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The Tony Award-winning musical, inspired by Greek myth, includes the showstopper ‘Wait for Me.’
The Oscar-nominated actor, onstage in ‘Remember This: The Lessons of Jan Karski,’ see parallels between Karski’s fight and today.
A crowd of up to 12,000 will gather to watch Lydia R. Diamond’s play, about the first woman to play in the Negro Leagues, on the Nationals Park video scoreboard.
Lydia R. Diamond’s play tells the story of the first woman to play full-time professional baseball.
Kathy Dillaber, who lost her sister at the Pentagon on 9/11, found connection and catharsis in the hit musical, which will be performed at the Lincoln Memorial on Sept. 10.
James Ijames’s play strikes a chord but is overburdened by its scattered ambitions.
The streaming production, shot across various locations in the D.C. area, overcomes some technical mishaps with ambitious staging and a top-notch cast.
Mohegan playwright Madeline Sayet’s solo performance, finely captured on screen, raises poignant questions about colonialism and cultural genocide.
Summer season of 50 performances opens with Afrofuturistic production of “A Midsummer Night’s Dream.”
Nominated for a Tony in “Hamilton,” the actor appears in Signature Theatre’s ‘After Midnight,” and not for the first time.
Studio Theatre’s “Until the Flood,” Signature Theatre’s “Midnight at the Never Get” and Arena Stage’s “A More Perfect Union” excel in the absence of in-person attendance.
How covid restrictions have redefined ‘putting on a show’ for one theater.
“Until the Flood,” by Dael Orlandersmith, looks at systemic racism from multiple perspectives.
The “Ma Rainey’s Black Bottom” actor passes the torch to a more age-appropriate actor for this filmed revival of his one-man memoir.
Actor Patrick Page (‘Hadestown’) performs a streaming version of his one-man show for the Shakespeare Theatre Company.
The musical revue, filmed under coronavirus safety protocols, includes tunes from the Sondheim canon, a staple of the Arlington company.
Lauren Gunderson’s “The Catastrophist” is loosely based on Wolfe’s book “The Viral Storm.”
Film version of actor Paul Morella’s one-man take on Dickens to be made available online.
The company has partnered with Marquee TV to stream four new works.
The Columbia Height theater will stage reduced-capacity shows as part of a pilot program.
E. Faye Butler is magnetic as the titular voting rights activist in a production at the Wharf in Southwest.
Playwright-performer Psalmayene 24 explores his relationship with his late father in his work in progress ‘Dear Mapel.’
Produced in collaboration with the Telephonic Literary Union, the ‘audio anthology’ expands theatrical boundaries with four original works.
Four winners from this year’s Helen Hayes Awards discuss the state of the D.C. theater community as the pandemic keeps live productions on hold.
D.C.’s Seaton Smith headlines two shows at the newly reopened comedy club.
Area theater students produce audio versions of three classic plays after traditional summer repertory season is canceled.
The Alden Theatre’s “Small Change” is a hybrid of the drive-in and live performance.
The School of Theatre, Dance and Performance Studies reinvents Qui Nguyen’s play as a live-streamed production.
Zack Zaromatidis, who plays a World War II veteran in the touring musical, discovered a great-uncle who fought in the Pacific theater.
‘Exquisite Agony’ and ‘Celia and Fidel’ spotlight the work of Cuban American playwrights.
David Seidler’s play, which premiered in London following the film’s success, is underwhelming in its visit to the National Theatre.