
Amy Sherman-Palladino's new series, created with her husband, takes ballet somewhere it doesn't usually go: the world of comedy.
SOURCE: The New York Times Subscription at 05:02AM[SHARE]The New York City Ballet principal Andrew Veyette is retiring after 25 years: "My path had a lot of peaks and valleys. Some very deep and some very high."
SOURCE: The New York Times Subscription at 05:00AM[SHARE]In "Lunch Dances," which tells fictional stories of regular people pursuing personal research, Monica Bill Barnes and Company invades the New York Public Library.
SOURCE: The New York Times Subscription at 09:00AM[SHARE]Gibney Company brings an uneven trio of new works to the Joyce: a deft premiere by Childs and dances by Roy Assaf and Peter Chu.
SOURCE: The New York Times Subscription at 11:54AM[SHARE]A member of Merce Cunningham's final company, Toogood brings to the job years of experience as a dancer and educator.
SOURCE: The New York Times Subscription at 10:45AM[SHARE]"There's a time for everything," said Farrell, who has returned to New York City Ballet to teach a new and eager generation of dancers.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]Roman Mejia, a New York City Ballet principal, shows how bravura and subtlety can exist side by side in a season that includes a sparkling "Apollo" debut.
SOURCE: The New York Times Subscription at 05:01AM[SHARE]The choreographer Reggie Wilson premieres his latest, "The Reclamation," a stark, formal dance for seven, at NYU Skirball.
SOURCE: The New York Times Subscription at 12:20PM[SHARE]Two of the art form's best join forces in a program curated by Mearns at City Center that features a new work by Roberts, "Dance Is a Mother."
SOURCE: The New York Times Subscription at 05:02AM[SHARE]As part of its 50th anniversary, the East Village institution presents reimagined dances by Ishmael Houston-Jones and Fred Holland, Donna Uchizono and Bebe Miller.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]Jenifer Ringer, the celebrated New York City Ballet principal, is back at the School of American Ballet in a new role: teacher and guiding light.
SOURCE: The New York Times Subscription at 05:02AM[SHARE]Tharp celebrates her 60th anniversary as a dance maker with a program pairing the monumental "Diabelli" (1998) and the new "Slacktide."
SOURCE: The New York Times Subscription at 11:00AM[SHARE]It was a busy winter: Ashley Bouder bid farewell, Mira Nadon dazzled in "Swan Lake," Maria Tallchief was honored and Alexei Ratmansky had another winner.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]The Academy Award-nominated actress discovers her inner dancer in "Emilia Pérez" with the help of the choreographer Damien Jalet.
SOURCE: The New York Times Subscription at 05:01AM[SHARE]Miriam Miller, newly promoted to principal at New York City Ballet, is set to make her debut in "Swan Lake."
SOURCE: The New York Times Subscription at 05:01AM[SHARE]The performance portion of "Edges of Ailey" at the Whitney Museum of American Art was best when it stepped away from tradition.
SOURCE: The New York Times Subscription at 11:00AM[SHARE]Ashley Bouder, the longtime New York City Ballet principal, is leaving with a final performance in "Firebird."
SOURCE: The New York Times Subscription at 05:02AM[SHARE]Alexei Ratmansky creates a joyful new "Paquita" for New York City Ballet, giving the dancers a classical frame in which to find new versions of themselves.
SOURCE: The New York Times Subscription at 12:15PM[SHARE]Florentina Holzinger, the daring Austrian choreographer, is back with "Tanz," a rendering of ballet horror featuring the 83-year-old dancer Beatrice Cordua.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]Highlights so far of the 2025 contemporary dance festival, spread across New York City, are Symara Sarai and Leslie Cuyjet's outstanding dances.
SOURCE: The New York Times Subscription at 11:57AM[SHARE]Monica Bill Barnes and Robbie Saenz de Viteri ring in the New Year in their physical and introspective "Many Happy Returns."
SOURCE: The New York Times Subscription at 12:18PM[SHARE]Sara Mearns, the New York City Ballet principal, announced her 10-year struggle on Instagram. She tested out her new hearing aids in "The Nutcracker."
SOURCE: The New York Times Subscription at 12:23PM[SHARE]"Severance" is finally back for its second season, three New York art museums are set to reopen and ballet goes extreme.
SOURCE: The New York Times Subscription at 03:06AM[SHARE]Les Ballets Trockadero de Monte Carlo opens its season at the Joyce Theater with its vintage, vampiric "Giselle" and a new take on Balanchine.
SOURCE: The New York Times Subscription at 11:26AM[SHARE]The choreographer Tess Dworman inhabits an assortment of people (and an ottoman) in her dance-theater work "Everything Must Go."
SOURCE: The New York Times Subscription at 12:56PM[SHARE]Once-in-a-generation ballerinas, topical works that transcended politics and a voguing "Cats" were highlights of the year.
SOURCE: The New York Times Subscription at 05:02AM[SHARE]Alvin Ailey American Dance Theater returns for its annual December season with an enigmatic premiere by Jamar Roberts and the revival of "Grace."
SOURCE: The New York Times Subscription at 01:56PM[SHARE]In "Dear Lord, Make Me Beautiful," the choreographer Kyle Abraham experiments with expressing his emotions about the current moment.
SOURCE: The New York Times Subscription at 12:19PM[SHARE]In "No President," Nature Theater of Oklahoma creates its version of a story ballet, one burpee at a time.
SOURCE: The New York Times Subscription at 05:24AM[SHARE]Brown's masterful, fervent dance has become an enduring classic. He and his collaborators reflect on its creation.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]This season, two vivacious boys at the School of American Ballet make their princely debuts in New York City Ballet's production of "The Nutcracker."
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