A couple of flaws aside, the Seligmann Brothers' corporate satire is big old-fashioned musical-comedy fun, with Klea Blackhurst a top banana for the ages.
SOURCE: Backstage at 09:00AMDrew Gasparini and Louis Sacco's bromance musical has fine moments, provided mainly by Andy Mientus and Andrew Kober, but it's severely credibility-straining and weighted with a so-so scor…
SOURCE: Backstage at 01:48AMChristopher Kipiniak is still excellent, but C.S. Hanson's extension of a one-act about a Russian emigrant investor traffics in needless detail and wild coincidence.
SOURCE: Backstage at 07:00AMAndrew Belcher's scattered satire of immigration law, government inefficiency, and much else lacks clarity, humor, resolution, and anyone on stage to root for.
SOURCE: Backstage at 05:19AMBrian C. Petti's Irish drama is an ungimmicky, affecting exploration of a sad chapter in his family's history that avoids clichés as it keeps us pulling for its likable hero.
SOURCE: Backstage at 02:54AMThis whirlwind musical tour through Wonderland, while not particularly well-wrought, does convey a childlike wonder and benefits from an imaginative small-scale staging and short running t…
SOURCE: Backstage at 03:05AMAn often lovely score gives Joshua Salzman and Ryan Cunningham's extremely generic, haphazardly structured musical about 20-somethings in Manhattan what individuality it has.
SOURCE: Backstage at 03:20AMThis new Antony and Cleopatra musical comedy wants to be a burlesque laughfest in the style of "A Funny Thing Happened on the Way to the Forum," but it's deficient in pretty much every dep…
SOURCE: Backstage at 08:00AMOveracting and a too-frantic pace do not entirely obscure the charms of Norman Krasna's smart, easygoing World War II comedy.
SOURCE: Backstage at 06:01AMMaxwell Anderson's classic look at evil veiled by innocence needs better production values and a more calculating murderess, but it's an enjoyable old-fashioned well-made play.
SOURCE: Backstage at 07:02AM