All stories by Tim Bano on BroadwayStars

Saturday, August 4, 2018

Duckie review at Summerhall, Edinburgh – ‘fills the space and the soul’ by Tim Bano

In Le Gateau Chocolat’s raggedy makeshift world, ugly ducklings don’t turn into beautiful swans. Life isn’t that simple if you’re ‘different’. Instead

SOURCE: The Stage Registration at 04:31PM

Coriolanus Vanishes review at Traverse Theatre, Edinburgh – ‘stylish and startling’ by Tim Bano

Originally performed by its author David Leddy, this monologue has to be one of the most stylish productions at the Edinburgh Fringe.

SOURCE: The Stage Registration at 02:09PM
Friday, August 3, 2018

The Greatest Play in the History of the World… review at Traverse, Edinburgh – ‘superb’ by Tim Bano

Everyone would be a lot happier if they had Julie Hesmondhalgh to tell them bedtime stories. Her husband Ian Kershaw’s lightly sci-fi

SOURCE: The Stage Registration at 02:33PM

On the Exhale review at Traverse Theatre, Edinburgh – ‘US school shooting drama loses its way’ by Tim Bano

‘Active shooter’ is a term with which most people don’t have to be familiar. But American playwright Martin Zimmerman’s monologue, responding to

SOURCE: The Stage Registration at 12:31PM

John Partridge: ‘I’m proud of EastEnders – some of the UK’s greatest actors are on it’ by Tim Bano

In a career spanning three decades, John Partridge has been in countless West End musicals and the long-running BBC soap. But in

SOURCE: The Stage Registration at 12:00PM
Wednesday, August 1, 2018

Othello review at Shakespeare’s Globe, London – ‘Mark Rylance and Sheila Atim are outstanding’ by Tim Bano

There are a lot more laughs here than Othello usually provokes. In their latest team-up, director Claire van Kampen and husband Mark

SOURCE: The Stage Registration at 07:09PM
Tuesday, July 31, 2018

Les Miserables review at the Queen’s Theatre, London – ‘still a stunner’ by Tim Bano

Nothing much has changed for Les Miserables over the past 33 years. The orchestrations have been tweaked to get rid of a

SOURCE: The Stage Registration at 11:57AM

Underground Railroad Game creators: ‘We’re tackling the safe narrative we’ve been spoonfed about race’ by Tim Bano

One of the more eyebrow-raising shows at the Edinburgh Fringe plays out a controversial game in which American schoolchildren re-enact the Civil

SOURCE: The Stage Registration at 03:00AM
Thursday, July 26, 2018

King Lear starring Ian McKellen – review at Duke of York’s Theatre, London – ‘a mighty performance’ by Tim Bano

Intimacy and intensity sold audiences and critics on Ian McKellen’s King Lear in Chichester last year. Jonathan Munby’s regal production was squished

SOURCE: The Stage Registration at 06:31PM
Tuesday, July 24, 2018

Spamilton review at Menier Chocolate Factory – ‘a patchy parody of the Lin-Manuel Miranda musical’ by Tim Bano

Unlike Gerard Alessandrini’s revue show Forbidden Broadway, which takes popular songs from musical theatre, reworks their lyrics and lampoons their singers, his

SOURCE: The Stage Registration at 06:46PM
Wednesday, July 18, 2018

Allelujah! review at the Bridge Theatre, London – ‘Alan Bennett’s new NHS play’ by Tim Bano

One of Alan Bennett’s best bits of writing is set in a hospital. It was a 1982 Play For Today called Intensive

SOURCE: The Stage Registration at 08:09PM
Tuesday, July 17, 2018

A Monster Calls review at Old Vic, London – ‘moments of piercing beauty’ by Tim Bano

There’s not much light in the story of a 13 year old boy watching his mum die of cancer. But, in Sally

SOURCE: The Stage Registration at 06:31PM
Monday, July 16, 2018

Almeida technical manager Jason Wescombe: ‘I never thought it would be a job. It was just a good Friday night out’ by Tim Bano

Having found his role in The Stage, technical manager Jason Wescombe has overseen 100 Almeida productions and is now working on Machinal.

SOURCE: The Stage Registration at 12:00PM

100: UnEarth review at Lost Gardens of Heligan, Cornwall – ‘melancholy, uplifting, unforgettable’ by Tim Bano

Before he created the Eden Project, Tim Smit came across a thousand acres of bramble and broken masonry on the Cornish coast,

SOURCE: The Stage Registration at 07:09AM

The Muppets Take the O2 review – ‘a wonky but charming live show’ by Tim Bano

Although The Muppet Show was filmed in the UK at Elstree when it started life in 1976, Jim Henson’s creatures have never

SOURCE: The Stage Registration at 06:04AM
Friday, July 13, 2018

The Lehman Trilogy review at National Theatre, London – ‘magnificently performed’ by Tim Bano

It’s imaginary. That’s the genius of Sam Mendes’ staging of this epic play, charting the history of the Lehman brothers, the three

SOURCE: The Stage Registration at 03:59AM
Thursday, July 12, 2018

The Rise and Fall of Little Voice review at Barn Theatre, Cirencester – ‘a spectacular debut’ by Tim Bano

Cirencester’s newly opened Barn Theatre is really getting into its stride.  A powerfully performed revival Jim Cartwright’s classic marks the end of

SOURCE: The Stage Registration at 04:11AM
Wednesday, July 11, 2018

It Happened in Key West review at Charing Cross Theatre, London – ‘strange, sardonic, discomfiting’ by Tim Bano

Musicals theatre is no strangers to strange subjects – but this is something else. Back in the 1930s a German eccentric living

SOURCE: The Stage Registration at 03:01AM
Friday, July 6, 2018

Knights of the Rose review at Arts Theatre, London – ‘a wince-inducing medieval musical’ by Tim Bano

A medieval romance set to rock songs sounds a bit silly on paper. But instead of leaning into that silliness, and embracing

SOURCE: The Stage Registration at 04:31AM
Thursday, July 5, 2018

Dusty starring Katherine Kingsley – review at Theatre Royal, Bath – ‘wonderfully performed’ by Tim Bano

Dusty, Forever Dusty, Son of a Preacher Man and now Dusty again. The allure of Dusty Springfield jukeboxers is seemingly limitless. This

SOURCE: The Stage Registration at 05:30AM
Tuesday, July 3, 2018

The King and I review at London Palladium – ‘an opulent and intelligent revival’ by Tim Bano

It’s taken a long time to exorcise the ghost of Yul Brynner from The King and I. He played the King of

SOURCE: The Stage Registration at 06:00PM
Monday, July 2, 2018

RSC head of voice Kate Godfrey: ‘I want actors to use their own accents – it just needs to be clear’ by Tim Bano

With a remit covering vocal techniques, teaching dialects and interpreting text, Kate Godfrey coaches the Royal Shakespeare Company’s actors to make the

SOURCE: The Stage Registration at 12:00PM
Friday, June 29, 2018

A 24-Decade History of Popular Music: The First Act review at Barbican Theatre – ‘extraordinary’ by Tim Bano

In this musical queering of American history Taylor Mac goes to some strange places. In essence the 24-hour show – which earned

SOURCE: The Stage Registration at 04:49AM
Wednesday, June 27, 2018

Fun Home review at Young Vic, London – ‘A staggering work of art’ by Tim Bano

Two arpeggios start Fun Home, like a tune a child would play after their first piano lesson. Suddenly they attach themselves to

SOURCE: The Stage Registration at 06:16PM
Tuesday, June 26, 2018

Jerusalem review at Watermill Theatre, Newbury – ‘intense and intimate’ by Tim Bano

It was always going to be hard to separate Jerusalem from memories of Mark Rylance. In Jez Butterworth’s contemporary classic the part

SOURCE: The Stage Registration at 04:34AM
Friday, June 22, 2018

The Town Hall Affair review at Barbican Theatre, London – ‘a gripping theatrical experiment’ by Tim Bano

In her book Lesbian Nation, Jill Johnston explained her conflict at taking part in a now infamous debate about feminism in 1971.

SOURCE: The Stage Registration at 04:55AM
Thursday, June 21, 2018

Kiss Me Kate review at London Coliseum – ‘a magnificent and lavish staging’ by Tim Bano

Cole Porter’s 1948 musical is one of those shows with backstory and baggage. Supposedly based on wife and husband acting duo Lynn

SOURCE: The Stage Registration at 04:45AM
Tuesday, June 12, 2018

Acis and Galatea review at Lilian Baylis House – ‘Handel enters the social media age’ by Tim Bano

Acis has one of the less glamorous transformations in Ovid’s Metamorphoses. Other characters become birds or lions, but he is squashed by

SOURCE: The Stage Registration at 11:44AM
Thursday, June 7, 2018

Julie review at National Theatre – ‘provocative and profound’ by Tim Bano

August Strindberg’s classic, in the hands of Polly Stenham and Carrie Cracknell, updated and enriched, is a piece that pulls in polar

SOURCE: The Stage Registration at 07:04PM
Wednesday, June 6, 2018

My Name Is Lucy Barton review at Bridge Theatre, London – ‘utterly riveting’ by Tim Bano

Rather than a monologue, Rona Munro’s adaptation of Elizabeth Strout’s novel feels like 90 minutes of epilogue. The wistful tone, the crushing

SOURCE: The Stage Registration at 06:19PM
Monday, June 4, 2018

Killer Joe starring Orlando Bloom review at Trafalgar Studios, London – ‘unpleasant revival of a nasty play’ by Tim Bano

Fourteen years before he won the Pulitzer Prize for August: Osage County, Tracy Letts made his playwriting debut with Killer Joe, a

SOURCE: The Stage Registration at 05:00PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic