
Wagner's message is a simple but deeply humanistic one: We're all specks in the universe, random, unknowable bio-containers, and who knows where my atoms end and yours begin?
SOURCE: The New York Observer at 08:00PM[SHARE]One thing I am certain of: 'Company' is the most sophisticated fun I've had in a theater in ages.
SOURCE: The New York Observer at 08:00PM[SHARE]It's a downbeat fable about escaping the toxic narcissists who created your body.
SOURCE: The New York Observer at 11:39AM[SHARE]It's a patriarchal pangender fantasy that simultaneously de-centers and re-centers cishetero masculinity. Fancy lingo for: kinda outdated and icky.
SOURCE: The New York Observer at 10:49AM[SHARE]He will continue to shape the future of musical theater because he trained our ears, set the bar high, and new composers and lyricists will study his work. For a hundred who try, misguidedly…
SOURCE: The New York Observer at 10:33AM[SHARE]You absolutely must see it if you care about Black work on Broadway, American theater, and the evolving state of our "canon."
SOURCE: The New York Observer at 07:00PM[SHARE]Who knows if musical fiascos such as 'Diana' exist solely for the bitter amusement of theater critics?
SOURCE: The New York Observer at 07:00PM[SHARE]I can't be the only Sondheim nerd sick of respectful, minimalist approaches.
SOURCE: The New York Observer at 09:46AM[SHARE]Embracing absurd and cringe humor while bringing it to theater, 'While You Were Partying' is for theater lovers who grew up online.
SOURCE: The New York Observer at 03:04PM[SHARE]I'm not actually 100% sure we are worthy of this show, but we need its complexity and density.
SOURCE: The New York Observer at 07:00PM[SHARE]Here's the thing about this harrowing fugue state of a play, written by Lucas Hnath and directed by Les Waters: O'Connell never speaks.
SOURCE: The New York Observer at 10:44AM[SHARE]The world is getting weirder by the day. I think the audience is ready for it now.
SOURCE: The New York Observer at 09:28AM[SHARE]On at the Manhattan Theatre Club, 'Lackawanna Blues' explores survival and finding heart in your own life, backed by harmonica.
SOURCE: The New York Observer at 10:21AM[SHARE]There's no plot to Six, just an agreement among the ex-wives to compete (in song) for who had the hardest time.
SOURCE: The New York Observer at 10:42AM[SHARE]The fall 2021 season is bustling with excellent theater about Black stories, experiences, and joy. From the experimental to new favorites.
SOURCE: The New York Observer at 01:24PM[SHARE]Playwright Jocelyn Bioh's 'Merry Wives' marvels audiences at Shakespeare in the Park with a modern approach to the canon.
SOURCE: The New York Observer at 11:48AM[SHARE]Antoinette Chinonye Nwandu's "Pass Over" has the makings of a modern and Black retelling of "Waiting for Godot" yet stands alone, moving.
SOURCE: The New York Observer at 10:53AM[SHARE]The enemy of the people is misanthropic technocrats! No! It's selfish, amoral politicians! No! The enemy of the people is…people?
SOURCE: The New York Observer at 09:57AM[SHARE]At 'Seven Deadly Sins' "Â a suite of short plays staged in storefronts in the Meatpacking District " it's still under glass, this time with writhing, exotic specimens offered up for moral …
SOURCE: The New York Observer at 10:18PM[SHARE]Our top theater picks for summer 2021, full of wicked performances from 'Whore's Eye View' to 'Tiny House.'
SOURCE: The New York Observer at 11:56AM[SHARE]This American Wife sets out to be an avant-garde, haute-camp allegory of seduction, corruption, and betrayal that conspicuously consumes itself.
SOURCE: The New York Observer at 04:08PM[SHARE]The National Theatre's 'Romeo and Juliet' focuses refreshingly more on the angst of these star-crossed lovers than the heat.
SOURCE: The New York Observer at 10:17AM[SHARE]Given that the event is automated except for ushers and operators, you're effectively both spectator and live performer.
SOURCE: The New York Observer at 09:45AM[SHARE]Unfolding in 90 minutes of hospital visits, "Men's Health" is sort of "Pygmalion" with its pants off.
SOURCE: The New York Observer at 09:49AM[SHARE]Domestic pain and culinary craft combine to quietly wrenching effect in 'This Is Who I Am,' a Zoom drama by Amir Nizar Zuabi streaming at Woolly Mammoth Theatre Company.
SOURCE: The New York Observer at 08:00AM[SHARE]Performing an abridged but faithful version of 'A Christmas Carol,' Jefferson Mays keeps this holiday tradition alive for streaming audiences.
SOURCE: The New York Observer at 08:00AM[SHARE]Playwright Adrienne Kennedy gets a long overdue major retrospective, streaming online courtesy of the Round House Theatre and McCarter Theatre Center.
SOURCE: The New York Observer at 01:28PM[SHARE]Surrounded by few set pieces and zany couture, Irwin draws on decades of performance genius to present his memoir-ish review 'On Beckett,' transformed for the streaming age.
SOURCE: The New York Observer at 08:00AM[SHARE]One a three-hour epic play, Anne Washburn's 'Shipwreck' has been turned into three-part audio drama produced by the Public Theater.
SOURCE: The New York Observer at 09:00AM[SHARE]Heidi Schreck's fiercely urgent and soul-restoring play 'What the Constitution Means to Me' retains all the impact it had on Broadway in its shift to streaming on Amazon Prime Video.
SOURCE: The New York Observer at 02:18PM[SHARE]Michael Sheen stars as a drunk, self-exiled Irishman who claims to have the gift of curing maladies in the Old Vic's excellent streamed production of 'Faith Healer.
SOURCE: The New York Observer at 07:00AM[SHARE]

