All stories by Robert Cushman on BroadwayStars

Sunday, January 20, 2013

Theatre Review: Help Yourself and The Penelopiad offer two sides of the moral coin by Robert Cushman

Two plays on now in Toronto are trips — though of markedly different varieties

SOURCE: National Post (Canada) at 08:00AM
Tuesday, January 15, 2013

Theatre review: Andrew Lloyd Webber’s Wizard of Oz has sass, spectacle and gives good song by Robert Cushman

Cushman: I’m philosophically opposed to the idea of casting shows by TV talent contests, but it works out as well here

SOURCE: National Post (Canada) at 11:33AM
Saturday, January 12, 2013

Theatre review: It’s amour sans glamour in Morris Panych’s updated Anatol by Robert Cushman

Morris Panych’s adaptation of Schnitzler’s Anatol, its title extended to The Amorous Adventures of Anatol, leaves no doubt about the subject matter

SOURCE: National Post (Canada) at 02:00PM
Friday, January 11, 2013

Personal drama leads to national trauma in This Is War by Robert Cushman

Hannah Moscovitch's combat drama is a magnificent, complex look at a platoon's psyche

SOURCE: National Post (Canada) at 11:08AM
Thursday, January 10, 2013

Robert Cushman: Next Stage exposes one of Toronto’s best young actresses by Robert Cushman

Two stories, or rather two chapters of the same story, get juxtaposed in Natasha Greenblatt’s The Peace Maker, at the Next Stage Theatre Festival in Toronto.

SOURCE: National Post (Canada) at 09:00PM
Sunday, January 6, 2013

Theatre review: With Love and a Major Organ can be heart to take by Robert Cushman

Julia Lederer, author of With Love and a Major Organ, has a neat way with a digital simile. So does the young woman she herself plays

SOURCE: National Post (Canada) at 02:00PM
Saturday, December 29, 2012

Theatre reviews in review: The year’s best performances by Robert Cushman

A fairly fond look back at 2012, built around its actors, with special emphasis on those who recurred, including everyone in The Golden Dragon.

SOURCE: National Post (Canada) at 02:00PM
Saturday, December 22, 2012

Theatre review: Without You, Anthony Rapp’s Rent memorial, doesn’t hit home by Robert Cushman

Some 15 years ago, Anthony Rapp created the role of Mark, the videographer-narrator of Rent, and his performance was the best thing in the show

SOURCE: National Post (Canada) at 01:00PM
Wednesday, December 19, 2012

Giving the gift of Broadway by Robert Cushman

There are still just enough shopping hours to get the Broadway lover in your circle a few of 2012’s best offerings

SOURCE: National Post (Canada) at 01:52PM
Friday, December 14, 2012

Theatre review: Dickens’ Women paints a portrait of those the author neglected by Robert Cushman

The Young Centre is the site of a bicentennial celebration this week of Charles Dickens, playing hose to Miriam Margolyes Dickens’ Women

SOURCE: National Post (Canada) at 04:04PM
Thursday, December 13, 2012

Theatre review: This Lime Tree Bower gives good monologue by Robert Cushman

The Irish are great soliloquisers. Or is the word soliloquist? It must be, as spellcheck hasn’t given me a hard time for using it.

SOURCE: National Post (Canada) at 04:39PM
Tuesday, December 11, 2012

From Harry Potter to Miss Havisham, Miriam Margolyes has lived a life less ordinary by Robert Cushman

Many people, by Miriam Margolyes’ own account, know her best for her role as Professor Sprout in the Harry Potter films

SOURCE: National Post (Canada) at 09:30AM
Saturday, December 8, 2012

String theory: Prehistoric puppetry is bliss in Canadian Stage’s Ignorance by Robert Cushman

The title of the latest show to reach Toronto from the Old Trout Puppet Workshop of Calgary is Ignorance. But its announced subject is happiness

SOURCE: National Post (Canada) at 02:00PM
Wednesday, December 5, 2012

Theatre review: Ross Petty’s Snow White is a sleepy hit by Robert Cushman

The show, especially in its jokes, caters to the grown-ups. The kids — with a couple of tearful exceptions — didn’t seem to mind

SOURCE: National Post (Canada) at 03:43PM
Wednesday, November 28, 2012

Theatre review: Boblo takes us up the Detroit River by Robert Cushman

Boblo is less concerned with specific memories than with the persistence of memory itself

SOURCE: National Post (Canada) at 07:00PM
Monday, November 26, 2012

Theatre review: The Lesson’s school of the absurd by Robert Cushman

If there is such a thing as the Theatre of the Absurd, then one of its achievements is to present us with power-plays in their purest form

SOURCE: National Post (Canada) at 02:38PM
Sunday, November 25, 2012

Theatre review: Fare Game offers wheel deal in look at lives of Toronto taxi drivers by Robert Cushman

Judged as a play, Fare Game is feeble to the point of non-existence. To be fair (ouch) it isn’t trying to be a play. It’s an assemblage of film clips

SOURCE: National Post (Canada) at 02:00PM
Thursday, November 22, 2012

Theatre review: The Arsonists lights up the stage by Robert Cushman

Max Frisch’s The Arsonists is a classic piece of stable door locking, an allegory about the coming to power of Nazism

SOURCE: National Post (Canada) at 01:21PM
Sunday, November 18, 2012

Theatre review: The Little Years finds hope in spite of limitations by Robert Cushman

The Little Years is sharp and economical and compassionate without being sentimental.

SOURCE: National Post (Canada) at 02:00PM
Monday, November 12, 2012

Theatre Review: Speaking in Tongues is more than just a coincidence by Robert Cushman

Coincidence drives Speaking in Tongues to the point where it ceases to be a mere device and becomes a metaphor

SOURCE: National Post (Canada) at 03:28PM
Sunday, November 11, 2012

Theatre review: Having their Alligator Pie, and eating it too by Robert Cushman

It’s hard to resist the quintet’s rhythmic choral declaration that if they don’t get their pie they’re surely gonna die.

SOURCE: National Post (Canada) at 02:00PM
Sunday, November 4, 2012

Theatre review: The means to an Endgame by Robert Cushman

What’s extraordinary is that a play that seems to crave death should be so full of life, that dialogue so apparently barren should be so fertile.

SOURCE: National Post (Canada) at 07:00AM
Tuesday, October 30, 2012

Political Mother: spectacular, but can we have some more, please? by Robert Cushman

For the second time straight, CanadianStage has housed the most spectacular show in Toronto.

SOURCE: National Post (Canada) at 12:00PM
Saturday, October 27, 2012

Theatre review: Miss Caledonia puts on the charm with Melody Johnson twirling by Robert Cushman

It’s worth going to Miss Caledonia just to experience Melody A. Johnson singing I’ve Been Everywhere while twirling a baton

SOURCE: National Post (Canada) at 02:00PM
Thursday, October 25, 2012

Theatre Review: This Must Be the Place misses the mark by Robert Cushman

The problem with This Must Be the Place is that this doesn’t have to be the place. Let me explain.

SOURCE: National Post (Canada) at 05:15PM
Friday, October 19, 2012

Theatre review: La Cage aux Folles is playful and poignant by Robert Cushman

The glory of the show is Christopher Sieber’s wonderful Albin, who can slide instantly from petulant complaint to deep pain.

SOURCE: National Post (Canada) at 05:00PM
Tuesday, October 16, 2012

Theatre review: Bloodless is brave, but foolhardy by Robert Cushman

Theatre 20 is a new company whose name derives from the number of accomplished performers who are its Founding Artists and whose mission is to revive interesting old musicals and to develop …

SOURCE: National Post (Canada) at 11:45AM
Saturday, October 13, 2012

Theatre review: Tear the Curtain! is not so much timely as prophetic by Robert Cushman

Tear the Curtain!, which has come from the west coast to open the new season at Canadian Stage, is a different world

SOURCE: National Post (Canada) at 02:00PM
Saturday, October 6, 2012

On theatre: An agitating critic writes in praise of the Princess of Wales by Robert Cushman

There are three theatres in Toronto that are pleasant to visit, irrespective of what happens to be playing in them. All of them are recent buildings

SOURCE: National Post (Canada) at 09:00AM
Thursday, October 4, 2012

We are not amused by Queen for a Day by Robert Cushman

The new soap musical combines cliché and uplift with songs that no one should be singing

SOURCE: National Post (Canada) at 01:56PM
Friday, September 28, 2012

Theatre review: Michael Healey’s Proud is a Pygmalion for the political age by Robert Cushman

Michael Healey’s Proud is notorious as the play Tarragon Theatre wouldn’t do, despite it being the last part of a successful trilogy for the theatre

SOURCE: National Post (Canada) at 03:00PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic