Sunday, April 8, 2018
Monday, April 2, 2018
Bambi Linn, ninety-two, and Brittany Pollack, twenty-nine, discuss dancing the same role on Broadway, seventy-three years apart. Michael Schulman writes.
SOURCE: The New Yorker Subscription at 05:00AMMonday, March 19, 2018
Michael Schulman writes about Marianne Elliott as she wrestles with a notoriously difficult play, and with Tony Kushner.
SOURCE: The New Yorker Subscription at 05:00AMFriday, March 16, 2018
Monday, March 5, 2018
Michael Schulman writes about Frances McDormand’s Best Actress Oscar, and her speech demanding that more women tell their stories in the movies.
SOURCE: The New Yorker Subscription at 08:29AMFriday, March 2, 2018
Friday, February 23, 2018
Michael Schulman on how the Tony Award-winning rock musical ”Spring Awakening” relates to the experience of the student survivors of the Parkland, Florida, school shooting.
SOURCE: The New Yorker Subscription at 01:59PMSaturday, February 17, 2018
After years of self-imposed exile, the glam rocker returns to the limelight on Broadway, and with a new memoir chronicling a saucy slice of downtown New York.
SOURCE: The New York Times Subscription at 06:00AMMonday, February 5, 2018
In “The Leisure Seeker,” they play a couple on a Winnebago odyssey. In New York, they did a morning-show blitz. Michael Schulman writes.
SOURCE: The New Yorker Subscription at 05:00AMMonday, January 29, 2018
Michael Schulman on the six sisters’ fashion line, which rebrands their father’s message for the pussy-hat era.
SOURCE: The New Yorker Subscription at 05:00AMTuesday, January 23, 2018
Michael Schulman on the diversity of the 2018 Academy Award nominations and whether the Academy has moved past its #OscarsSoWhite controversy from years past.
SOURCE: The New Yorker Subscription at 03:08PMMonday, January 22, 2018
Michael Schulman writes about GrowNYC, which teaches students—largely from immigrant populations—how to make a living in agriculture.
SOURCE: The New Yorker Subscription at 05:00AMFriday, January 12, 2018
He acts, he sings, he dances. And in his latest role, the 30-year-old, who shot to fame with “Glee,” is the serial killer who murdered Gianni Versace.
SOURCE: The New York Times Subscription at 11:58AMMonday, January 8, 2018
Michael Schulman writes about Oprah Winfrey and the women of the 2018 Golden Globe ceremony.
SOURCE: The New Yorker Subscription at 08:43AMMonday, December 25, 2017
At a vegan cooking class, “the Bean,” who’s co-starring in “Lady Bird” and in Broadway’s “Hello, Dolly!,” talks theatre camp and her big brother Jonah Hill.
SOURCE: The New Yorker Subscription at 05:00AMFriday, December 15, 2017
Michael Schulman writes about the odds for films such as “Call Me by Your Name,” “The Shape of Water,” “The Post,” and more in advance of Oscar season.
SOURCE: The New Yorker Subscription at 10:58AMFriday, December 8, 2017
An all-star roster of artists—including John Legend and Cyndi Lauper—supplied original songs for this new Broadway extravaganza, set in Bikini Bottom.
SOURCE: The New Yorker Subscription at 04:00AMMonday, December 4, 2017
Sarah DeLappe’s “The Wolves” takes teen-age girl talk to a soccer field at the Mitzi E. Newhouse Theatre.
SOURCE: The New Yorker Subscription at 05:00AMThursday, November 30, 2017
Michael Schulman reviews Beau Willimon’s “The Parisian Woman,” starring Uma Thurman in her Broadway début.
SOURCE: The New Yorker Subscription at 10:00PMMonday, November 27, 2017
The filmmaker and playwright explains what billiards has in common with “Three Billboards Outside Ebbing, Missouri.”
SOURCE: The New Yorker Subscription at 05:00AMMonday, November 20, 2017
The actress, who got her start as James Dean’s co-star, reflects on “Marjorie Prime,” and remembering.
SOURCE: The New Yorker Subscription at 05:00AMFriday, November 17, 2017
Kate Hamill has turned “Sense and Sensibility” and “Vanity Fair” into fast-paced romps. Now she tackles “Pride and Prejudice.”
SOURCE: The New Yorker Subscription at 04:00AMWednesday, November 15, 2017
Michael Schulman on John Leguizamo’s new one-man Broadway show, ”Latin History for Morons,” in which the actor tries to find a hero for his son’s history project.
SOURCE: The New Yorker Subscription at 05:00PMThursday, November 9, 2017
Michael Schulman reviews the Broadway musical “The Band’s Visit,” starring Tony Shalhoub and Katrina Lenk and based on the 2007 Israeli film.
SOURCE: The New Yorker Subscription at 07:30PMMonday, November 6, 2017
The children’s-book author visits the scale model of New York, which plays a starring role in his novel “Wonderstruck.”
SOURCE: The New Yorker Subscription at 05:00AMFriday, November 3, 2017
Mark Rylance returns to Broadway in “Farinelli and the King,” and “Angels in America” arrives from London.
SOURCE: The New Yorker Subscription at 05:00AMMonday, October 30, 2017
Michael Schulman on the actor Kevin Spacey’s troubling coming-out statement, which was coupled with the actor’s response to a sexual-assault allegation.
SOURCE: The New Yorker Subscription at 04:48PMFriday, October 20, 2017
The comedian stars in “Meteor Shower,” a play by Steve Martin that combines marital friction and astronomical calamity.
SOURCE: The New Yorker Subscription at 05:00AMSaturday, October 14, 2017
The “Pope of Trash” hosts a sleep-away camp in Litchfield County, Conn. Yes, there were marshmallows, polyester and nudity.
SOURCE: The New York Times Subscription at 06:00AMFriday, October 13, 2017
The actor had a busy theatre career before “Seinfeld.” Now he’s back, with “The Portuguese Kid.”
SOURCE: The New Yorker Subscription at 05:00AMThursday, September 28, 2017
Michael Schulman on the reboot of the sitcom “Will & Grace,” which brings the characters into the Trump era.
SOURCE: The New Yorker Subscription at 06:08PM 
