All stories by Jesse Green on BroadwayStars

Wednesday, April 12, 2023

Review: Skewering Masculinity, in a Hot and Sizzling ‘Fat Ham’ by Jesse Green

A modern gloss on “Hamlet” set at a backyard barbecue remakes the tragedy as a comedy, and as a challenge for today.

SOURCE: The New York Times Subscription at 09:36PM
Monday, April 10, 2023

Review: ‘White Girl in Danger’ Flips the Script on Soap Operas by Jesse Green

Michael R. Jackson’s wild new musical satire is packed with a thesis’ worth of insight about fate and representation.

SOURCE: The New York Times Subscription at 10:12PM
Tuesday, April 4, 2023

Review: In ‘Shucked,’ a Glut of Gleeful Puns and ‘Cornography’ by Jesse Green

A countrified musical about corn, and filled with it, too, transplants itself to Broadway, with songs by Brandy Clark and Shane McAnally.

SOURCE: The New York Times Subscription at 09:32PM

John Kander’s Major Chord, Undiminished by Jesse Green

The 96-year-old composer of “Chicago” and “Cabaret” is making a brand-new start of it with “New York, New York,” his 16th Broadway musical.

SOURCE: The New York Times Subscription at 05:03AM
Sunday, March 26, 2023

Review: The Many Thrilling Flavors of a Full-Scale ‘Sweeney Todd’ by Jesse Green

Sondheim’s masterpiece, restored to its proper size and sung to the hilt by Josh Groban, makes a welcome Broadway return.

SOURCE: The New York Times Subscription at 09:00PM
Friday, March 24, 2023

‘Bad Cinderella’ Review: The Title Warned Us by Jesse Green

Andrew Lloyd Webber hopes to extend an unbroken 43-year streak on Broadway. But his 13th new musical may not be the charm.

SOURCE: The New York Times Subscription at 12:32AM
Sunday, March 19, 2023

Review: In Bob Fosse’s ‘Dancin’,’ a Wiggle Is Worth a Thousand Words by Jesse Green

A revival of the 1978 dancical has been substantially revamped to argue for Bob Fosse’s pure dance cred. It’s a joy anyway.

SOURCE: The New York Times Subscription at 08:00PM

Review: In Fosse’s ‘Dancin’,’ a Wiggle Is Worth a Thousand Words by Jesse Green

A revival of the 1978 dancical has been substantially revamped to argue for Bob Fosse’s pure dance cred. It’s a joy anyway.

SOURCE: The New York Times Subscription at 08:00PM
Thursday, March 16, 2023

Review: A Pageant of Love and Antisemitism, in ‘Parade’ by Jesse Green

Ben Platt and Micaela Diamond star in a timely and gorgeously sung Broadway revival of the 1998 musical about the Leo Frank case.

SOURCE: The New York Times Subscription at 10:00PM
Wednesday, March 15, 2023

Review: In ‘The Harder They Come,’ Innocence Lost to a Reggae Beat by Jesse Green

A stage adaptation of the 1972 movie about a Jamaican singer turned outlaw hero sounds great but falls hard at the Public Theater.

SOURCE: The New York Times Subscription at 10:00PM
Thursday, March 9, 2023

‘A Doll’s House’ Review: Jessica Chastain Plots an Escape by Jesse Green

Jamie Lloyd’s compelling, surgically precise revival of Ibsen’s 1879 drama throbs like an episode of “CSI: Norway.”

SOURCE: The New York Times Subscription at 08:30PM
Thursday, March 2, 2023

Review: Holding Hands With the Homeless, in ‘Love’ by Jesse Green

Alexander Zeldin’s heartbreaking play set in a temporary housing facility retunes our attention from the big picture to the small accommodations.

SOURCE: The New York Times Subscription at 02:44PM
Tuesday, February 28, 2023

Review: A ‘Seagull’ Airlifted to a World of Soy Milk and Prada Sneakers by Jesse Green

Parker Posey stars in “The Seagull/Woodstock, NY,” as Chekhov comes to the Catskills.

SOURCE: The New York Times Subscription at 07:30PM
Monday, February 27, 2023

‘The Sign in Sidney Brustein’s Window’ Review: The Sin of Apathy by Jesse Green

Oscar Isaac and Rachel Brosnahan star as Village bohemians in a rare revival of Lorraine Hansberry’s indictment of liberal inertia.

SOURCE: The New York Times Subscription at 08:00PM
Tuesday, February 21, 2023

Review: Rude T-Shirts and Rude Awakenings in ‘A Bright New Boise’ by Jesse Green

An early play by Samuel D. Hunter finds the author developing his voice by lending it to the lost souls working at an Idaho Hobby Lobby.

SOURCE: The New York Times Subscription at 09:54PM

When ‘A Little Touch of Star Quality’ Is a Little Too Much by Jesse Green

In upcoming musical revivals, world leaders both real (Imelda Marcos, Eva Perón) and folkloric (King Arthur) get an image makeover they may not deserve.

SOURCE: The New York Times Subscription at 05:00AM
Thursday, February 16, 2023

Review: In ‘The Wanderers,’ Two Marriages and a Movie Star by Jesse Green

Anna Ziegler’s play about an Orthodox couple in the 1970s and an unorthodox one in the 2010s explores the limits of longing.

SOURCE: The New York Times Subscription at 09:30PM
Thursday, February 9, 2023

Review: How to Shoot Your Parents, in ‘Pictures From Home’ by Jesse Green

In a stage adaptation of Larry Sultan’s photo memoir, Nathan Lane stars as the father everyone’s aiming at.

SOURCE: The New York Times Subscription at 10:00PM
Thursday, January 19, 2023

How Do You Measure a Season on Broadway? In Cast Albums. by Jesse Green

From “A Strange Loop” to “Funny Girl,” most Broadway musicals of 2022 were recorded, offering listeners a chance to love or hate them again.

SOURCE: The New York Times Subscription at 02:02PM
Wednesday, January 18, 2023

At Under the Radar, Family Histories Bubble Up With No Easy Answers by Jesse Green, Laura Collins-Hughes and Elisabeth Vincentelli

The Public Theater’s experimental theater festival is back in person for the first time since 2020. Here, our critics review a second selection of the works on display.

SOURCE: The New York Times Subscription at 02:20PM
Tuesday, January 17, 2023

What’s Next for the Great Gay Play? Everything. by Jesse Green

In recent shows, ideas of gayness are expanding, combining and disappearing all at once.

SOURCE: The New York Times Subscription at 11:19AM
Friday, January 13, 2023

At Under the Radar, Stories Unfold via Sexts, Tweets and Puppeteers by Jesse Green, Laura Collins-Hughes and Alexis Soloski

The Public Theater’s experimental theater festival is back in person for the first time since 2020. Here, our critics review a handful of the works on display.

SOURCE: The New York Times Subscription at 03:02PM
Monday, December 19, 2022

Review: In ‘Between Riverside and Crazy,’ Real Estate Gets Real by Jesse Green

Stephen Adly Guirgis’s 2014 play finally comes to Broadway, its hilarious, loving and unvarnished vision of the universal human hustle intact.

SOURCE: The New York Times Subscription at 10:32PM
Monday, December 12, 2022

Review: ‘Merrily We Roll Along’ Returns, the Way It Never Was by Jesse Green

Maria Friedman’s rethinking of the much-loved, much-monkeyed-with 1981 Sondheim-Furth flop gets very close to coherence, and all the way to enjoyable.

SOURCE: The New York Times Subscription at 07:18PM
Sunday, December 11, 2022

Review: In ‘Some Like It Hot,’ an Invitation to Liberation by Jesse Green

A Broadway musical version of the Billy Wilder film finds exhilarating new ways to make the gender comedy sing.

SOURCE: The New York Times Subscription at 10:42PM
Thursday, December 8, 2022

Review: Who Committed the ‘Ohio State Murders’? Who Didn’t? by Jesse Green

Audra McDonald stars in Adrienne Kennedy’s 1991 play about the worst imaginable crime and the world that made it inevitable.

SOURCE: The New York Times Subscription at 10:42PM
Sunday, November 27, 2022

Review: In ‘KPOP,’ Korean Pop and Broadway Meet (Too) Cute by Jesse Green

The worldwide sensation and American-style musical theater form an awkward alliance onstage.

SOURCE: The New York Times Subscription at 06:06PM
Thursday, November 17, 2022

Review: On Broadway, ‘& Juliet’ (& Britney & Katy & Pink) by Jesse Green

Shakespeare’s tragedy becomes a girl-power romp in a cotton candy jukebox musical, featuring songs by the Swedish hitmaker Max Martin.

SOURCE: The New York Times Subscription at 09:03PM
Tuesday, November 15, 2022

Review: At ‘Camp Siegfried,’ a Nazi Summer of Love on Long Island by Jesse Green

The lure of fascism comes disguised as adolescent romance in Bess Wohl’s disturbing new play.

SOURCE: The New York Times Subscription at 10:24PM
Thursday, November 10, 2022

Review: ‘Kimberly Akimbo,’ Both Great and Small, Seizes the Day by Jesse Green

The season’s most moving new musical earns its place among the behemoths of Broadway.

SOURCE: The New York Times Subscription at 10:42PM
Monday, November 7, 2022

Review: In ‘Only Gold,’ Each Move Is Worth 1,000 Words by Jesse Green

The new Kate Nash dance musical, choreographed by Andy Blankenbuehler, is spectacular as long as you pay no attention to what it’s saying.

SOURCE: The New York Times Subscription at 07:06PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic