
An elemental wildness runs through "Wuthering Heights, Restless Souls," Theater Artemis's spare but impressively theatrical adaptation of Emily Brontë's novel.
SOURCE: The New York Times Subscription at 11:44AM[SHARE]"El Pasado Es un Animal Grotesco" ("The Past Is a Grotesque Animal") by the Argentine writer Mariano Pensotti delves into the fictions of our pasts.
SOURCE: The New York Times Subscription at 01:14PM[SHARE]"How Much Is Enough? Our Values in Question," at St. Ann's Warehouse, is fueled by audience participation.
SOURCE: The New York Times Subscription at 06:46PM[SHARE]In "Dreamless Land," written and directed by Julia Jarcho, comedy and menace compete.
SOURCE: The New York Times Subscription at 05:54PM[SHARE]"IntrÃngulis," Carlo Albán's one-man show at Intar Theater, is a modern immigration story told by someone who was in the country illegally and a cast member of "Sesame Street."
SOURCE: The New York Times Subscription at 06:22PM[SHARE]In "Lucia's Chapters of Coming Forth by Day" at Mabou Mines as part of the 1st Irish Theater Festival, Joyce's daughter sends herself off to the next world with a steady stream of talk.
SOURCE: The New York Times Subscription at 06:31PM[SHARE]In Deirdre Kinahan's "BogBoy," a wry recovering addict makes even failure sound sadly funny.
SOURCE: The New York Times Subscription at 07:02AM[SHARE]The Korean musical "Hero" tells the story of An Chung-gun, a Korean patriot, in broad song-and-dance strokes.
SOURCE: The New York Times Subscription at 06:31PM[SHARE]The reorganized Classical Theater of Harlem is back onstage with a "Henry V," in a production of limited means.
SOURCE: The New York Times Subscription at 05:51PM[SHARE]The musical revue "It Ain't Nothin' but the Blues," a New Haarlem Arts Theater production at City College's Aaron Davis Hall, makes the music " more than 30 songs " its top priority.
SOURCE: The New York Times Subscription at 05:26PM[SHARE]"The Devil's Music" is a biographical musical about the life, loves and career of the blues singer Bessie Smith.
SOURCE: The New York Times Subscription at 03:41PM[SHARE]In Jason Grote's "Civilization (All You Can Eat)" at Here, a group of interconnected characters tackle some big questions of modern culture.
SOURCE: The New York Times Subscription at 05:26PM[SHARE]I. D. Berkovitch's "Under the Cross" tells the story of a man who regrets his conversion to Christianity from Judaism.
SOURCE: The New York Times Subscription at 05:57PM[SHARE]The would-be terrorists in Zack Russell's satiric comedy "Just Cause" are actually middle-class Brooklynites in their 20s, with no cause, no ideology and no jobs.
SOURCE: The New York Times Subscription at 07:05PM[SHARE]"The Shaughraun," Dion Boucicault's 19th-century mix of comedy and melodrama, is being given a lively, loving production at the Irish Repertory Theater.
SOURCE: The New York Times Subscription at 05:35PM[SHARE]In "Love Song" by John Kolvenbach, Andrew Pastides plays an oddball center of an oddball world.
SOURCE: The New York Times Subscription at 06:22PM[SHARE]"Tomorrow Morning," a musical by Laurence Mark Wythe, follows two Los Angeles couples on an eventful night before an important morning.
SOURCE: The New York Times Subscription at 05:10PM[SHARE]An explicit opening scene in "Sex on Sunday" promises a trip to the dark side of sexuality. But Chisa Hutchinson, the writer, can't decide whether she wants to titillate or educate.
SOURCE: The New York Times Subscription at 05:55PM[SHARE]New York Classical Theater turns a Lower Manhattan commercial space into a makeshift theater to stage Aphra Behn's 17th-centuray comedy about sexual politics.
SOURCE: The New York Times Subscription at 05:53PM[SHARE]In "Heaven on Earth" Charles L. Mee and some collaborators adapt the techniques of collage for the stage.
SOURCE: The New York Times Subscription at 05:30PM[SHARE]Jeff Cohen's new play uses Michael Rockefeller's death to consider cultural misunderstandings.
SOURCE: The New York Times Subscription at 05:11PM[SHARE]What ails the young urbanites of "The Momentum," at the Laurie Beechman Theater, are unmet expectations, romantic disappointments and a lingering sense of ill-being.
SOURCE: The New York Times Subscription at 08:42PM[SHARE]In Theodora Skipitares's production of "Lysistrata" at La MaMa, her puppets and masks provide distance between audience and play, a veil that offers both discretion and license.
SOURCE: The New York Times Subscription at 06:43PM[SHARE]In his play "The Wife," Tommy Smith pulls strange fellows from the urban melting pot.
SOURCE: The New York Times Subscription at 06:07PM[SHARE]In George Hunka's "What She Knew" at Manhattan Theater Source, Jocasta holds forth about blood, pestilence and sex.
SOURCE: The New York Times Subscription at 03:38PM[SHARE]The stage version of Harriet Beecher Stowe's "Uncle Tom's Cabin" gets a fresh look from the Metropolitan Playhouse in a production that values the text.
SOURCE: The New York Times Subscription at 05:20PM[SHARE]Roger Guenveur Smith believes in the interconnectedness of history: that our lives, big and small, are enmeshed in the great tangle of events, big and small.
SOURCE: theater2.nytimes.com at 01:01AM[SHARE]

