Friday, October 26, 2018
Michael Schulman writes about the Drama Book Shop, a beloved New York City theatre institution that will soon be forced from its home and is hoping to find a new space.
SOURCE: The New Yorker Subscription at 04:41PMWednesday, October 17, 2018
Michael Schulman interviews the actor Paul Dano about his directorial début, ”Wildlife,” which is based on a novel by Richard Ford and stars Carey Mulligan and Jake Gyllenhaal.
SOURCE: The New Yorker Subscription at 06:15PMMonday, October 15, 2018
Monday, October 8, 2018
Researching his role in “The Lifespan of a Fact,” the actor embeds in The New Yorker’s fact-checking department.
SOURCE: The New Yorker Subscription at 05:00AMWednesday, September 26, 2018
Michael Schulman interviews the actress and activist Jane Fonda about talking to voters, supporting \#MeToo, and growing into herself.
SOURCE: The New Yorker Subscription at 04:18PMTuesday, September 18, 2018
Michael Schulman writes about the 2018 Primetime Emmy awards, where a surprise marriage proposal one the night.
SOURCE: The New Yorker Subscription at 07:49AMMonday, September 17, 2018
In shows such as “The Leftovers” and “Fargo,” she exudes a Midwestern pragmatism that has its own kind of mystery, Michael Schulman writes.
SOURCE: The New Yorker Subscription at 05:00AMMonday, September 10, 2018
A swarm struck Times Square. Members of an élite beekeeping squad rushed to the scene, Michael Schulman writes.
SOURCE: The New Yorker Subscription at 05:00AMSunday, September 2, 2018
Michael Schulman writes on the inability to see actors as laborers in light of the recent shaming of the actor Geoffrey Owens, of “The Cosby Show,” after he was photographed working at a…
SOURCE: The New Yorker Subscription at 06:06PMWednesday, August 29, 2018
Michael Schulman reviews the new film “The Wife,” starring Glenn Close, and writes about the parallels between Close’s life and personality and those of the character she plays in the …
SOURCE: The New Yorker Subscription at 10:00AMMonday, August 20, 2018
Michael Schulman on the intrepid British writer touring the city’s public and private pools on a hot summer day.
SOURCE: The New Yorker Subscription at 05:00AMFriday, August 17, 2018
Thursday, August 16, 2018
Michael Schulman reviews the newly opened Broadway musical “Pretty Woman,” at the Nederlander Theatre, starring Samantha Barks, Andy Karl, Eric Anderson, and Orfeh.
SOURCE: The New Yorker Subscription at 10:42PMThursday, August 9, 2018
Michael Schulman on Matt Tyrnauer’s new documentary, “Scotty and the Secret History of Hollywood,” about the nonagenarian Scotty Bowers, whose 2012 tell-all book, “Full Service,” r…
SOURCE: The New Yorker Subscription at 02:00PMMonday, July 30, 2018
At her new digs in the West Village, the actress and newly minted memoirist gets locked out.
SOURCE: The New Yorker Subscription at 05:00AMFriday, July 27, 2018
Michael Schulman reviews the musical “Head Over Heels,”at the Hudson Theatre, which features the first openly transgender woman to originate a major role on Broadway.
SOURCE: The New Yorker Subscription at 12:06PMSaturday, July 7, 2018
Michael Schulman on “Whitney,” a new documentary about the singer Whitney Houston, directed by Kevin Macdonald.
SOURCE: The New Yorker Subscription at 05:00AMMonday, June 25, 2018
Michael Schulman writes about the film “Eighth Grade,” in which the former YouTube star turns on the medium that made him famous.
SOURCE: The New Yorker Subscription at 05:00AMFriday, June 22, 2018
Monday, June 18, 2018
Michael Schulman on the in-demand character actress Ann Dowd, and her adventures with cattle prods, nuns, and hoarders.
SOURCE: The New Yorker Subscription at 05:00AMMonday, June 11, 2018
Michael Shulman reviews the 2018 Tony Awards, which he writes did not stint on weird juxtapositions, tuneful numbers, or memorable speeches.
SOURCE: The New Yorker Subscription at 08:16AMFriday, June 1, 2018
Michael Schulman reviews “House of Nutter: The Rebel Tailor of Savile Row,” a new book by Lance Richardson about the brothers Tommy and David Nutter.
SOURCE: The New Yorker Subscription at 09:11AMMonday, May 28, 2018
At a performance of “The Band’s Visit,” on Broadway, New York’s police band jammed with the show’s Alexandria Ceremonial Police Orchestra.
SOURCE: The New Yorker Subscription at 05:00AMThursday, May 24, 2018
Michael Schulman writes about the folding of Interview Magazine, which was created in 1969 by the artist Andy Warhol.
SOURCE: The New Yorker Subscription at 04:40PMFriday, May 18, 2018
Telling stories punctuated by standards, Turner recalls falling in love with the theatre.
SOURCE: The New Yorker Subscription at 05:00AMMonday, May 14, 2018
Now that the kids who grew up on “The Carol Burnett Show” are middle-aged, the actress is finding new fans on Netflix, Michael Schulman writes.
SOURCE: The New Yorker Subscription at 05:00AMFriday, May 11, 2018
“Pretty Woman” comes to Broadway, Armie Hammer stars in “Straight White Men,” and Chukwudi Iwuji plays Othello in Central Park.
SOURCE: The New Yorker Subscription at 05:00AMTuesday, May 1, 2018
Michael Schulman writes about the 2018 Tony Award nominees, including “Mean Girls,” “Three Tall Women,” “The Iceman Cometh,” “SpongeBob SquarePants,” and others.
SOURCE: The New Yorker Subscription at 03:57PMMonday, April 30, 2018
Michael Schulman reviews two new projects about Grace Jones and Donna Summer—the bio-musical “Summer,” and the documentary “Grace Jones: Bloodlight and Bami.”
SOURCE: The New Yorker Subscription at 04:00PMFriday, April 27, 2018
In Caryl Churchill’s “Light Shining in Buckinghamshire,” the director Rachel Chavkin sees a play for the resistance.
SOURCE: The New Yorker Subscription at 05:00AMSunday, April 8, 2018
