Wednesday, August 22, 2018
A group of mates getting together to frolic in the manner of some seriously gymnastic puppies: Francesca Peschier reviews French-Canadian circus group Flip Fabrique.
The post Edinburgh Revie…
SOURCE: exeuntmagazine.com at 02:45AMTuesday, August 21, 2018
The Artist doesn't quite meet Francesca Peschier's very high expectations for 'one of the very, very best' clowns.
The post Edinburgh Review: The Artist at the Assembly Roxy appeared first o…
SOURCE: exeuntmagazine.com at 06:33PMFriday, August 17, 2018
Koko Brown once joined a Black Lives Matter protest by mistake. She turned a corner and was swept up in the chanting
SOURCE: The Stage Registration at 05:34AMThere is a serious gap in the magic circle regarding Slytherin representation: Francesca Peschier reviews a show by the Sherlock Holmes of magicians.
The post Edinburgh Review: Colin Cloud P…
SOURCE: exeuntmagazine.com at 03:49AMThursday, August 16, 2018
Tabarnak, deriving from tabernacle (the cupboard you keep the wine and wafers in at church), is a Canadian French expletive used to
SOURCE: The Stage Registration at 06:57AMFriday, August 10, 2018
Little Shop of Horrors is a classic musical of sublime ridiculousness, a Faustian pact with a blood-thirsty pot plant set against a
SOURCE: The Stage Registration at 07:47PMThursday, July 26, 2018
Hot Brown Honey is here to explode everything you thought you knew about cabaret. The Australian neo-burlesque collective perform a full throttle
SOURCE: The Stage Registration at 12:15PMThursday, July 12, 2018
Taking a bee hive as a symbol for femme empowerment provides scope for plenty of buzz words: Hive City Legacy pollinates the
SOURCE: The Stage Registration at 08:56AMFriday, July 6, 2018
Francesca Peschier writes on the swooshing skirts and sumptuous spectacle of this "commendably self-aware" revival of the Rodgers and Hammerstein classic.
The post Review: The King and I at …
SOURCE: exeuntmagazine.com at 08:31AMTuesday, July 3, 2018
Two women face each other across Khadija Raza’s stark set, with its inlaid swirls of neon. One has just taken her first
SOURCE: The Stage Registration at 08:07AMMonday, July 2, 2018
Francesca Peschier interviews the duo behind Bechdel Theatre about industry inequality, representation, and sexy, sexy data.
The post Bechdel Theatre: Fighting Inequality With Data appeared …
SOURCE: exeuntmagazine.com at 06:46AMThursday, June 28, 2018
Girl meets girl, but girl has already met boy. So, girl does what any sensible person would do and sets her sights
SOURCE: The Stage Registration at 09:41AMWednesday, June 20, 2018
'Margot didn’t lend Elle her lucky scrunchie to be almost entirely written out of the narrative': Francesca Peschier reviews the stage version of the classic (CLASSIC) film.
The post Revie…
SOURCE: exeuntmagazine.com at 03:28AMFriday, June 15, 2018
At the National Theatre, white men in black face paint are repeatedly saying the “N word”. Having transferred from the Orange Tree
SOURCE: The Stage Registration at 05:19AMWednesday, May 30, 2018
In a white picket-fenced suburb, Barb (Gala Gordon) is making Walt (Gareth David-Lloyd) her special blueberry toast. It has been said it’s
SOURCE: The Stage Registration at 03:49AMWednesday, May 16, 2018
In 2014, the ground-breaking lesbian feminist performance group Split Britches was touring Governor’s Island. They were told not to do any digging.
SOURCE: The Stage Registration at 12:17PMSunday, May 13, 2018
One very dangerous man: Catrina McHugh's two-hander explores the issues of coercive control within relationships.
The post Review: Rattle Snake at the Soho Theatre appeared first on Exeunt M…
SOURCE: exeuntmagazine.com at 05:05PMWednesday, May 9, 2018
Rachel Young’s Nightclubbing takes its audience on a journey from the 1980s Black Girl Magic of Grace Jones to shivering in a 2015 nightclub
SOURCE: The Stage Registration at 07:29AMMonday, May 7, 2018
Tongued into submission: Francesca Peschier tries to put the joy of Chris Brett Bailey's solo set into words.
The post Review: Suicide Notes at Shoreditch Town Hall appeared first on Exeunt …
SOURCE: exeuntmagazine.com at 06:12AMWednesday, May 2, 2018
Checkmate: Benny and Bjorn's classic eighties musical is completely ridiculous
The post Review: Chess at the Coliseum appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 04:45PMFrancesca Peschier reviews Hideki Noda's "utterly bizarre gender-bending kaleidoscopic piece of work".
The post Review: One Green Bottle at the Soho Theatre appeared first on Exeunt Magazin…
SOURCE: exeuntmagazine.com at 08:57AMMonday, April 30, 2018
We Can Time Travel is the latest piece of gig theatre from Dom Coyote, who created genre frontrunner Songs for the End
SOURCE: The Stage Registration at 10:54AMFriday, April 27, 2018
A Will Young concert with a bit of story: the musical adaptation of Baz Luhrmann's 1992 doesn't sparkle as bright as its sequins.
The post Review: Strictly Ballroom at the Piccadilly Theatre…
SOURCE: exeuntmagazine.com at 02:06AMMonday, April 23, 2018
Dames looks incredible. The music’s pounding, the alcopops are flowing and designer April Dalton’s interpretation of the nightclub toilet setting is all
SOURCE: The Stage Registration at 09:13AMIf Pixar did electrons... Francesca Peschier reviews a piece of circus based on the discovery of radioactivity
The post Review: The Bekkrell Effect at Roundhouse appeared first on Exeunt Mag…
SOURCE: exeuntmagazine.com at 02:50AMWednesday, April 11, 2018
Ahead of an open meeting called by the Society of British Theatre Designers, eight designers at all career levels discuss the struggle for fair working conditions
The post Roundtable: Worki…
SOURCE: exeuntmagazine.com at 06:40AMMonday, April 9, 2018
No shoes: Francesca Peschier reviews a play inspired by the Monica Lewinsky scandal through its costumes
The post Review: Devil with the Blue Dress at the Bunker Theatre appeared first on E…
SOURCE: exeuntmagazine.com at 06:10AMTuesday, April 3, 2018
Social media has changed the way we live. It’s also brought with it new insecurities. Random Selfies, produced by Ovalhouse as part
SOURCE: The Stage Registration at 11:52AMFrancesca Peschier explores how regional and working class accents are both underused and misused by theatre.
The post Theatre’s missing accents appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 05:35AMWednesday, March 28, 2018
Who on earth is this for? Joel Paley and Marvin Laird's inane Off-Broadway cult hit punches down not up, and that's the least of its problems.
The post Review: Ruthless! The Musical at the A…
SOURCE: exeuntmagazine.com at 09:55AMTuesday, March 27, 2018
Ross McGregor’s new adaption of Three Sisters for Arrows and Traps is witty and accessible. Beautifully presented and elegantly design by Odin
SOURCE: The Stage Registration at 12:29PM 
