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In 2014, the ground-breaking lesbian feminist performance group Split Britches was touring Governor’s Island. They were told not to do any digging.
One very dangerous man: Catrina McHugh's two-hander explores the issues of coercive control within relationships.
The post Review: Rattle Snake at the Soho Theatre appeared first on Exeunt M…
Rachel Young’s Nightclubbing takes its audience on a journey from the 1980s Black Girl Magic of Grace Jones to shivering in a 2015 nightclub
Tongued into submission: Francesca Peschier tries to put the joy of Chris Brett Bailey's solo set into words.
The post Review: Suicide Notes at Shoreditch Town Hall appeared first on Exeunt …
Checkmate: Benny and Bjorn's classic eighties musical is completely ridiculous
The post Review: Chess at the Coliseum appeared first on Exeunt Magazine.
Francesca Peschier reviews Hideki Noda's "utterly bizarre gender-bending kaleidoscopic piece of work".
The post Review: One Green Bottle at the Soho Theatre appeared first on Exeunt Magazin…
We Can Time Travel is the latest piece of gig theatre from Dom Coyote, who created genre frontrunner Songs for the End
A Will Young concert with a bit of story: the musical adaptation of Baz Luhrmann's 1992 doesn't sparkle as bright as its sequins.
The post Review: Strictly Ballroom at the Piccadilly Theatre…
Dames looks incredible. The music’s pounding, the alcopops are flowing and designer April Dalton’s interpretation of the nightclub toilet setting is all
If Pixar did electrons... Francesca Peschier reviews a piece of circus based on the discovery of radioactivity
The post Review: The Bekkrell Effect at Roundhouse appeared first on Exeunt Mag…
Ahead of an open meeting called by the Society of British Theatre Designers, eight designers at all career levels discuss the struggle for fair working conditions
The post Roundtable: Worki…
No shoes: Francesca Peschier reviews a play inspired by the Monica Lewinsky scandal through its costumes
The post Review: Devil with the Blue Dress at the Bunker Theatre appeared first on E…
Social media has changed the way we live. It’s also brought with it new insecurities. Random Selfies, produced by Ovalhouse as part
Francesca Peschier explores how regional and working class accents are both underused and misused by theatre.
The post Theatre’s missing accents appeared first on Exeunt Magazine.
Who on earth is this for? Joel Paley and Marvin Laird's inane Off-Broadway cult hit punches down not up, and that's the least of its problems.
The post Review: Ruthless! The Musical at the A…
Ross McGregor’s new adaption of Three Sisters for Arrows and Traps is witty and accessible. Beautifully presented and elegantly design by Odin
A good night out: Francesca Peschier on Matthew Bugg's bawdy wartime musical.
The post Review: Miss Nightingale at London Hippodrome appeared first on Exeunt Magazine.
You won’t look at dry cleaning bags with such ease ever again: Francesca Peschier reviews Silent Faces' office-based comedy.
The post Review: Follow Suit at Vault Festival 2018 appeared f…
The bizarre and the nastiness in the everyday: Francesca Peschier reviews a forgotten play by Auden and Isherwood
The post Review: The Dog Beneath the Skin at Jermyn Street Theatre appeared …
Ian Grant’s After the Ball explores how war breaks down the things that people consider integral to their sense of self. Despite opening
Stephanie Jacob's new play about modern slavery is 'menacingly volatile'.
The post Review: The Strongbox at Vault Festival 2018 appeared first on Exeunt Magazine.
Francesca Peschier has a long, hard think about why she didn't like this.
The post Review: An Evening with Jonathan Blazer at Vault Festival appeared first on Exeunt Magazine.
Sophocles...but make it punk: Francesca Peschier reviews DumbWise Theatre's take on a classic.
The post Review: Electra at The Bunker Theatre appeared first on Exeunt Magazine.
If in doubt, get naked and jump on the table: Terry Johnson's tribute to Ken Campbell has lessons for life as well as theatre.
The post Review: Ken at The Bunker appeared first on Exeunt Mag…
Francesca Peschier reviews John O'Donovan's "envy-inducing" debut play, in all its "butterfly brilliance".
The post Review: If We Got Some More Cocaine I Could Show You How I Love You at Vau…
You don't get it, but you listen: all good artists are dead's second show is an incomprehensible rave.
The post Review: JOY at VAULT Festival appeared first on Exeunt Magazine.
Don’t try and tell us it’s his jive dancing: Francesca Peschier reviews Cassie McFarlane & Adrian Hope's play about Eletha Barrett and Peter Finch
The post Review: Mad as Hell at Je…
In an alternate reality, that feels uncomfortably close to ours, women are dying. Every time the lights go out they disappear from
Thanks, Miranda: our intrepid space explorer dies a horrific death in this escape room experience.
The post Review: The Lifeboat at VAULT Festival appeared first on Exeunt Magazine.
A kiss that might just turn into a bite: Lolo Brow is at her sexy, seditious best at The Vaults.
The post Review: Lolo Brow: Attention Seeker at VAULT Festival appeared first on Exeunt Magaz…
Belgian collective FC Bergman took the title of its mime-meets-cinema spectacular, 300 el x 50 el x 30 el, from the dimensions