All stories by Ben Brantley on BroadwayStars

Tuesday, March 17, 2015

Review: In Richard Maxwell's 'The Evening,' Going Gentle Into the Night, or Not by Ben Brantley

In this play at the Kitchen, three characters represent a multiple-choice way of dealing with life, and death.

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Review: In 'Remote New York,' an Unseen Tour Guide Calls the Shots by Ben Brantley

This interactive piece of street theater guides participants on a meticulously plotted tour of New York City and their own herd mentality.

SOURCE: The New York Times Subscription at 01:08PM[SHARE]
Sunday, March 15, 2015

Theater Review: Review: 'On the Twentieth Century,' With Kristin Chenoweth, Opens on Broadway by Ben Brantley

Scott Ellis's revival of this 1978 musical about dueling egos on a train between Chicago and New York knows that when it comes to being hyperbolic, there's no people like show people.

SOURCE: The New York Times Subscription at 10:00PM[SHARE]
Friday, March 13, 2015

'Cabaret' and 'Hedwig' Get Tougher Onstage by Ben Brantley

Sienna Miller and John Cameron Mitchell, taking over roles played by other well-known actors, have given their characters new interpretations and new life.

SOURCE: The New York Times Subscription at 05:53PM[SHARE]
Tuesday, March 10, 2015

Review: 'Josephine and I,' a Tribute Show by Cush Jumbo by Ben Brantley

In this solo show, the British actress Cush Jumbo plays both a version of herself and the boundary-crossing, Paris-conquering Josephine Baker.

SOURCE: The New York Times Subscription at 10:00PM[SHARE]
Sunday, March 8, 2015

Review: 'The Audience,' With Helen Mirren, Opens on Broadway by Ben Brantley

Peter Morgan's history-skimming chat show about a monarch and her prime ministers is about as close as most of us are going to get to a cozy tête-à-tête with Queen Elizabeth II.

SOURCE: The New York Times Subscription at 10:00PM[SHARE]
Thursday, March 5, 2015

Theater Review: Review: 'Fish in the Dark,' Larry David's Antic Broadway Debut by Ben Brantley

In his Broadway debut as an actor and playwright, Mr. David plays a character not unlike his TV persona who gathers with his family at his father's deathbed.

SOURCE: The New York Times Subscription at 10:00PM[SHARE]
Wednesday, March 4, 2015

The Week Ahead: Doug Wright's 'Posterity,' With John Noble and Hamish Linklater by Ben Brantley

Henrik Ibsen, that uncompromising father of the modern drama, is the center of Mr. Wright's new play.

SOURCE: The New York Times Subscription at 12:54PM[SHARE]
Sunday, March 1, 2015

Review: 'John & Jen,' a Revival Starring Kate Baldwin and Conor Ryan by Ben Brantley

In this musical, a woman has complicated relationships with her brother and then her son.

SOURCE: The New York Times Subscription at 04:24PM[SHARE]
Friday, February 27, 2015

Review: 'Social Security,' the Heroic Poetry of Solitude by Ben Brantley

In Christina Masciotti's play at the Bushwick Starr, a retired Pennsylvania pretzel-factory worker talks just to hear herself talk, even though she's deaf.

SOURCE: The New York Times Subscription at 06:52PM[SHARE]
Thursday, February 26, 2015

Theater Review: Review: 'An Octoroon,' a Branden Jacobs-Jenkins Comedy About Race by Ben Brantley

This coruscating play, restaged at the Polonsky Shakespeare Center, is a modern examination of a slave-era melodrama.

SOURCE: The New York Times Subscription at 10:00PM[SHARE]
Tuesday, February 24, 2015

Review: Jennifer Haley's 'The Nether' Explores the Dark Side of the Web by Ben Brantley

In this futuristic drama, visitors to an online destination act out their depraved fantasies.

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Monday, February 23, 2015

Theater Review: Review: 'The Insurgents' Stars Cassie Beck in a Lucy Thurber Drama by Ben Brantley

Rage infuses this Labyrinth Theater Company production, about a woman with a love of reading and her gun who returns to her impoverished New England home.

SOURCE: The New York Times Subscription at 10:00PM[SHARE]

Review: In 'Big Love,' Fleeing Tradition Becomes a Messy Escape by Ben Brantley

Tina Landau's frenzied revival of Charles Mee's 2000 play about sisters betrothed by contract to cousins is at the Pershing Square Signature Center.

SOURCE: The New York Times Subscription at 10:00PM[SHARE]
Friday, February 20, 2015

Review: In Sheila Heti's New Play, Canadians Lose Themselves in Paris by Ben Brantley

The play, "All Our Happy Days Are Stupid," features a fanciful set that includes the Eiffel Tower, sidewalk cafes and hotel rooms.

SOURCE: The New York Times Subscription at 06:09PM[SHARE]
Thursday, February 19, 2015

Review: 'Western Society,' It's a Selfie World After All by Ben Brantley

Gob Squad, a media-mixing British-German arts collective, poses the big and not-so-big questions of contemporary civilization in this show.

SOURCE: The New York Times Subscription at 04:58PM[SHARE]

Spring Preview: Cupid's Arrows Wound in 'Wolf Hall,' 'Skylight,' 'An Octoroon' and 'Big Love' by Ben Brantley

If new Broadway and Off Broadway offerings are any indication, the road to amour is paved with politics, prejudice and the straitjacket of tradition.

SOURCE: The New York Times Subscription at 08:36AM[SHARE]
Tuesday, February 17, 2015

Review: In 'Hamilton,' Lin-Manuel Miranda Forges Democracy Through Rap by Ben Brantley

Lin-Manuel Miranda's independent-minded new musical presents the 18th-century tale of Alexander Hamilton via hip-hop and R&B ballads.

SOURCE: The New York Times Subscription at 10:00PM[SHARE]
Thursday, February 12, 2015

Review: In 'The Events,' a Shooting Leaves a Survivor in Purgatory by Ben Brantley

The Scottish dramatist David Greig has written a solemn and searching work about a faith-shattering act of violence.

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Wednesday, February 11, 2015

Review: A Partial View of Truth in 'Between Riverside and Crazy' at Second Stage by Ben Brantley

Stephen Adly Guirgis's play, which opened at the Atlantic Theater Company in August, reopened at Second Stage's Tony Kiser Theater.

SOURCE: The New York Times Subscription at 10:00PM[SHARE]
Saturday, February 7, 2015

ArtsBeat: London Theater Journal: Crawling Inside a Family Saga and a Jacobean Noir by Ben Brantley

"Three Winters," a time-traveling tale about a Croatian family, and "The Changeling," a revenge tragedy performed in candlelight, are expressly theatrical endeavors, fully realized here.

SOURCE: The New York Times Subscription at 10:00AM[SHARE]
Wednesday, February 4, 2015

The Week Ahead: Stephen Adly Guirgis's 'Between Riverside and Crazy' at Second Stage by Ben Brantley

"Between Riverside and Crazy," a constantly surprising play by Stephen Adly Guirgis, returns to New York.

SOURCE: The New York Times Subscription at 01:27PM[SHARE]

ArtsBeat: London Theater Journal: In the Shadow of the Nazis by Ben Brantley

Two plays mirror the news, as reflections on the Holocaust and the persistence of anti-Semitism in Europe have surfaced frequently in print and on the web.

SOURCE: The New York Times Subscription at 09:00AM[SHARE]
Tuesday, February 3, 2015

ArtsBeat: 'Liberian Girl': A Harrowing Descent Into War by Ben Brantley

"Liberian Girl," a debut play by Diana Nneka Atuona, forces its audience to confront a violent coming of age.

SOURCE: The New York Times Subscription at 08:06AM[SHARE]
Sunday, February 1, 2015

ArtsBeat: London Theater Journal: Laughing Wall to Wall by Ben Brantley

In just a few days Ben Brantley sampled a rainbow spectrum of comedies, "My Night With Reg," "The Play That Goes Wrong," "The Ruling Class" and "Golem."

SOURCE: The New York Times Subscription at 10:00AM[SHARE]
Thursday, January 29, 2015

ArtsBeat: In Tom Stoppard's 'Hard Problem,' a Search for Certainty and Order by Ben Brantley

The playwright's first new stage production in nine years provides a lot of food for thought on the murkiness of a chaotic universe.

SOURCE: The New York Times Subscription at 06:36AM[SHARE]
Wednesday, January 28, 2015

Critic's Notebook: 'King Charles III' and 'The Ruling Class' in London by Ben Brantley

"King Charles III" and "The Ruling Class," both playing in the West End, are responses to Britain's enduringly ambivalent obsession with its aristocracy and royal family.

SOURCE: The New York Times Subscription at 04:56PM[SHARE]
Sunday, January 25, 2015

Theater Review: 'Let the Right One In,' a Stark Vampire Love Story by Ben Brantley

The innocently murderous child at the heart of "Let the Right One In" is nothing like the beautiful It vampires who slither across screens in movies like the "Twilight" series.

SOURCE: The New York Times Subscription at 10:00PM[SHARE]
Thursday, January 22, 2015

Theater Review: 'Into the Woods,' Stripped Down by Fiasco Theater by Ben Brantley

Fiasco Theater's reworking of "Into the Woods" uncovers the aching, hopeful heart beneath the artifice.

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Thursday, January 15, 2015

Theater Review: 'Honeymoon in Vegas,' With Tony Danza, Opens on Broadway by Ben Brantley

The course of true love runs on parallel roller-coaster tracks in the new Broadway musical "Honeymoon in Vegas," starring Tony Danza.

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Wednesday, January 14, 2015

Theater Review: Brickman Brando Bubble Boom at Ellen Stewart Theater by Ben Brantley

Using projected scenes from Marlon Brando films, a Spanish performance group deconstructs the 2008 economic crisis.

SOURCE: The New York Times Subscription at 03:30PM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off