Comedy writing duo Sam Bain and Jesse Armstrong share an impressive CV " sketch writers for Mitchell and Webb, co-creators of the
SOURCE: The Stage Registration at 08:36AM[SHARE]There are misjudged artistic decisions and then there’s this. The inaugural production of Latimer Road’s new Playground Theatre is an outrageously sexist,
SOURCE: The Stage Registration at 07:01PM[SHARE]Stewart Pringle’s Papatango prize-winning two-hander is the sort of play you want to take your gran to: a modest not-quite-love story brimming with gentle humour
SOURCE: The Stage Registration at 05:55AM[SHARE]There’s one big problem with reworking The Invisible Man for the theatre. See if you can spot it. No, it’s him. Over
SOURCE: The Stage Registration at 08:31AM[SHARE]Nicholas Hytner and Nick Starr, who together ran the National Theatre for 12 years and oversaw some of the biggest theatrical smash-hits
SOURCE: The Stage Registration at 01:23PM[SHARE]He considered himself impervious to stage horror, but after taking part in a research project monitoring audience's heart-rate activity while watching live
SOURCE: The Stage Registration at 11:00AM[SHARE]Good state-of-the-nation stuff: Fergus Morgan reviews Mike Bartlett's new play at the Almeida. The post Review: Albion at the Almeida appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 04:25AM[SHARE]In the late 1970s, punk band Oxy and the Morons nearly made it, coming within a pen-stroke of signing with record label EMI, before
SOURCE: The Stage Registration at 11:16AM[SHARE]What an awful moment for Venus in Fur to arrive in the West End. With stories of Hollywood’s deep-seated misogyny dominating the
SOURCE: The Stage Registration at 11:12AM[SHARE]The lights come up. A woman in a giant mouse costume is furiously riding a prostrate man. They climax, then, in thick Belfast accents, have an
SOURCE: The Stage Registration at 07:15AM[SHARE]A sledgehammer made of metaphor: Fergus Morgan reviews Rory Mullarkey allegorical play about the history of Britain. The post Review: Saint George and the Dragon at National Theatre appear…
SOURCE: exeuntmagazine.com at 04:02AM[SHARE]Dublin Theatre Festival turns 60 this year, not that artistic director Willie White is particularly focused on commemorating such longevity, announcing that “Anniversaries are…
SOURCE: The Stage Registration at 12:08PM[SHARE]Talk about reanimating the dead. US comedy legend Mel Brooks’ classic 1974 spoof film Young Frankenstein had been gathering dust for 33
SOURCE: The Stage Registration at 10:14AM[SHARE]If there was an Olivier for most intimidating play title, Simon Stephens’ new two-hander would be a shoo-in. Fret not, as Heisenberg: The Uncertainty
SOURCE: The Stage Registration at 06:02AM[SHARE]Does James Graham ever take a break? Not content with two West End runs already in 2017 " This House, which finished its long-overdue transfer back
SOURCE: The Stage Registration at 09:00AM[SHARE]David Farr’s hectic 1996 football comedy Elton John’s Glasses " here given its first UK revival by Psyche Stott " is a
SOURCE: The Stage Registration at 08:07AM[SHARE]We’ve already had one Take That jukebox musical: in 2008, the ill-fated Never Forget had a brief West End run before sinking
SOURCE: The Stage Registration at 09:13AM[SHARE]Originally a classic Ealing comedy starring Alec Guinness, then an under-par Coen brothers rehash with Tom Hanks, and finally a West End play
SOURCE: The Stage Registration at 10:04AM[SHARE]Yep, you read that right. Yet another Hamlet, starring yet another white British man who either has, or probably will at some
SOURCE: The Stage Registration at 12:36PM[SHARE]After a torrid few months hosting Yael Farber’s Salome and DC Moore’s Common, the Olivier is crying out for a hit. Its autumn offerings start with a bang, wi…
SOURCE: The Stage Registration at 07:42AM[SHARE]Alan Harris’ one-man play Sugar Baby is a great laugh, a chaotic comedy caper set on the streets of Cardiff with a
SOURCE: The Stage Registration at 12:48PM[SHARE]Last year, Phosphoros Theatre’s Dear Home Office turned heads with its bold, brutal evocation of life as an unaccompanied child refugee. Dear
SOURCE: The Stage Registration at 12:13PM[SHARE]Written by Ontroerend Goed’s Joeri Smet, directed by Warts and All Theatre’s Christopher Elmer-Gorry and performed by members of the Almeida Theatre Young Company, From�…
SOURCE: The Stage Registration at 10:54AM[SHARE]In November 1919, Franz Kafka wrote a 50-page letter to his father, in which he articulated in minute detail the emotional abuse
SOURCE: The Stage Registration at 10:08AM[SHARE]Pub Corner Poets’ first show, Angry, divided audiences. It won author Josh Overton the Sunday Times Playwriting Award at the National Student
SOURCE: The Stage Registration at 08:23AM[SHARE]Theatremakers in Hull are hailing the birth of "something special" in the city's performing arts scene, as demonstrated by a particularly strong
SOURCE: The Stage Registration at 11:20AM[SHARE]Transgender stories have featured high on the agenda at this Edinburgh Fringe. At Pleasance Courtyard, trans theatremaker Kit Redstone and physical theatre
SOURCE: The Stage Registration at 05:12AM[SHARE]Kiwi physical comedians Trygve Wakenshaw and Barnie Duncan welcome you to Rucks’s World of Leather Interiors (“Imagine a room made of skin”),
SOURCE: The Stage Registration at 08:26AM[SHARE]Oh, it’s horrible. It’s so horrible. It’s so grimly, wincingly, cringingly, stomach-churningly, infuriatingly, terrifyingly horrible. Galvanised by Donald Trump’s inf…
SOURCE: The Stage Registration at 07:03AM[SHARE]Adapted by Anders Lustgarten from David Peace’s 2006 stream-of-consciousness novel, Red Ladder Theatre’s The Damned United tells the story of Brian Clough’s
SOURCE: The Stage Registration at 06:09AM[SHARE]There’s the germ of a decent comedy-drama in Archie Thomson’s Radio, but that’s all there is. The rest is weak, derivative, inconclusive
SOURCE: The Stage Registration at 05:51AM[SHARE]
