Thursday, September 10, 2015
Kate Geis’s absorbing new documentary follows a Taylor dance, “Three Dubious Memories,” as it takes shape in a matter of weeks.
SOURCE: The New York Times Subscription at 10:01PMMonday, May 25, 2015
In Luigi Creatore’s “Error of the Moon,” the jealous Edwin Booth is partly responsible for John Wilkes Booth’s assassination of Lincoln.
SOURCE: The New York Times Subscription at 05:58PMOne Little Goat Theater Company’s fascinating yet irritating production of Thomas Bernhard’s “Ritter, Dene, Voss” is making its New York debut at La MaMa.
SOURCE: The New York Times Subscription at 05:58PMOne Little Goat Theater Company’s fascinating yet irritating production of Thomas Bernhard’s “Ritter, Dene, Voss” is making its New York debut at La MaMa.
SOURCE: The New York Times Subscription at 05:58PM
The stage version of Harriet Beecher Stowe’s “Uncle Tom’s Cabin” gets a fresh look from the Metropolitan Playhouse in a production that values the text.
SOURCE: The New York Times Subscription at 05:58PMIn George Hunka’s “What She Knew” at Manhattan Theater Source, Jocasta holds forth about blood, pestilence and sex.
SOURCE: The New York Times Subscription at 05:58PMIn Theodora Skipitares’s production of “Lysistrata” at La MaMa, her puppets and masks provide distance between audience and play, a veil that offers both discretion and …
SOURCE: The New York Times Subscription at 05:58PMIn “Heaven on Earth” Charles L. Mee and some collaborators adapt the techniques of collage for the stage.
SOURCE: The New York Times Subscription at 05:58PMNew York Classical Theater turns a Lower Manhattan commercial space into a makeshift theater to stage Aphra Behn’s 17th-century comedy about sexual politics.
SOURCE: The New York Times Subscription at 05:58PMNew York Times writers review five shows that made their debuts in the early days of this year’s New York International Fringe Festival.
SOURCE: The New York Times Subscription at 05:58PMThursday, December 18, 2014
Tuesday, September 30, 2014
Friday, May 23, 2014
Krista Knight’s “Primal Play,” part of the Jam on Toast festival for young playwrights and directors, focuses on a primatologist in Tanzania and her mother.
SOURCE: The New York Times Subscription at 08:56PMFriday, May 9, 2014
Sunday, April 27, 2014
It takes three singers to fill the shoes of the title character in “Inventing Mary Martin,” at the Theater at St. Peter’s, a biographical revue with Emily Skinner, Lynne Halliday and C…
SOURCE: The New York Times Subscription at 10:00PMFriday, March 28, 2014
Christopher Durang’s “Beyond Therapy,” revived by the Actors Company Theater at the Beckett, centers on two people questing for romance while undergoing seriously wacky therapy. &…
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“Pains of Youth,” from 1926, revived by the Cake Shop Theater, paints of portrait of disillusionment in Vienna.
SOURCE: The New York Times Subscription at 05:39PMWednesday, January 15, 2014
In her solo show, “Bronx Gothic,” Okwui Okpokwasili shares a story of innocence and experience about two 11-year-old girls.
SOURCE: The New York Times Subscription at 05:27PMTuesday, January 14, 2014
“She Is King” is a portrait of the tennis star Billie Jean King as a hero in an era of entrenched sexism and other inequalities in sports and life.
SOURCE: The New York Times Subscription at 10:00PMWednesday, December 11, 2013
Senel Paz’s play “Strawberry & Chocolate” mines the subjects of sexual orientation and revolutionary politics in Cuba during the early 1980s.
SOURCE: The New York Times Subscription at 02:35PMTuesday, October 15, 2013
In “Sarah Flood in Salem Mass,” two friends travel back through time to try to right some wrongs in the era of the witchcraft trials.
SOURCE: The New York Times Subscription at 05:00PMMonday, October 7, 2013
Tuesday, September 24, 2013
Wednesday, September 18, 2013
A cross-country trip is still fresh in the mind of an Irish immigrant in “The Compass Rose,” part of the 1st Irish Festival.
SOURCE: The New York Times Subscription at 04:03PMThursday, August 8, 2013
Tuesday, June 18, 2013
In Sara Farrington’s “Requiem for Black Marie,” it’s Bertolt Brecht’s women who do all the heavy lifting of authorship.
SOURCE: The New York Times Subscription at 05:38PM 
