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Koko Brown once joined a Black Lives Matter protest by mistake. She turned a corner and was swept up in the chanting
There is a serious gap in the magic circle regarding Slytherin representation: Francesca Peschier reviews a show by the Sherlock Holmes of magicians.
The post Edinburgh Review: Colin Cloud P…
Tabarnak, deriving from tabernacle (the cupboard you keep the wine and wafers in at church), is a Canadian French expletive used to
Little Shop of Horrors is a classic musical of sublime ridiculousness, a Faustian pact with a blood-thirsty pot plant set against a
Hot Brown Honey is here to explode everything you thought you knew about cabaret. The Australian neo-burlesque collective perform a full throttle
Taking a bee hive as a symbol for femme empowerment provides scope for plenty of buzz words: Hive City Legacy pollinates the
Francesca Peschier writes on the swooshing skirts and sumptuous spectacle of this "commendably self-aware" revival of the Rodgers and Hammerstein classic.
The post Review: The King and I at …
Two women face each other across Khadija Raza’s stark set, with its inlaid swirls of neon. One has just taken her first
Francesca Peschier interviews the duo behind Bechdel Theatre about industry inequality, representation, and sexy, sexy data.
The post Bechdel Theatre: Fighting Inequality With Data appeared …
Girl meets girl, but girl has already met boy. So, girl does what any sensible person would do and sets her sights
'Margot didn’t lend Elle her lucky scrunchie to be almost entirely written out of the narrative': Francesca Peschier reviews the stage version of the classic (CLASSIC) film.
The post Revie…
At the National Theatre, white men in black face paint are repeatedly saying the “N word”. Having transferred from the Orange Tree
In a white picket-fenced suburb, Barb (Gala Gordon) is making Walt (Gareth David-Lloyd) her special blueberry toast. It has been said it’s
In 2014, the ground-breaking lesbian feminist performance group Split Britches was touring Governor’s Island. They were told not to do any digging.
One very dangerous man: Catrina McHugh's two-hander explores the issues of coercive control within relationships.
The post Review: Rattle Snake at the Soho Theatre appeared first on Exeunt M…
Rachel Young’s Nightclubbing takes its audience on a journey from the 1980s Black Girl Magic of Grace Jones to shivering in a 2015 nightclub
Tongued into submission: Francesca Peschier tries to put the joy of Chris Brett Bailey's solo set into words.
The post Review: Suicide Notes at Shoreditch Town Hall appeared first on Exeunt …
Checkmate: Benny and Bjorn's classic eighties musical is completely ridiculous
The post Review: Chess at the Coliseum appeared first on Exeunt Magazine.
Francesca Peschier reviews Hideki Noda's "utterly bizarre gender-bending kaleidoscopic piece of work".
The post Review: One Green Bottle at the Soho Theatre appeared first on Exeunt Magazin…
We Can Time Travel is the latest piece of gig theatre from Dom Coyote, who created genre frontrunner Songs for the End
A Will Young concert with a bit of story: the musical adaptation of Baz Luhrmann's 1992 doesn't sparkle as bright as its sequins.
The post Review: Strictly Ballroom at the Piccadilly Theatre…
Dames looks incredible. The music’s pounding, the alcopops are flowing and designer April Dalton’s interpretation of the nightclub toilet setting is all
If Pixar did electrons... Francesca Peschier reviews a piece of circus based on the discovery of radioactivity
The post Review: The Bekkrell Effect at Roundhouse appeared first on Exeunt Mag…
Ahead of an open meeting called by the Society of British Theatre Designers, eight designers at all career levels discuss the struggle for fair working conditions
The post Roundtable: Worki…
No shoes: Francesca Peschier reviews a play inspired by the Monica Lewinsky scandal through its costumes
The post Review: Devil with the Blue Dress at the Bunker Theatre appeared first on E…
Social media has changed the way we live. It’s also brought with it new insecurities. Random Selfies, produced by Ovalhouse as part
Francesca Peschier explores how regional and working class accents are both underused and misused by theatre.
The post Theatre’s missing accents appeared first on Exeunt Magazine.
Who on earth is this for? Joel Paley and Marvin Laird's inane Off-Broadway cult hit punches down not up, and that's the least of its problems.
The post Review: Ruthless! The Musical at the A…
Ross McGregor’s new adaption of Three Sisters for Arrows and Traps is witty and accessible. Beautifully presented and elegantly design by Odin
A good night out: Francesca Peschier on Matthew Bugg's bawdy wartime musical.
The post Review: Miss Nightingale at London Hippodrome appeared first on Exeunt Magazine.
You won’t look at dry cleaning bags with such ease ever again: Francesca Peschier reviews Silent Faces' office-based comedy.
The post Review: Follow Suit at Vault Festival 2018 appeared f…