All stories by Laura Collins-Hughes on BroadwayStars

Monday, May 25, 2015

Eye of the storm by Laura Collins-Hughes

She conjures a ‘Tempest' with a twist in her new film, but Julie Taymor is at the center of a very different maelstrom with her mega-budget Broadway musical, ‘Spider-Man'

SOURCE: Boston Globe at 05:58PM

On stage, taking risks by Laura Collins-Hughes

With aerial stunts, how can performers stay safe?

SOURCE: Boston Globe at 05:58PM
Tuesday, May 19, 2015

Review: In Sara Fellini’s ‘In Vestments,’ Haunted by More Than Ghosts by Laura Collins-Hughes

Theater 4the People’s new play, about a crumbling church and the people trying to hold it together, takes place in a church on the Upper West Side.

SOURCE: The New York Times Subscription at 05:51PM
Sunday, May 17, 2015

Review: A Molière-Born Cad for the Ages in ‘Don Juan’ by Laura Collins-Hughes

Jess Burkle’s larkish adaptation of Molière’s “Don Juan,” at the Pearl Theater, features modern colloquial language and a loud-spoken costume.

SOURCE: The New York Times Subscription at 10:00PM
Monday, May 4, 2015

Review: ‘Red Flamboyant’ Is Earthbound and Flush With Romanticism by Laura Collins-Hughes

Don Nguyen’s play at Anderson Hall was inspired by a newspaper article about H.I.V.-positive women in Vietnam, but is most successful when it strays away from the source material.

SOURCE: The New York Times Subscription at 06:33PM

Review: ‘Beyond Sacred: Voices of Muslim Identity,’ Young New Yorkers Tell Their Stories by Laura Collins-Hughes

Five young New Yorkers are featured in Ping Chong + Company’s new work of interview-based theater at LaGuardia Performing Arts Center in Long Island City, Queens.

SOURCE: The New York Times Subscription at 06:03AM
Wednesday, April 29, 2015

Review: ‘Ziegfeld’s Midnight Frolic’ Explores the Murky Death of the Actress Olive Thomas by Laura Collins-Hughes

The death by poison of the “Ziegfeld Follies” beauty in Paris in 1920 is the subject of an immersive theater piece at the Liberty Theater.

SOURCE: The New York Times Subscription at 10:00PM
Wednesday, April 22, 2015

Review: ‘The Unexpected Guest,’ From Agatha Christie, Dispenses With a Bully by Laura Collins-Hughes

The new Theater Breaking Through Barriers production at the Clurman Theater opens with a dead body in a wheelchair.

SOURCE: The New York Times Subscription at 05:56PM
Friday, April 10, 2015

Review: ‘Clinton the Musical’ Proves Unimpeachably Amusing by Laura Collins-Hughes

The show employs satire without the bite of meanspiritedness.

SOURCE: The New York Times Subscription at 10:00PM
Monday, April 6, 2015

In Bess Wohl’s ‘Small Mouth Sounds,’ a Loss for Words Leads to a Gain in Insight by Laura Collins-Hughes

The characters in a new play say almost nothing, an exercise in mindfulness that was both challenging and relieving for its writer.

SOURCE: The New York Times Subscription at 05:33PM

Review: ‘Music Hall,’ a Meditation in Stage Poetry by Jean-Luc Lagarce by Laura Collins-Hughes

Tuta Theater Chicago brings a work by the French playwright Jean-Luc Lagarce to 59E59 Theaters.

SOURCE: The New York Times Subscription at 05:16PM
Sunday, April 5, 2015

Review: In ‘Soldier X,’ Rehana Lew Mirza Explores Issues Off the Battlefield by Laura Collins-Hughes

Ms. Mirza’s play — full of emotions, conflicts and other military-related issues — intends to educate theatergoers.

SOURCE: The New York Times Subscription at 02:13PM
Thursday, March 26, 2015

Stage Shows Are Most Alive at the First Preview by Laura Collins-Hughes

Theater is always full of chance-taking and excitement, never more so than the first time a show has a preview.

SOURCE: The New York Times Subscription at 01:15PM
Monday, March 9, 2015

Review: ‘Fashions for Men,’ a Revival at the Mint Theater by Laura Collins-Hughes

Ferenc Molnar’s play, a romantic comedy that came to Broadway in 1922, revolves around a tenderhearted Budapest clothier and his road back to happiness.

SOURCE: The New York Times Subscription at 05:23PM
Friday, March 6, 2015

‘The Events’ Uses Local Choirs for Vocals, Minus a Script by Laura Collins-Hughes

The play, which examines the aftermath of a mass shooting at a choir rehearsal, uses local choruses who volunteer to be a part of the show.

SOURCE: The New York Times Subscription at 07:34PM
Tuesday, March 3, 2015

Review: Eberhardt’s Fierce Ride, in ‘The Nomad’ by Laura Collins-Hughes

“The Nomad,” from Elizabeth Swados and Erin Courtney, follows the journey of a Western woman who finds freedom posing as a man in North Africa.

SOURCE: The New York Times Subscription at 04:18PM

Review: In ‘Abundance,’ by Beth Henley, Mail-Order Brides Find Husbands and Lice by Laura Collins-Hughes

Ms. Henley’s play, in a revival by the Actors Company Theater, is a rare western in which women are the stars.

SOURCE: The New York Times Subscription at 04:02PM
Sunday, March 1, 2015

Review: In ‘Rocket to the Moon,’ a Dentist Deals With a Midlife Crisis by Laura Collins-Hughes

In a revival of this Clifford Odets play, directed by Dan Wackerman, the protagonist dreams of a less soul-sucking life, yet lacks the courage to try to build one.

SOURCE: The New York Times Subscription at 03:30PM
Tuesday, February 24, 2015

Review: ‘Churchill,’ a One-Man Show at New World Stages by Laura Collins-Hughes

Ronald Keaton portrays Winston Churchill in reflecting on that former British prime minister’s anecdote-rich life.

SOURCE: The New York Times Subscription at 05:40PM
Friday, February 6, 2015

Theater Review: ‘Texas in Paris’ Stars Lillias White at York Theater Company by Laura Collins-Hughes

In “Texas in Paris,” Lillias White and Scott Wakefield play very different singers on a music tour in France.

SOURCE: The New York Times Subscription at 06:48PM
Friday, January 30, 2015

Theater Review: ‘Zero Hour: Tokyo Rose’s Last Tape’ at Japan Society by Laura Collins-Hughes

“Zero Hour: Tokyo Rose’s Last Tape” focuses on a young Japanese-American who becomes branded as an Axis propagandist.

SOURCE: The New York Times Subscription at 05:55PM
Friday, January 23, 2015

Third Time Is Not the Charm for ‘Soul Doctor’ by Laura Collins-Hughes

An Off Broadway production of the bio-musical about Shlomo Carlebach will close on Sunday.

SOURCE: The New York Times Subscription at 01:57PM
Thursday, January 22, 2015

A Provocative Play Connects Halley Feiffer and Betty Gilpin by Laura Collins-Hughes

Halley Feiffer’s new play, “I’m Gonna Pray for You So Hard,” focuses on an actress and her better-known father, a situation she knows firsthand.

SOURCE: The New York Times Subscription at 12:48PM
Wednesday, January 21, 2015

Theater Review: ‘Wyoming,’ a Brian Watkins Family Drama by Laura Collins-Hughes

In the play “Wyoming,” a family gets uncomfortable reminders when a son arrives for Thanksgiving.

SOURCE: The New York Times Subscription at 04:17PM
Tuesday, January 20, 2015

Theater Review: Tom Hewitt in ‘Another Medea’ by Laura Collins-Hughes

The Broadway veteran Tom Hewitt plays a disarming psychopath in “Another Medea,” a monologue written by Aaron Mark.

SOURCE: The New York Times Subscription at 05:40PM

Theater Review: ‘The Woodsman’ Tells the Tin Man’s Tale by Laura Collins-Hughes

“The Woodsman,” an ambitious production from James Ortiz, uses spare dialogue, omnipresent music and fanciful puppets to tell the Tin Man’s back story.

SOURCE: The New York Times Subscription at 05:30PM
Monday, January 19, 2015

Theater Review: Amir Reza Koohestani’s ‘Timeloss,’ at the Public Theater by Laura Collins-Hughes

In Amir Reza Koohestani’s “Timeloss,” two actors, former lovers, rehash an argument that’s both scripted and real.

SOURCE: The New York Times Subscription at 01:05PM
Thursday, January 15, 2015

The Experiment Must Go On by Laura Collins-Hughes

The Talking Band, a SoHo based avant-garde theater company that produced its first show 40 years ago, remains active and vital.

SOURCE: The New York Times Subscription at 12:44PM
Friday, January 9, 2015

‘Soul Doctor’ Musical Moves to a Smaller Stage by Laura Collins-Hughes

Jeremy Chess, the producer of “Soul Doctor,” hopes for success as the play moves to an Off Broadway stage.

SOURCE: The New York Times Subscription at 05:59PM
Monday, December 29, 2014

‘Burning Bluebeard' Becomes a Holiday Tradition in Chicago by Laura Collins-Hughes

“Burning Bluebeard,” a play set around a 1903 theater fire, has become a tradition in Chicago.

SOURCE: The New York Times Subscription at 05:40PM
Tuesday, December 23, 2014

‘Cafe Society Swing’ at 59E59 Theaters by Laura Collins-Hughes

“Cafe Society Swing,” a revue wrapped around a bit of New York history, traces the demise of the Greenwich Village jazz club Cafe Society.

SOURCE: The New York Times Subscription at 10:51AM