Friday, July 5, 2019
This is the 80th year of Blackpool Pleasure Beach’s skating extravaganza Hot Ice and it knows exactly what it is doing. Utopian
SOURCE: The Stage Registration at 07:26AMMonday, June 3, 2019
The playwright Andrea Dunbar – best known for Rita, Sue and Bob Too, the basis for the 1987 film – died in
SOURCE: The Stage Registration at 08:54AMFriday, May 17, 2019
Stephen Mear’s production of Howard Ashman and Alan Menken’s horror-musical about a bad-ass, bloodthirsty plant paradoxically manages to find something new in
SOURCE: The Stage Registration at 04:20AMMonday, May 13, 2019
The 1990s horror-comedy movie Death Becomes Her is a cult masterpiece. Goldie Hawn and Meryl Streep play bedazzled zombies fighting it out
SOURCE: The Stage Registration at 08:16AMThursday, May 2, 2019
My Fairfield Lady is the version of Pygmalion the world didn’t know it needed: a cross between Bernard Shaw’s skewering of middle-class
SOURCE: The Stage Registration at 10:31AMMonday, April 29, 2019
Jacqueline Wilson’s books for children often balance fantasy with harsh reality. Wave Me Goodbye doesn’t just depict the threat of the Second World
SOURCE: The Stage Registration at 11:49AMTuesday, March 19, 2019
"So how do we talk about the flying body, this body in space?": Francesca Peschier interviews two female circus artists about objectification, challenging beauty norms, and soaring through t…
SOURCE: exeuntmagazine.com at 09:17AMThursday, February 28, 2019
"Bats! Gay bats! Bats in a freaking tunnel!" - Francesca Peschier heads underground in search of the campest, eeriest, and most shiver-inducing shows at Vault Festival.
The post Vaults Ody…
SOURCE: exeuntmagazine.com at 06:44AMMonday, February 25, 2019
'a beautiful messy dance of instructions, rule breaking and expectations': Francesca Peschier writes on the stage directions in Outbox theatre's gloriously queer show, devised from the exper…
SOURCE: exeuntmagazine.com at 04:52AMSaturday, February 23, 2019
Francesca Peschier dives into Vault Festival to find shows that explore girlhood, "like cutting through life with blunted scissors".
The post Vaults Odyssey: Girlhood appeared first on Exeun…
SOURCE: exeuntmagazine.com at 06:33AMMonday, February 18, 2019
Diamonds in a rhinestone world: Francesca Peschier writes on Dolly Parton's musical theatre extravaganza.
The post Review: 9 to 5 – The Musical at Savoy Theatre appeared first on Exeun…
SOURCE: exeuntmagazine.com at 09:51AMThursday, February 7, 2019
Life’s not always easy on Breck Road. Money is tight, Gran is incontinent and sometimes you wish you could click your ruby
SOURCE: The Stage Registration at 07:41AMMonday, January 28, 2019
As Marie Kondo fever sets in, Paula Varjack explains how her new show The Cult of K*nzo explores the performativeness of shopping.
The post Paula Varjack’s Retail Theatre appeared fi…
SOURCE: exeuntmagazine.com at 04:09AMMonday, December 17, 2018
There is much in Cole Porter’s Kiss Me, Kate (and its Shakespearean source material for that matter) that does not sit well
SOURCE: The Stage Registration at 06:01AMFriday, December 14, 2018
The Wizard of Oz is a joyously ridiculous story enshrined in kitsch pop culture – a family favourite that’s essentially about learning
SOURCE: The Stage Registration at 06:50AMWednesday, December 5, 2018
The Unity Theatre’s Christmas show sees them once again pairing with children’s theatre company Action Transport while working in collaboration with Liverpool
SOURCE: The Stage Registration at 03:32AMFriday, November 30, 2018
Following its successful run in Vegas, Magic Mike Live delivers exactly what it promises. Housed inside the Hippodrome casino, the strip show’s
SOURCE: The Stage Registration at 04:22AMSunday, November 25, 2018
There is a point in Torch were you wonder if you’ve made a terrible mistake. The experience is at times so realist
SOURCE: The Stage Registration at 10:26AMSunday, October 21, 2018
Graft, grit and glitter: Francesca Peschier writes on the shifting layers of Emma Rice's retelling of Angela Carter's story.
The post Review: Wise Children at Old Vic Theatre appeared first …
SOURCE: exeuntmagazine.com at 08:27PMTuesday, October 16, 2018
It’s a brave move to let a bold aesthetic lead a production and Rosanna Vize’s design sets the tone for this gutsy
SOURCE: The Stage Registration at 07:25PMThursday, October 11, 2018
Dario Fo’s Can’t Pay? Won’t Pay! is a Marxist farce set in 1970s Italy. Fed up with out of control inflation and
SOURCE: The Stage Registration at 05:04AMTuesday, October 9, 2018
Bryony Kimmings has had a hell of a couple of years: post-natal depression, a break up, an ill-fated move to the country
SOURCE: The Stage Registration at 06:45AMFriday, September 14, 2018
The peasants are revolting in Sahaspur. Under the command of corrupt Inspector Gangwar (Art Malik), the men have been humiliated and the
SOURCE: The Stage Registration at 05:54AMThursday, September 13, 2018
Middle class problems: Francesca Peschier writes on Alexis Zegerman's exploration of rules, religion, and cultural legacy.
The post Review: Holy Sh!t at Kiln Theatre appeared first on Exeunt…
SOURCE: exeuntmagazine.com at 08:18AMMonday, September 10, 2018
Bill Russell and Janet Hood’s new musical, receiving its European premiere at southwark Playhouse, shows women finding their own voices whilst striving
SOURCE: The Stage Registration at 08:23AMFriday, September 7, 2018
The 2015 London run of Gecko’s Missing was cut short by the fire that destroyed the Battersea Arts Centre’s Great Hall in
SOURCE: The Stage Registration at 05:20AMTuesday, September 4, 2018
Rain Man, the Oscar-winning 1988 film about two brothers, one an autistic savant, has been brought back to the stage with Mathew
SOURCE: The Stage Registration at 10:17AMMonday, September 3, 2018
If GCSE history classes were half as energised as the musical Six there would have been a 90% pass rate. This hit
SOURCE: The Stage Registration at 05:51AMFriday, August 31, 2018
Black Cat Cabaret’s mistress of ceremonies, Frisky (Laura Corcoran) introduces her children of the night through pop melodies reworked as rich, filthy
SOURCE: The Stage Registration at 06:30AMThursday, August 30, 2018
The light comedy meets fairytale of Love’s Labour’s Lost seems like the perfect match for the candlelit auditorium of Tte Sam Wanamaker
SOURCE: The Stage Registration at 05:57AMWednesday, August 22, 2018
A group of mates getting together to frolic in the manner of some seriously gymnastic puppies: Francesca Peschier reviews French-Canadian circus group Flip Fabrique.
The post Edinburgh Revie…
SOURCE: exeuntmagazine.com at 02:45AM 
