All stories by Karen Fricker - Theatre Critic on BroadwayStars

Tuesday, June 12, 2018

Stephen Fry tells great stories in Mythos: Men, but just what is he trying to say? by Karen Fricker - Theatre Critic

Stephen Fry’s account of the Trojan War is typically gripping, but Karen Fricker wishes for more personal commentary on the ancient mythology he knows so well.

SOURCE: Toronto Star at 10:48AM
Sunday, June 10, 2018

Stephen Fry’s ‘pure storytelling’ enlivens Mythos: Heroes at Shaw Festival by Karen Fricker - Theatre Critic

“He’s taken his love of these myths and translated it and helped me understand why they’re amazing,” marvels our critic’s companion for part 2 of her Mythos diary.

SOURCE: Toronto Star at 09:58AM
Friday, June 8, 2018

Mythos: Gods engages Shaw Festival audience with the mythology of Stephen Fry by Karen Fricker - Theatre Critic

Unlike some of his ancient Greek source material, Stephen Fry really knows how to spin a yarn, writes Karen Fricker in part 1 of her Mythos trilogy diary.

SOURCE: Toronto Star at 02:46PM
Sunday, June 3, 2018

Stratford’s twist of Rocky Horror plays on nostalgia by Karen Fricker - Theatre Critic

Donna Feore’s production brings top-notch musical theatre talent to the plate.

SOURCE: Toronto Star at 01:26PM
Saturday, June 2, 2018

Stratford’s The Comedy of Errors takes fun risks with LGBTQ twist by Karen Fricker - Theatre Critic

Gender and queer desire take spotlight in this adventurous spin on Shakespeare’s classic mistaken-identity story.

SOURCE: Toronto Star at 03:47PM

‘We’re in a culture war here’ — two fierce shows boldly represent the new Ireland by Karen Fricker - Theatre Critic

Two acclaimed productions kicking off Toronto’s Luminato Festival, RIOT and Swan Lake/Loch na hEala, are brash representations of modern-day Ireland’s break from tradition.

SOURCE: Toronto Star at 09:00AM
Wednesday, May 30, 2018

Why To Kill a Mockingbird needs to be onstage in 2018 by Karen Fricker - Theatre Critic

The racism of 1935 is still happening today and young theatregoers need to talk about it, says Nigel Shawn Williams, directing for the Stratford Festival.

SOURCE: Toronto Star at 05:37PM

The Music Man reminds us of the joy of the Stratford Festival in wake of bomb threat by Karen Fricker - Theatre Critic

Just one night after a bomb threat cancelled season opener The Tempest, Donna Feore’s staging of this beloved 1957 musical captivates the audience, writes Karen Fricker.

SOURCE: Toronto Star at 01:51PM
Friday, May 25, 2018

Innocence Lost: A Play About Steven Truscott is a well-done portrait of how a country lost its innocence by Karen Fricker - Theatre Critic

Soulpepper Theatre production demonstrates that the lines of truth and fiction, goodness and evil, can never be drawn definitively, writes Karen Fricker.

SOURCE: Toronto Star at 02:07PM

Shaw Festival production of two of Bernard Shaw’s romance and marriage plays don’t always inspire love by Karen Fricker - Theatre Critic

The actors in How He Lied to Her Husband don’t go full-tilt at the farce while acting styles vary in The Man of Destiny, writes Karen Fricker.

SOURCE: Toronto Star at 01:22PM
Tuesday, May 22, 2018

Amid the old plays at Shaw Festival, a new challenge for a performer by Karen Fricker - Theatre Critic

Veteran performer Kimberley Rampersad tries a Shaw Festival feat: onstage in one show, directing another.

SOURCE: Toronto Star at 02:03PM
Friday, May 11, 2018

Is it a farce? Is it a rom-com? Stage Kiss fails to find balance between the two in Shaw Festival production by Karen Fricker - Theatre Critic

Fiona Byrne and Martin Happer play the developing intimacy between their characters effectively, but the dials don’t go high enough on the hijinks around them, writes Karen Fricker.

SOURCE: Toronto Star at 03:45PM

Shaw Festival builds a magical imaginary world in The Magician’s Nephew by Karen Fricker - Theatre Critic

Audience buy-in is required to make the design and performance come together in adaptation of C.S. Lewis novel, writes Karen Fricker.

SOURCE: Toronto Star at 03:32PM

Classic play Maggie & Pierre tells Justin Trudeau origin story by Karen Fricker - Theatre Critic

Kaitlyn Riordan stands up impressively to a major acting challenge, playing Pierre and Margaret Trudeau plus a journalist in revival of landmark 1980 show, writes Karen Fricker.

SOURCE: Toronto Star at 12:39PM
Tuesday, May 8, 2018

Dissidents immerses its audience in surveillance culture in a former furniture warehouse by Karen Fricker - Theatre Critic

Philippe Ducros’ play is full of intense material, which this Arcstage production amps up several notches, but sometimes it becomes overwhelming, writes Karen Fricker.

SOURCE: Toronto Star at 01:31PM

The actors in After the Blackout are disabled, but the play’s not just about disability by Karen Fricker - Theatre Critic

Judith Thompson wrote ‘juicy scenes’ for her characters in After the Blackout, in which their disabilities are ‘just a by the way’.

SOURCE: Toronto Star at 01:18PM
Thursday, May 3, 2018

The ’94 Club a problematic passion project for first-time playwright by Karen Fricker - Theatre Critic

Thalia Gonzalez Kane’s play tells the story of a group of 15-year-old girls who start a sex club.

SOURCE: Toronto Star at 02:17PM
Wednesday, May 2, 2018

Theatre festival has big ambitions for Toronto’s littlest audiences by Karen Fricker - Theatre Critic

Early years theatre, a European movement to create stage productions for audiences as young as 2 weeks old, comes to Toronto with WeeFestival, writes Karen Fricker.

SOURCE: Toronto Star at 06:00AM
Sunday, April 29, 2018

Daniel Brooks and Kim Collier’s performance piece is uniquely personal, but hard to enjoy by Karen Fricker - Theatre Critic

40 Days and 40 Nights is clearly personal and important to its mid-career, married creators, but shades of Orientalism and mandatory, intimate audience participation makes it uncomfortable a…

SOURCE: Toronto Star at 09:00AM
Friday, April 27, 2018

Prairie Nurse is a mistaken-identity story based on casual racism, and thanks to its big heart it works by Karen Fricker - Theatre Critic

The characters are all generous and pretty harmless, and they’re trying to find their way through the experience of difference while frequently falling on their faces, writes Karen Fricker.

SOURCE: Toronto Star at 01:28PM
Thursday, April 26, 2018

Leap into experimentation pays off at Toronto’s annual Circus Sessions by Karen Fricker - Theatre Critic

Annual Harbourfront event returns this weekend, with new creations flowing out of new social bonds forged among the gathered artists.

SOURCE: Toronto Star at 01:30PM
Monday, April 23, 2018

The play Mikveh can be eye-opening, but as theatre it’s less than subtle by Karen Fricker - Theatre Critic

Harold Green Jewish Theatre production tells a familiar newcomer-in-a-closed-world story, set in a women’s ritual bath in Jerusalem, writes Karen Fricker.

SOURCE: Toronto Star at 06:21PM
Tuesday, April 17, 2018

When it comes to social media shaming we are all complicit, playwrights say by Karen Fricker - Theatre Critic

Evan Placey’s Girls Like That and Christine Quintana’s Selfie have their roots in real-life stories that involve sexual consent.

SOURCE: Toronto Star at 12:31PM
Monday, April 16, 2018

In Caryl Churchill’s Love and Information it’s the clarity of the writing that lingers by Karen Fricker - Theatre Critic

Actors have standout moments in Canadian Stage production, but audience is given too much information, writes Karen Fricker.

SOURCE: Toronto Star at 12:20PM

Three actresses on building the lead character, together, in Fun Home by Karen Fricker - Theatre Critic

Performers in show opening Tuesday in Toronto discuss the rewards and challenges of playing the lead in Fun Home.

SOURCE: Toronto Star at 11:44AM
Saturday, April 14, 2018

Raven Dauda digs deep into her personal and ancestral history in Addiction by Karen Fricker - Theatre Critic

Play emerged out of Dauda’s recovery process as an alcoholic, but it’s her look at history and culture where the most interesting discoveries lie, writes Karen Fricker.

SOURCE: Toronto Star at 01:36PM
Friday, April 6, 2018

In a 2018 beset by school shootings, the ambiguity of Simon Stephens’ Punk Rock jars by Karen Fricker - Theatre Critic

The play’s inability to put a finger on what goes wrong in its English school setting seems more evasive than intriguing, writes Karen Fricker

SOURCE: Toronto Star at 01:30PM
Tuesday, April 3, 2018

The play’s the thing … you listen to on a podcast by Karen Fricker - Theatre Critic

Launched in 2016, PlayME podcasts of contemporary Canadian works have since had over 600,000 downloads in 90 countries.

SOURCE: Toronto Star at 01:00PM
Tuesday, March 27, 2018

Guillermo Verdecchia’s ‘bloom’ is an anti-war play for a ridiculous universe by Karen Fricker - Theatre Critic

Soheil Parsa’s second staging of the work asks all the big questions.

SOURCE: Toronto Star at 12:00PM
Sunday, March 25, 2018

Watching Les Misérables without music, with Toronto’s original Fantine by Karen Fricker - Theatre Critic

A new pared-down adaptation of the Victor Hugo classic takes Louise Pitre back to her breakthrough role.

SOURCE: Toronto Star at 06:00AM
Friday, March 23, 2018

What a Young Wife Ought to Know, with its focus on pregnancy and childbirth, is shocking and necessary by Karen Fricker - Theatre Critic

Set in 1920s Ottawa, Hannah Moscovitch’s play adds to an important conversation about gender inequity and female sexuality, writes Karen Fricker.

SOURCE: Toronto Star at 03:39PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime