All stories by Robert Cushman on BroadwayStars

Saturday, July 20, 2013

Theatre Review: Entertaining Mr. Sloane isn’t Joe Orton’s best play, but Soulpepper’s production will make you forget that fact by Robert Cushman

Orton’s Entertaining Mr. Sloane was his first play and, when staged in London in the 1960s, made him an instant celebrity

SOURCE: National Post (Canada) at 02:00PM
Friday, July 19, 2013

Theatre Review: Shaw Festival’s Faith Healer and Enchanted April by Robert Cushman

If Faith Healer is excessively demanding but somewhat nourishing, Enchanted April is excessively undemanding and not nourishing at all

SOURCE: National Post (Canada) at 03:24PM
Sunday, July 14, 2013

Theatre Review: Macbeth works surprisingly well as an al fresco tragedy by Robert Cushman

Ker Wells’ production of Macbeth is carried out with intelligence and imagination, and cast, for the most part, with actors who are equal to their roles

SOURCE: National Post (Canada) at 09:00AM
Saturday, July 6, 2013

Theatre review: Stratford’s Waiting for Godot features a natty Vladimir and great Estragon as Beckett’s supertramps by Robert Cushman

If Rooney’s Vladimir is a fine performance, Stephen Ouimette’s Estragon is a great one: as down at heart as at heels, and perversely glorying in his destitution.

SOURCE: National Post (Canada) at 01:00PM
Saturday, June 29, 2013

Speaking Shakespeare: Joss Whedon’s Much Ado reveals the secret to making the Bard’s lines sound modern by Robert Cushman

One of the great things — actually the greatest thing — about Joss Whedon’s film of Much Ado About Nothing is how natural it sounds.

SOURCE: National Post (Canada) at 01:00PM
Saturday, June 22, 2013

Robert Cushman: Shut the front Dora, because there’s no easy explanation for award nods by Robert Cushman

The list of nominees for this year's Dora Awards provokes a mix of head-nodding, brow-smiting, and eye-rolling.

SOURCE: National Post (Canada) at 02:00PM
Saturday, June 15, 2013

Theatre Review: At Shaw Festival, one-and-a-half masterpieces by Robert Cushman

Wilde reigns on the Shaw Festival’s main stage, while George Bernard Shaw himself is confined to its smaller houses.

SOURCE: National Post (Canada) at 02:00PM
Thursday, June 13, 2013

Theatre review: Stratford presents a masterful Mary Stuart by Robert Cushman

Stratford’s opening week reaches its peak with Mary Stuart, a play that, in the special dramatic world of counter-factuals, reigns supreme

SOURCE: National Post (Canada) at 03:16PM
Saturday, June 8, 2013

Theatre review: Des McAnuff’s version of The Who’s Tommy is a high-tech feast of visual storytelling by Robert Cushman

Des McAnuff’s Stratford production of Tommy is a superlative feat of visual storytelling. McAnuff takes perfectly disciplined advantage of his new technological opportunities

SOURCE: National Post (Canada) at 02:00PM
Sunday, June 2, 2013

Theatre Review: The Duke abides at Stratford’s Measure for Measure by Robert Cushman

It isn’t quite indestructible (Harvey Fierstein proved that a few years ago) but it’s the next best thing

SOURCE: National Post (Canada) at 08:00AM
Thursday, May 30, 2013

Theatre Review: Stratford is off to an exhilarating start with Romeo and Juliet by Robert Cushman

The comedy isn’t just a matter of individually humorous lines or even scenes, though Tim Carroll’s production is exceptionally adroit at discovering and delivering these

SOURCE: National Post (Canada) at 05:30PM
Saturday, May 25, 2013

Shaw Festival: Maugham’s Our Betters, Guys and Dolls prove a strong start in Niagara-on-the-Lake by Robert Cushman

Our Betters by W. Somerset Maugham, on now in a good production at the Shaw Festival, mocks the quaint belief that our own age is less moral than previous ones

SOURCE: National Post (Canada) at 02:00PM
Wednesday, May 22, 2013

Of A Monstrous Child: A Lady Gaga Musical, reviewed: A stylish, beautifully packaged look at the Poker Faced musician by Robert Cushman

Staged and performed with immense style, Of a Monstrous Child is a musical-intellectual collage that centres on, or more accurately swirls around, the figure of Lady Gaga

SOURCE: National Post (Canada) at 05:04PM
Saturday, May 11, 2013

‘Les Mis is my baby’: Whether it’s the West End, Broadway or film, Cameron Mackintosh is master of musicals by Robert Cushman

In 1998 in London, the Royal Family in attendance, there was a gala tribute to Cameron Mackintosh, the most successful of musical theatre producers then, now, and conceivably ever

SOURCE: National Post (Canada) at 02:00PM
Wednesday, May 8, 2013

Theatre Review: Book of Mormon’s Toronto visit brings more insecurity to the stage than its Broadway counterpart by Robert Cushman

The best thing about The Book of Mormon is that it all comes right in the end. Or nearly

SOURCE: National Post (Canada) at 12:50PM
Saturday, May 4, 2013

Theatre review: Falsettos shows off the power of musicals to trade in complex material by Robert Cushman

Robert McQueen’s version of a slightly older American musical, William Finn’s Falsettos, is a fine production. I call it a 'version' because Falsettos has a complicated history

SOURCE: National Post (Canada) at 03:30PM
Saturday, April 27, 2013

Theatre review: Carried Away on the Crest of a Wave is a water log of the Boxing Day tsunami by Robert Cushman

David Yee’s Carried Away on the Crest of a Wave is a talented piece of work — but it nonetheless comes close to drowning in its own ambition

SOURCE: National Post (Canada) at 01:30PM
Saturday, April 20, 2013

Theatre review: In Mamet’s Race, Nigel Shawn Williams is stellar opposite a mediocre Jason Priestley by Robert Cushman

Nigel Shawn Williams, playing a lawyer in David Mamet’s Race on now at Canadian Stage's Bluma Appel Theatre, gives a virtuoso performance

SOURCE: National Post (Canada) at 02:30PM
Sunday, April 14, 2013

Theatre Review: Soulpepper navigates the complex, connected sexual world of La Ronde by Robert Cushman

The only thing wrong with Soulpepper’s production of La Ronde is the billing

SOURCE: National Post (Canada) at 09:00AM
Saturday, April 6, 2013

Theatre review: Sam Shepard’s True West finally works with Soulpepper’s treatment by Robert Cushman

The brothers in True West represent what the West mythically used to be, what has become of it and, by extension, what has become of America

SOURCE: National Post (Canada) at 01:00PM
Wednesday, April 3, 2013

Remembering Richard Griffiths: Robert Cushman’s big appreciation of a bigger talent by Robert Cushman

Girth and vulnerability were constants in the career of Griffiths who died last week in England, aged 65, personally mourned, it would seem, by everybody who either saw his work or was invol…

SOURCE: National Post (Canada) at 02:32PM
Saturday, March 30, 2013

Theatre review: With friends like these … Melissa Jane Gibson’s This debuts in Toronto by Robert Cushman

This is a very American play by a Canadian playwright. Or rather: This is a very American play by a Canadian playwright

SOURCE: National Post (Canada) at 01:00PM
Saturday, March 16, 2013

Theatre review: As I Lay Dying prompts our critic to talk the talk, faulk the Faulkner by Robert Cushman

Robert Cushman: As I Lay Dying is a novella written by William Faulkner and now put onstage by the folks at Theatre Smith-Gilmour

SOURCE: National Post (Canada) at 02:00PM
Saturday, March 9, 2013

Theatre review: The folly of fate figures heavily in Innocence Lost by Robert Cushman

Innocence Lost, about the Steven Truscott case, is being given a new joint production by the National Arts Centre in Ottawa and the Centaur Theatre of Montreal

SOURCE: National Post (Canada) at 02:00PM
Sunday, March 3, 2013

Theatre review: Chekhov’s fun, and other lessons of And Slowly Beauty … by Robert Cushman

A middle-aged man wins tickets to a production of Chekhov’s Three Sisters, and seeing it changes his life. That’s the situation in And Slowly Beauty

SOURCE: National Post (Canada) at 02:00PM
Sunday, February 24, 2013

Theatre review: Hannah Moscovitch is our most competent playwright, and that’s not faint praise by Robert Cushman

The Tarragon Theatre continues its Hannah Moscovitch festival with a double bill of plays concerned in some way with children

SOURCE: National Post (Canada) at 12:00PM
Sunday, February 17, 2013

Theatre review: Rosencrantz and Guildenstern Are Dead, and quite lively at Soulpepper by Robert Cushman

"Who would have thought we were so important?” Rosencrantz asks Guildenstern towards the end of Tom Stoppard’s theatrical memorial

SOURCE: National Post (Canada) at 02:00PM
Sunday, February 10, 2013

Theatre review: Factory’s Every Letter Counts turns personal stories into misguided myths by Robert Cushman

Everybody, or so one hopes, wishes the new regime at Factory Theatre well. The new joint artistic directors were parachuted into their positions

SOURCE: National Post (Canada) at 02:00PM
Saturday, February 2, 2013

Theatre review: Judith Thompson’s RARE makes the familiar strange by Robert Cushman

It's only in the last stages of RARE that there is a mention of Down’s syndrome. Judith Thompson, who directs, made a canny decision here

SOURCE: National Post (Canada) at 02:00PM
Saturday, January 26, 2013

As the crow lands: Chris Abraham preps a nest in the east end by Robert Cushman

Abraham speaks with Robert Cushman about his upcoming east-end theatre

SOURCE: National Post (Canada) at 02:00PM
Sunday, January 20, 2013

Theatre Review: Help Yourself and The Penelopiad offer two sides of the moral coin by Robert Cushman

Two plays on now in Toronto are trips — though of markedly different varieties

SOURCE: National Post (Canada) at 08:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic