All stories by Karen Fricker - Theatre Critic on BroadwayStars

Friday, March 23, 2018

What a Young Wife Ought to Know, with its focus on pregnancy and childbirth, is shocking and necessary by Karen Fricker - Theatre Critic

Set in 1920s Ottawa, Hannah Moscovitch’s play adds to an important conversation about gender inequity and female sexuality, writes Karen Fricker.

SOURCE: Toronto Star at 03:39PM
Tuesday, March 20, 2018

For Théâtre français de Toronto, an audience is found in translation by Karen Fricker - Theatre Critic

French-language company established in 1967, which has boosted its audience with English surtitles, unveils its 2018-19 season.

SOURCE: Toronto Star at 07:00PM
Friday, March 16, 2018

Gobsmacked! should let vocalists loose and pull audience in by Karen Fricker - Theatre Critic

Beatboxer Ball-Zee holds the a cappella event together, but the conceit that he’s manipulating all the others stifles the energy in show’s first half, writes Karen Fricker.

SOURCE: Toronto Star at 12:31PM
Friday, March 9, 2018

The characters in Idomeneus have been through war and so have the Soulpepper cast who play them by Karen Fricker - Theatre Critic

Play about the aftermath of the Trojan War resonates in wake of the fall from grace of former artistic director Albert Schultz.

SOURCE: Toronto Star at 02:08PM
Thursday, March 8, 2018

How Colleen Wagner’s play The Monument became a story about murdered and missing Indigenous women by Karen Fricker - Theatre Critic

Métis director Jani Lauzon hopes to change minds about the realities of truth and reconciliation through Factory Theatre production.

SOURCE: Toronto Star at 07:00PM

Nina Lee Aquino adds a layer of truth-telling to The Drawer Boy by Karen Fricker - Theatre Critic

Casting an Indigenous and a Black actor as farmers who suppress past trauma reframes Michael Healey’s classic as a parable of colonization, writes Karen Fricker.

SOURCE: Toronto Star at 04:45PM
Monday, March 5, 2018

After Wrestling at Factory Theatre has us fighting … to understand by Karen Fricker - Theatre Critic

Despite strong performances and an adventurous production, elements of After Wrestling leave our critic perplexed.

SOURCE: Toronto Star at 06:00AM
Friday, March 2, 2018

Honest emotion and raw carnality make Bunny a smash by Karen Fricker - Theatre Critic

Hannah Moscovitch’s play focuses fully on a woman’s inner life and her sexuality, anchored by a magnificently realized performance by Maev Beaty, writes Karen Fricker.

SOURCE: Toronto Star at 12:48PM
Tuesday, February 20, 2018

A playwright walked into a Chinese food court. That was the start of the multimedia show No Foreigners by Karen Fricker - Theatre Critic

Play by David Yee, in which two actors manipulate figurines projected on a screen, explores a Chinese mall in all its cultural, linguistic and generational diversity,

SOURCE: Toronto Star at 12:57PM

Come From Away, the little show that shrunk by Karen Fricker - Theatre Critic

An intermission was axed, songs were cut, a new one was added and a Broadway hit was born. As the Canadian cast of Come From Away makes its Toronto premiere, we talk to the creators about ho…

SOURCE: Toronto Star at 10:33AM
Friday, February 16, 2018

In Toronto production of King Charles III the acting is of royal calibre, the design not so much by Karen Fricker - Theatre Critic

Play now on at CAA Theatre doesn’t look as lavish as one would hope, but fine performances and a well-paced production do justice to Mike Bartlett’s script.

SOURCE: Toronto Star at 02:16PM
Tuesday, February 13, 2018

They’re turning a Toronto theatre into an English forest for the play Jerusalem by Karen Fricker - Theatre Critic

Sons of Anarchy's Kim Coates stars in Jerusalem, at Streetcar Crowsnest, as a countercultural folk hero who lives in a battered trailer in the forest.

SOURCE: Toronto Star at 12:27PM
Monday, February 12, 2018

After hang’s slow start comes a payoff — and punishment by Karen Fricker - Theatre Critic

Play’s racial themes are all too relevant, and it gathers steam in the second half, writes Karen Fricker.

SOURCE: Toronto Star at 04:50PM
Friday, February 9, 2018

It’s the actors who shine in Canadian Stage production of Tony-winning play The Humans by Karen Fricker - Theatre Critic

There's also beauty and humour in Jackie Maxwell's staging of Stephen Karam’s play, but size of the theatre keeps audience at a distance.

SOURCE: Toronto Star at 02:54PM
Thursday, February 8, 2018

Acha Bacha’s characters shine despite play’s excess of ambition by Karen Fricker - Theatre Critic

New play at Passe Muraille can’t reconcile its dramaturgical impulses or the directions in which the story heads, but the characters and their experiences are fresh and intriguing, writes …

SOURCE: Toronto Star at 01:36PM
Saturday, February 3, 2018

Five ways to fix Canada’s theatre schools by Karen Fricker - Theatre Critic

Five instructors offer clear solutions to help make school, and professional theatre, a safer space for young actors.

SOURCE: Toronto Star at 01:05PM

Bang Bang's topical gambles pay off for playwright by Karen Fricker - Theatre Critic

Kat Sandler’s latest creation drops us into the aftermath of a police shooting and we find not only thoughtful drama but rip-roaring comedy.

SOURCE: Toronto Star at 12:00AM
Friday, February 2, 2018

Progress theatre festival brings ‘transgressive work’ to Toronto by Karen Fricker - Theatre Critic

Progress curators explain why local audiences should see work like Race Cards, Dis Merci and LOST in TRANS.

SOURCE: Toronto Star at 03:00PM
Tuesday, January 30, 2018

Canadian Stage faces leadership uncertainty of its own by Karen Fricker - Theatre Critic

Theatre company has not yet begun search for successor to Matthew Jocelyn, who leaves in June.

SOURCE: Toronto Star at 04:00PM
Saturday, January 27, 2018

Dark Heart a smart, sexy thriller on settler-Indigenous relationships in 17th-century New France by Karen Fricker - Theatre Critic

Genevieve Adam’s Dark Heart has written seven rich characters whose lives are revealed to be intertwined in fascinating and often quite unexpected ways, Karen Fricker writes.

SOURCE: Toronto Star at 05:26PM
Friday, January 26, 2018

Declarations is a devastating but joyous statement about life and grief by Karen Fricker - Theatre Critic

Cast is superb in Jordan Tannahill’s interdisciplinary production created in response to mother’s cancer diagnosis.

SOURCE: Toronto Star at 01:48PM
Thursday, January 25, 2018

Brodsky/Baryshnikov a reflection on aging and testament to Baryshnikov’s ongoing creativity by Karen Fricker - Theatre Critic

Legendary ballet dancer Mikhail Baryshnikov radiates life and wisdom in tribute to the poet Joseph Brodsky.

SOURCE: Toronto Star at 12:24PM
Monday, January 22, 2018

Racial drama Calpurnia is smart and important — but imperfect by Karen Fricker - Theatre Critic

Insightful script and cast overcome a few implausible moments in tale of dinner party gone wrong, writes Karen Fricker.

SOURCE: Toronto Star at 01:28PM

Ingenuity enlivens Bears’ ecological message and lets us in on hero’s journey by Karen Fricker - Theatre Critic

Clever staging places the audience in a more natural frame of mind, the better for lead Sheldon Elter to lead us on the chase, writes Karen Fricker.

SOURCE: Toronto Star at 11:54AM
Saturday, January 20, 2018

Indigenous-led production Bears combines ingenuity, humour and a powerful message by Karen Fricker - Theatre Critic

Bears, a production from Edmonton currently visiting Toronto’s Theatre Centre, pulls off the improbable task of translating a thrilling chase story to the theatre, while leaving the audien…

SOURCE: Toronto Star at 03:33PM
Friday, January 19, 2018

Krapp's Last Tape shows Theatre Passe Muraille's best years are far from gone by Karen Fricker - Theatre Critic

Under Mac Fyfe’s direction, Bob Nasmith is pitch-perfect as the regretful character in Beckett’s 1958 monologue.

SOURCE: Toronto Star at 01:59PM
Saturday, January 13, 2018

Mother-daughter relationship takes centre stage in Lear, Groundling’s innovative take on a Shakespeare classic by Karen Fricker - Theatre Critic

Seana McKenna’s all-out, heart-wrenching performance as Queen Lear is more than enough to recommend Graham Abbey’s production, Karen Fricker writes.

SOURCE: Toronto Star at 02:37PM
Tuesday, December 19, 2017

Balaklava Blues, a followup to Counting Sheep, to premiere at Luminato Festival by Karen Fricker - Theatre Critic

Concert and theatre piece is from Mark and Marichka Marczyk, the couple behind previous SummerWorks hit.

SOURCE: Toronto Star at 06:32PM

Toronto stages want a quick hit as brief plays are on the rise by Karen Fricker - Theatre Critic

In local theatre, ‘distilled, dense’ one-act shows might have a bigger edge than ever — with impatient, sophisticated audiences seen as the culprit — but some creators are holding ou…

SOURCE: Toronto Star at 04:30PM
Saturday, December 16, 2017

The Illusionists: Live From Broadway offers thrills for numerous magic-loving tastes by Karen Fricker - Theatre Critic

A well-executed theatrical show with dazzling magical performances, The Illusionists will not disappoint the magic lover on your list this holiday season.

SOURCE: Toronto Star at 03:00PM
Friday, December 15, 2017

Funny and thought-provoking The Story gives us nativity by way of Monty Python by Karen Fricker - Theatre Critic

Outdoor play in Christie Pits Park is a unique holiday offering with interesting perspectives on foundational story.

SOURCE: Toronto Star at 01:12PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime