All stories by Tom Wicker on BroadwayStars

Tuesday, November 7, 2017

Poison review at Orange Tree Theatre, London – ‘quietly unflinching’ by Tom Wicker

Bereaved, divorced parents She and He meet at the cemetery in which their son is buried. He’s received a letter about toxic

SOURCE: The Stage Registration at 05:58AM
Monday, November 6, 2017

Josie Lawrence: ‘I still think of myself as an actor who likes to improvise’ by Tom Wicker

Having trained in drama, Josie Lawrence made her name in TV improv before tackling a series of Shakespearean roles. Now turning to

SOURCE: The Stage Registration at 06:00AM
Friday, November 3, 2017

Swamp Studios: The duo dishing up an immersive adventure by Tom Wicker

Swamp Studios has joined forces with a London restaurant to put on site-specific production Night at the Bombay Roxy. The brains behind

SOURCE: The Stage Registration at 10:00AM
Friday, October 27, 2017

Minefield director and writer Lola Arias: ‘My shows are living creatures that evolve’ by Tom Wicker

As the Argentinian theatremaker brings her acclaimed show Minefield back to the UK, she tells Tom Wicker about working with Falklands War

SOURCE: The Stage Registration at 09:00AM

Under Milk Wood review at Watermill Theatre, Newbury – ‘a deft revival’ by Tom Wicker

The bar room clock of the Sailors Arms in Under Milk Wood has been stuck at opening time for 50 years. It’s

SOURCE: The Stage Registration at 06:42AM
Tuesday, October 17, 2017

Tryst review at the Tabard Theatre, London – ‘intriguing but creaky’ by Tom Wicker

Small west London pub theatre the Tabard has scored a coup in getting Natasha J Barnes for Tryst, its first in-house show

SOURCE: The Stage Registration at 05:47AM
Wednesday, October 11, 2017

The Busy World is Hushed review at Finborough Theatre – ‘a thoughtful atmosphere’ by Tom Wicker

“The Busy World is Hushed” is a line from a prayer by John Henry Newman for consolation and rest at the end

SOURCE: The Stage Registration at 11:57AM
Friday, October 6, 2017

The Terrible Infants review at Wilton’s Musical Hall, London – ‘wickedly funny as ever’ by Tom Wicker

This is the first time The Terrible Infants has been performed at Wilton’s Music Hall, but it’s difficult to imagine a better

SOURCE: The Stage Registration at 06:24AM
Wednesday, October 4, 2017

Nadim Naaman: ‘Staying in Phantom would have been easy – it was time for a risk’ by Tom Wicker

Fresh from playing Raoul in Phantom of the Opera, Nadim Naaman is heading into a spruced up revival of By Jeeves. He

SOURCE: The Stage Registration at 11:00AM
Monday, October 2, 2017

Kanye The First review, HighTide Festival, Walthamstow – ‘brilliant, but trips over’ by Tom Wicker

What if you woke up one day and everyone thought you were hip-hop artist Kanye West? That’s the sky-high concept behind the

SOURCE: The Stage Registration at 06:26AM
Thursday, September 28, 2017

Heroine review at The Mix, HighTide Festival, Walthamstow – ‘too on-the-nose exploration of a divided Britain’ by Tom Wicker

Anger is like an infection in Heroine. It seeps into people compromised by loss or grief and poisons their best intentions into

SOURCE: The Stage Registration at 05:32AM
Tuesday, September 26, 2017

Le Grand Mort starring Julian Cary – review at Trafalgar Studios, London – ‘a misfire’ by Tom Wicker

After a while, the sheer number of phallic metaphors in Le Grand Mort – thrust clumsily into everything from the crucifixion to

SOURCE: The Stage Registration at 05:06AM
Wednesday, September 20, 2017

We’re Still Here review at Byass Works, Port Talbot – ‘powerfully moving’ by Tom Wicker

There’s an irresistible theatrical pull to the ongoing steelworks crisis in Welsh industrial town Port Talbot – a David and Goliath tale

SOURCE: The Stage Registration at 07:08AM
Friday, September 15, 2017

Prism starring Robert Lindsay – review at Hampstead Theatre, London – ‘lyrical’ by Tom Wicker

British cinematographer Jack Cardiff was one of the fathers of modern colour filmmaking. Terry Johnson’s new play, Prism, uses his dementia-stricken final

SOURCE: The Stage Registration at 04:34AM
Thursday, September 14, 2017

Rules for Living review at Royal and Derngate, Northampton – ‘anarchically effective’ by Tom Wicker

The dynamic trio of Royal and Derngate, English Touring Theatre and Rose Theatre Kingston reunite after last year’s The Herbal Bed, to

SOURCE: The Stage Registration at 04:44AM
Tuesday, September 12, 2017

The March on Russia review at Orange Tree Theatre – ‘powerfully affecting’ by Tom Wicker

The aged couple at the heart of this revival of the late David Storey’s The March on Russia – first staged at

SOURCE: The Stage Registration at 07:55AM
Friday, September 1, 2017

Outlaws to In-laws review King’s Head Theatre, London – ‘an ambitious project’ by Tom Wicker

Seven short plays by writers including Jonathan Harvey chart the turbulent trip down the aisle for gay men in the UK. Spanning

SOURCE: The Stage Registration at 07:17AM
Wednesday, August 30, 2017

Lions and Tigers review at the Sam Wanamaker Playhouse, London – ‘illuminating’ by Tom Wicker

The personal and historical are intimately connected in Tanika Gupta’s new play. Lions and Tigers – which opens the Festival of Independence

SOURCE: The Stage Registration at 06:57AM
Thursday, August 24, 2017

The Odyssey review at the Scoop, London – ‘Colourful, entertaining retelling’ by Tom Wicker

For a tale of an odyssey, this fun production at the Scoop feels like a sprint. Even with three hours to play

SOURCE: The Stage Registration at 07:07AM
Monday, August 14, 2017

How trans theatremakers are emerging into the limelight by Tom Wicker

As a wide variety of trans-themed shows take London and Edinburgh by storm, writers and performers tell Tom Wicker about the ways

SOURCE: The Stage Registration at 03:00AM
Thursday, August 3, 2017

Apologia review at Trafalgar Studios, London – ‘Stockard Channing is on top form’ by Tom Wicker

The most knowing laugh in this revival of Alexi Kaye Campbell’s 2009 play Apologia has come with the passing of time. While

SOURCE: The Stage Registration at 07:44PM
Thursday, July 20, 2017

Immersive theatre, games and escape rooms: the shows you control by Tom Wicker

From the Crystal Maze to live adventure shows, interactive events are gaining popularity. Tom Wicker looks at the theatre companies that are

SOURCE: The Stage Registration at 09:00AM

Summer in London review at Theatre Royal Stratford East, London – ‘unabashedly heartfelt’ by Tom Wicker

Writer and director Rikki Beadle-Blair has put sexuality, gender and diversity at the heart of his work from early in his career.

SOURCE: The Stage Registration at 05:38AM
Thursday, June 8, 2017

Review: Animal at Atlantic Stage 2 by Tom Wicker

Clare Lizzimore gets in the head of a woman trying to hold herself together. Tom Wicker reviews. The post Review: Animal at Atlantic Stage 2 appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 06:19PM
Thursday, June 1, 2017

Curious Incident: From in-the-round to around the world by Tom Wicker

When the National Theatre’s West End production of The Curious Incident of the Dog in the Night-Time closes its doors on June

SOURCE: The Stage Registration at 09:00AM
Thursday, May 25, 2017

Sheffield Theatres’ Robert Hastie: ‘We belong to this city. We must look like it – on stage and off’ by Tom Wicker

Six years after directing his first play, Robert Hastie has already come full circle as he takes the reins as artistic director

SOURCE: The Stage Registration at 05:00AM
Tuesday, May 9, 2017

Two for the Seesaw review at Piccadilly Theatre, London – ‘enjoyable, but flimsy’ by Tom Wicker

Two for the Seesaw’s history with Russia’s Sovremennik Theatre is richer than the play itself. Translated from writer William Gibson’s 1959 Broadway

SOURCE: The Stage Registration at 08:21AM
Thursday, April 20, 2017

Offies founder Sofie Mason: ‘No one was ever paid’ by Tom Wicker

On April 23, the Off West End Awards – also known as “the Offies” – will celebrate this year’s winners at London’s

SOURCE: The Stage Registration at 04:00AM
Thursday, April 13, 2017

Emma Brunjes: ‘Immersive theatre is a huge part of my life’ by Tom Wicker

Commercial producer Emma Brunjes has had a rollercoaster time since she and Les Enfants Terribles first produced the Lewis Carroll-inspired, site-specific Alice’s

SOURCE: The Stage Registration at 09:00AM
Wednesday, April 12, 2017

It’s Not Yet Midnight review at Roundhouse, London – ‘visually arresting’ by Tom Wicker

The huge drum of the Roundhouse stage bristles with tension. A stream of circus performers fill it – and begin fighting. There’s

SOURCE: The Stage Registration at 08:39AM
Monday, April 10, 2017

Out of Blixen starring Kathryn Hunter review at the Print Room, London – ‘unsatisfying’ by Tom Wicker

Danish author Karen Blixen’s life was as fantastic as her fiction. A baroness who married one twin brother after the other died,

SOURCE: The Stage Registration at 06:35AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic