 1, 2016

Review: ‘O Earth,’ a Riff on ‘Our Town’ by Laura Collins- Hughes

Casey Llewellyn’s play, presented by the Foundry Theater, gives audiences a Grover’s Corners concerned with social changes.

SOURCE: The New York Times Subscription at 06:12PM
Wednesday, January 27, 2016

Review: ‘Imagining the Imaginary Invalid,’ About Absence and Art Making by Laura Collins- Hughes

This large-cast elegy from the experimental companies Mabou Mines and Trick Saddle mingles Molière with more recent memories.

SOURCE: The New York Times Subscription at 12:38PM
Friday, January 22, 2016

Review: ‘Wide Awake Hearts’ and the ABC’s of Infidelity by Laura Collins- Hughes

In a cruel manipulation, a film director casts his wife opposite the actor friend he believes she is enamored with.

SOURCE: The New York Times Subscription at 09:04AM
Monday, January 18, 2016

Review: ‘Puffs’ Parodies Harry Potter’s World by Laura Collins- Hughes

This Matt Cox play is a romp through what its subtitle describes as “Seven Increasingly Eventful Years at a Certain School of Magic and Magic."

SOURCE: The New York Times Subscription at 04:28PM
Thursday, January 14, 2016

Review: ‘Maurice Hines Tappin’ Thru Life,’ a Jazz- and Tap-Filled Journey Through the Past by Laura Collins- Hughes

In this variety-style show, Mr. Hines tells the story of his career rise and that of his brother, Gregory, who died in 2003.

SOURCE: The New York Times Subscription at 07:35PM
Thursday, December 17, 2015

Review: In ‘The First Noel,’ a Forlorn Girl Longing for Holiday Gaiety by Laura Collins- Hughes

In this musical at the Apollo, a woman returns to the Harlem brownstone where she grew up and revisits a childhood darkened by the death of a sibling.

SOURCE: The New York Times Subscription at 11:19AM
Thursday, December 10, 2015

Review: John Jahnke’s ‘Alas, the Nymphs . . .’ Goes Back to the Beginning by Laura Collins- Hughes

Part 1 of Mr. Jahnke’s trilogy, arriving via Hotel Savant almost five years after Part 3, brings fairy-tale Greek drama to BAM Fisher.

SOURCE: The New York Times Subscription at 07:15PM

Review: ‘The Golden Bride’ Walks Down the Aisle Again by Laura Collins- Hughes

This 1923 operetta, still deeply satisfying, has been revived by the National Yiddish Theater Folksbiene.

SOURCE: The New York Times Subscription at 12:34AM

Review: Andrea McArdle and Kip Gilman Puzzle Out Love in ‘2 Across’ by Laura Collins- Hughes

Two crossword enthusiasts meet in an almost empty subway car and wrestle with a contentious mutual attraction.

SOURCE: The New York Times Subscription at 12:34AM
Friday, December 4, 2015

Review: ‘Gigantic’ Takes On a Ton of Teenage Angst by Laura Collins- Hughes

Summer camp romance, rivalry, oddballs and fat jokes all have a role in this production from Vineyard Theater.

SOURCE: The New York Times Subscription at 10:08PM
Tuesday, December 1, 2015

Review: Jane Martin’s ‘H2O’ Explores the Interdependence of the Sacred and the Profane by Laura Collins- Hughes

This play, presented by Ground Up Productions at 59E59 Theaters, pairs two actors, one self-loathing and suicidal, the other a dedicated conservative Christian.

SOURCE: The New York Times Subscription at 10:25PM
Sunday, November 22, 2015

Review: Naomi Wallace’s ‘Night Is a Room’ Unfurls a Complex Reunion by Laura Collins- Hughes

As a birthday present for her husband, a woman sets up a surprise meeting for him with his biological mother in this play, at Signature Theater.

SOURCE: The New York Times Subscription at 10:31PM
Tuesday, November 17, 2015

Review: ‘The Astronaut Love Show,’ Tales of Not So Magnificent Obsession by Laura Collins- Hughes

Fred Sauter and Paul Leschen’s new musical features three thinly disguised real stories of besotted people doing crazy things.

SOURCE: The New York Times Subscription at 11:24AM
Monday, November 9, 2015

Review: ‘Dead and Breathing,’ About the Right to Die by Laura Collins- Hughes

An long-ailing woman who would like to die has a proposal for her nurse in Chisa Hutchinson’s play, at the National Black Theater.

SOURCE: The New York Times Subscription at 05:28PM
Friday, October 9, 2015

Review: ‘Up and Away,’ a Trip Into the Clouds for a Special Audience by Laura Collins- Hughes

This show, created for children on the autism spectrum, is a journey into the sky very loosely inspired by Jules Verne’s “Around the World in 80 Days.”

SOURCE: The New York Times Subscription at 12:24AM
Thursday, October 1, 2015

Review: Anxious Puppets and Other Dummies in ‘The Daisy Theater’ by Laura Collins- Hughes

The Canadian puppeteer kept expectations low for “The Daisy Theater” at Baryshnikov Arts Center, a lightheartedly silly show with subtle intelligence.

SOURCE: The New York Times Subscription at 07:27PM
Friday, May 15, 2015

Review: ‘The Duchamp Syndrome’ Debuts at the Flea Theater by Laura Collins- Hughes

The play, written by and starring Antonio Vega, follows a lonely janitor new to the United States.

SOURCE: The New York Times Subscription at 05:51PM
Thursday, December 25, 2014

Times Writers Share Last Chance Theater Picks by Ben Brantley, Alexis Soloski and Laura Collins- Hughes

Times writers share last chance theater picks, including “Here Lies Love,” David Byrne and Fat Boy Slim’s musical biodrama of Imelda Marcos.

SOURCE: The New York Times Subscription at 05:09PM
Thursday, December 18, 2014
Wednesday, August 13, 2014

Theater Review: ‘Revolution in the Elbow of Ragnar Agnarsson’ at Minetta Lane by Laura Collins- Hughes

This rock musical, an import from Iceland, addresses the economic tumult in a town that resides in the titular body part.

SOURCE: The New York Times Subscription at 05:46PM
Sunday, August 10, 2014

Theater Review: ‘The Law of Return’ Revisits the Jonathan Pollard Case by Laura Collins- Hughes

The Jonathan Pollard Israeli spy case of the 1980s comes to the stage at the Fourth Street Theater.

SOURCE: The New York Times Subscription at 06:25PM
Tuesday, January 21, 2014

Theater Review: ‘Rosencrantz and Guildenstern Are Dead,’ but Returned by Laura Collins- Hughes

“Rosencrantz and Guildenstern Are Dead” is being presented by the Acting Company, along with “Hamlet.”    

SOURCE: The New York Times Subscription at 10:00PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic