All stories by Robert Cushman on BroadwayStars

Friday, September 28, 2012

Theatre review: Michael Healey’s Proud is a Pygmalion for the political age by Robert Cushman

Michael Healey’s Proud is notorious as the play Tarragon Theatre wouldn’t do, despite it being the last part of a successful trilogy for the theatre

SOURCE: National Post (Canada) at 03:00PM

Theatre review: Between the Sheets is Ibsen, Mamet & Strindberg all in one by Robert Cushman

There’s a kind of hush all over the house while it’s playing: the sound of an audience caught, held, rapt.

SOURCE: National Post (Canada) at 02:00PM
Saturday, September 22, 2012

Theatre review: No Great Mischief’s family gets lost in the first person by Robert Cushman

The best scene in No Great Mischief — really, the only good one — occurs in the second act & takes place in the '60s, in a mine on Cape Breton

SOURCE: National Post (Canada) at 02:00PM
Saturday, September 15, 2012

Theatre review: Banking on grand illusions with a stellar Death of a Salesman revival by Robert Cushman

There’s probably never been a time since its premiere in 1949 that Arthur Miller’s Death of a Salesman hasn’t seemed topical

SOURCE: National Post (Canada) at 02:00PM
Thursday, September 13, 2012

Cirque goes Shakespeare with Amaluna by Robert Cushman

Most Cirque productions have a story that boils down to someone going on a quest. Amaluna, with its classical underpinnings, has more of a spine.

SOURCE: National Post (Canada) at 04:00PM
Saturday, September 8, 2012

Concert review: John Alcorn debuts new Songbook program that bucks the tide by Robert Cushman

Toronto has a new cabaret venue, the Flying Beaver Pubaret, which as its name might suggest, is in the back room — a long and elegant one

SOURCE: National Post (Canada) at 02:00PM
Saturday, September 1, 2012

Theatre review: Wheels come off the bus with Second City’s latest revue by Robert Cushman

You win some, you lose some. Second City won with their last show, which was the best in recent memory. They lose heavily with its successor

SOURCE: National Post (Canada) at 02:00PM
Saturday, August 25, 2012

Theatre review: Shakespeare in the Ruff remixes the Bard with Two Gents by Robert Cushman

What used to be Shakespeare in the Rough is now Shakespeare in the Ruff. What used to be The Two Gentlemen of Verona is now Two Gents

SOURCE: National Post (Canada) at 02:00PM
Wednesday, August 22, 2012

Theatre Review: Soulpepper’s The Crucible has tremendous grip by Robert Cushman

I doubt if any modern play offers more visceral excitement than The Crucible

SOURCE: National Post (Canada) at 05:00PM
Friday, August 17, 2012

Theatre review: The only constant at SummerWorks is randomness by Robert Cushman

The 2b Theatre Company from Halifax has an excellent track record that’s further enhanced by When It Rains, their show at this year’s SummerWorks

SOURCE: National Post (Canada) at 02:00PM
Wednesday, August 15, 2012

Theatre Review: Stratford’s Elektra is (ahem) elektrafying, while Orestes is arresting by Robert Cushman

No more need to beware of Greeks bearing gifts, not when they are as gifted as director Thomas Moschopoulos and his cohorts.

SOURCE: National Post (Canada) at 04:00PM

Theatre review: Hedda Gabbler at Shaw by Robert Cushman

There’s a driving logic to the Shaw's production that makes the play come up fresh and exciting

SOURCE: National Post (Canada) at 08:00AM
Sunday, August 12, 2012

Theatre review: Mixed thoughts on Soulpepper’s The Royal Comedians by Robert Cushman

Our critic has seen two productions of this play, and in neither has it registered as more than a succession of scenes.

SOURCE: National Post (Canada) at 02:00PM
Wednesday, August 8, 2012

Christopher Plummer shines in A Word or Two by Robert Cushman

At 82, Plummer remains Canada’s premier actor: a position, it’s sobering to recall, that he has held for more than half a century

SOURCE: National Post (Canada) at 10:00AM
Sunday, August 5, 2012

Theatre review: Backbeat tells the tale of the birth of Beatlemania (and beyond) by Robert Cushman

There’s a very good scene in the second act of Backbeat in which John Lennon and Paul McCartney write a song together

SOURCE: National Post (Canada) at 02:00PM
Thursday, August 2, 2012

Theatre review: Neil Simon’s The Sunshine Boys is more old couple than odd by Robert Cushman

Soulpepper is bringing us American playwrights in matching pairs. They followed David Mamet’s Glengarry Glen Ross with Speed-the-Plow

SOURCE: National Post (Canada) at 10:00AM
Wednesday, August 1, 2012

Theatre review: The Best Brothers makes the most of sibling rivalry by Robert Cushman

Daniel MacIvor's The Best Brothers, now playing at Stratford, may be the playwright's best play, even if it is one of his most conventional

SOURCE: National Post (Canada) at 06:52PM
Sunday, July 29, 2012

Theatre review: Stratford’s Hirsch is at once too much and not enough by Robert Cushman

Alon Nashman, an actor I greatly admire, is appearing at Stratford in a one-man play about John Hirsch, a director whose memory I revere

SOURCE: National Post (Canada) at 08:00AM
Saturday, July 21, 2012

Theatre review: In Soulpepper’s seductive Speed-the-Plow, everyone’s a whore by Robert Cushman

David Mamet’s Speed-the-Plow is Mamet lite. It’s also Mamet funny, and Soulpepper under David Storch has given it a tight, entertaining production

SOURCE: National Post (Canada) at 02:00PM
Wednesday, July 18, 2012

Theatre review: His Girl Friday is news you can enthuse by Robert Cushman

The Shaw Festival has mounted a very good production of what may be the most unnecessary play ever written

SOURCE: National Post (Canada) at 02:12PM
Tuesday, July 17, 2012

Theatre review: Regarding Stratford’s Henry V by Robert Cushman

The best parts of Des McAnuff’s production of Henry V, his last Shakespeare as Stratford’s artistic director, are the beginning and the end

SOURCE: National Post (Canada) at 11:30AM
Sunday, July 15, 2012

Theatre review: Morris Panych’s Wanderlust is a little musical with a big dream by Robert Cushman

In Morris Panych’s Wanderlust, Stratford’s best musical this year, Robert Service is putting in time while dreaming of life in the Yukon

SOURCE: National Post (Canada) at 02:00PM
Wednesday, July 11, 2012

Theatre review: It’s a missing dog owner’s life in Come Back, Little Sheba by Robert Cushman

The two best Canadian performances this year are being given by Corrine Koslo and Ric Reid in Come Back, Little Sheba

SOURCE: National Post (Canada) at 02:00PM
Monday, July 9, 2012

Theatre review: This Midsummer Night’s Dream knocks it out of the park by Robert Cushman

Good, fresh stagings of A Midsummer Night's Dream do come along every so often

SOURCE: National Post (Canada) at 05:30PM
Sunday, July 8, 2012

Stratford review: The War of 1812 is a knockout by Robert Cushman

The surroundings may be different but the quality is the same. The writing by Michael Hollingsworth is pungent, the staging is brilliant.

SOURCE: National Post (Canada) at 02:00PM
Saturday, June 30, 2012

The politics of theatre: Ken Gass, Factory and the Dora Awards by Robert Cushman

Just over a week ago, the board of Toronto’s Factory Theatre announced that they had fired their long-serving artistic director, Ken Gass

SOURCE: National Post (Canada) at 11:00AM
Sunday, June 24, 2012

Cushman: Matilda is the biggest play on the blocks by Robert Cushman

The musical hit in London at the moment, in fact the biggest in years, is Matilda

SOURCE: National Post (Canada) at 05:00PM
Tuesday, June 19, 2012

Cushman: Taking in The National Theatre’s golden age by Robert Cushman

At the U.K.'s big theatre, Nicholas Hytner has presided over a long line of successes

SOURCE: National Post (Canada) at 06:00PM
Saturday, June 16, 2012

Theatre review: You’re a Good Man, Charlie Brown and The Pirates of Penzance by Robert Cushman

I had the same reaction as everyone else to the announcement that the Stratford Festival would be producing You’re a Good Man, Charlie Brown

SOURCE: National Post (Canada) at 01:00PM
Wednesday, June 13, 2012

Theatre Review: Home is where the art is by Robert Cushman

They play seemingly affable, cultivated men, whose gentle banter proves to cover great depths, certainly of sorrow and probably of shame.

SOURCE: National Post (Canada) at 09:00PM
Saturday, June 9, 2012

Theatre review: Mingled passions in Stratford’s Much Ado About Nothing by Robert Cushman

The church scene in Much Ado About Nothing is one of the most notorious booby traps in Shakespeare, the point at which two major plot lines collide

SOURCE: National Post (Canada) at 01:00PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic