All stories by Fergus Morgan on BroadwayStars

Thursday, January 25, 2018

Lady Windermere’s Fan at the Vaudeville, London – review round-up by Fergus Morgan

Wilde’s in the West End. Dominic Dromgoole’s new company Classic Spring follows last autumn’s lightly appreciated, generally four-starred A Woman Of No

SOURCE: The Stage Registration at 09:08AM
Wednesday, January 24, 2018

The European theatre festivals set to expand drama’s horizons in 2018 by Fergus Morgan

While the UK is home to a buzzing fringe scene – not to mention the biggest arts festival in the world –

SOURCE: The Stage Registration at 07:30AM

Vault Festival: Our pick of the best shows to see in week one by Fergus Morgan

The 2018 edition of Vault Festival kicks off with a typically varied selection of shows, ranging from one-man monologue rants, including a

SOURCE: The Stage Registration at 07:13AM
Monday, January 22, 2018

The Birthday Party at the Harold Pinter Theatre – review round-up by Fergus Morgan

Happy birthday to The Birthday Party. Harold Pinter’s classic play turns 60 this year, and to mark the occasion the West End

SOURCE: The Stage Registration at 10:13AM

Vault Festival 2018: Aliens, strippers, chemsex and Peter Pan – Waterloo’s underground event has it all by Fergus Morgan

Since its first edition in 2012, Vault Festival has livened up the traditionally slow months after Christmas. A haven of bars, booze

SOURCE: The Stage Registration at 05:00AM
Sunday, January 14, 2018

Wild Life FM review at Unicorn Theatre, London – ‘Kim Noble for kids’ by Fergus Morgan

Kim Noble for kids. It doesn’t sound like a recipe for success. In fact it sounds like something that would give most

SOURCE: The Stage Registration at 06:21AM
Friday, January 12, 2018

East review at King’s Head Theatre, London – ‘riotous and rollicking’ by Fergus Morgan

The East End is not what it once was. Outside the King’s Head Theatre – where Steven Berkoff’s drama East made its London

SOURCE: The Stage Registration at 07:19AM
Thursday, January 11, 2018

Heretic Voices review at Arcola Theatre, London – ‘a varied and compelling trio’ by Fergus Morgan

Whatever the ethics and effects of new writing competitions are, that they throw up intriguing, exciting plays is undeniable. Here are three:

SOURCE: The Stage Registration at 10:38AM
Thursday, December 28, 2017

2017: The year in reviews – what the critics said by Fergus Morgan

Consensus was in short supply among theatre critics in 2017, with everything from all-too-exclusive shows and gender swapping dividing opinion. Fergus Morgan

SOURCE: The Stage Registration at 04:00AM
Friday, December 22, 2017

Hamilton at Victoria Palace Theatre, London – reviews round-up by Fergus Morgan

Hamilton’s here, at last. Lin-Manuel Miranda’s mega-hit musical took America by storm two years ago, and now it hopes to do the

SOURCE: The Stage Registration at 06:49AM
Tuesday, December 19, 2017

Pinocchio at the National Theatre – review round-up by Fergus Morgan

As theatres around the country sparkle up with sequins and dial up their dames for panto season, Rufus Norris’ National turns to

SOURCE: The Stage Registration at 01:14PM
Monday, December 18, 2017

Dick Whittington at the London Palladium – review round-up by Fergus Morgan

Last year, pantomime producing giants Qdos brought festive fun back to the London Palladium with its gloriously excessive Cinderella, which saw seasoned

SOURCE: The Stage Registration at 11:42AM
Saturday, December 16, 2017

The Jungle review at Young Vic, London – ‘vital, vibrant and extraordinarily moving’ by Fergus Morgan

Welcome to The Jungle. Joe Murphy and Joe Robertson’s debut full-length play – a co-production from the Young Vic, the National and

SOURCE: The Stage Registration at 07:59AM
Thursday, December 14, 2017

Aladdin review at Royal and Derngate, Northampton – ‘the wrong sort of bad’ by Fergus Morgan

Northampton Royal and Derngate’s Aladdin claims it has “everything you could wish for in a panto”. As far as I can tell,

SOURCE: The Stage Registration at 05:03AM

FCUK’D review at the Bunker Theatre, London – ‘meaty and muscular’ by Fergus Morgan

On a white-lined square of astro turf, with autumn leaves piled in the corners and a streetlamp blinking pink overhead, Will Mytum

SOURCE: The Stage Registration at 04:41AM

Review: Thirty Christmases at the New Diorama Theatre by Fergus Morgan

The loneliest time of the year: Jonny and the Baptists' Christmas show has brilliant songs and a big heart. The post Review: Thirty Christmases at the New Diorama Theatre appeared first on E…

SOURCE: exeuntmagazine.com at 01:58AM
Monday, December 11, 2017

The Ladykillers of Humber Doucy Lane review at Sir John Mills Theatre, Ipswich – ‘pops with wit and invention’ by Fergus Morgan

This is the second stage adaptation of Alexander Mackendrick’s tired old Ealing comedy to reach Ipswich this year, but where Peter Rowe’s

SOURCE: The Stage Registration at 07:49AM
Sunday, December 10, 2017

Grimly Handsome review at Royal Court, London – ‘playfully philosophical’ by Fergus Morgan

What to make of this? Julia Jarcho’s Obie award-winning 2013 three-hander  here making its UK premiere in a lightly immersive staging created

SOURCE: The Stage Registration at 06:51AM
Friday, December 8, 2017

Jack and the Beanstalk review at Cambridge Arts Theatre – ‘A bit too slick, a bit heartless’ by Fergus Morgan

There’s a unique delight in seeing Tony Christie fumble out gags about his sparkling back catalogue to a baffled audience of entirely

SOURCE: The Stage Registration at 08:01AM

Rapunzel review at Cambridge Junction – ‘witty, warm and wacky’ by Fergus Morgan

It’s Rapunzel, but not as we know it. Cambridge Junction’s Christmas show, a co-production with Valentina Ceschi and Thomas Eccleshare’s Dancing Brick,

SOURCE: The Stage Registration at 05:52AM
Monday, December 4, 2017

Review: Parliament Square at Bush Theatre by Fergus Morgan

Timely vitality: James Fritz's intense, sprawling new play is a call to action. The post Review: Parliament Square at Bush Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 04:01AM
Friday, December 1, 2017

‘Tis Unmanly Grief review at Theatre N16, London – ‘fearless, but flawed’ by Fergus Morgan

Lifting its title from a line in Hamlet, and also focusing on the increasingly alarming behaviour of a young man mourning his

SOURCE: The Stage Registration at 10:50AM
Wednesday, November 29, 2017

Red Riding Hood: The Rock ‘n’ Roll Panto review at New Wolsey Theatre, Ipswich – ‘barnstorming’ by Fergus Morgan

New Wolsey artistic director Peter Rowe and long-time panto partner-in-crime Ben Goddard have hit upon a winning festive formula: their annual ‘rock

SOURCE: The Stage Registration at 05:50AM
Friday, November 24, 2017

Everybody’s Talking About Jamie at the Apollo Theatre – review round-up by Fergus Morgan

Everybody really is talking about Jamie. Tom MacRae’s new musical turned heads when it premiered in Sheffield last year, and it’s turning

SOURCE: The Stage Registration at 12:59PM
Thursday, November 23, 2017

The Secret Theatre review at Sam Wanamaker Playhouse, London – ‘an engrossing spy thriller’ by Fergus Morgan

Anders Lustgarten’s new play The Secret Theatre inhabits the same historical moment as Schiller’s Mary Stuart – the late 1580s, with Elizabeth

SOURCE: The Stage Registration at 08:42AM
Wednesday, November 22, 2017

Jamaican pantomime: How a British tradition was given a Caribbean flavour by Fergus Morgan

For more than 75 years, the Little Theatre Movement has been staging pantomimes in Jamaica’s capital, starting with very British-style offerings, but

SOURCE: The Stage Registration at 08:42AM
Thursday, November 16, 2017

Network starring Bryan Cranston at the National Theatre – review round-up by Fergus Morgan

Last December, Belgian big-shot Ivo van Hove’s production of Hedda Gabler opened on the National’s Lyttelton stage, a radical revival that the

SOURCE: The Stage Registration at 08:05AM
Monday, November 13, 2017

Glengarry Glen Ross starring Christian Slater at the Playhouse Theatre – review round-up by Fergus Morgan

David Mamet’s Pulitzer Prize-winning play, now revered as an all-American classic, actually started its life in London. Its first production came courtesy

SOURCE: The Stage Registration at 09:25AM
Friday, November 10, 2017

Contractions review at the New Diorama, London – ‘nerve-wrenching’ by Fergus Morgan

Contractions is like a site-specific episode of Black Mirror. Emma (Abigail Poulton), a chirpy, cheery salesman at an unnamed international company, is

SOURCE: The Stage Registration at 10:33AM
Wednesday, November 8, 2017

Quaint Honour review at Finborough Theatre, London – ‘an astutely staged revival’ by Fergus Morgan

Roger Gellert’s only play, Quaint Honour, received its world premiere in 1958 at the Arts Theatre, where it was able to dodge the

SOURCE: The Stage Registration at 08:52AM

The Retreat review at Park Theatre, London – ‘funny and catarthic’ by Fergus Morgan

Comedy writing duo Sam Bain and Jesse Armstrong share an impressive CV – sketch writers for Mitchell and Webb, co-creators of the

SOURCE: The Stage Registration at 08:36AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic