It’s important to tell the story of Pussy Riot. It’s entirely laudable to give privileged Western audiences some idea of the systemic
SOURCE: The Stage Registration at 05:38AMA finely-tuned marriage of musical understanding and feeling: Anna Winter reviews a triple bill of works performed by the Royal Ballet. The post Review: The Illustrated ‘Farewell’…
SOURCE: exeuntmagazine.com at 04:13AMIn 2016, an Australian TV documentary revealed shocking levels of mistreatment meted out to inmates – mainly aboriginal youths – in juvenile
SOURCE: The Stage Registration at 06:05AMDapper style, disillusion, desire, a dildo in the filing cabinet – The Butch Monologues explores different aspects of queer experience and gender
SOURCE: The Stage Registration at 07:14AMThe Famous Lauren Barri Holstein – performance artist, dancer and academic – has much to say about representations of femaleness and self-determination
SOURCE: The Stage Registration at 09:37AMThough technical standards are high, Birmingham Royal Ballet’s latest triple bill fails to set Sadler’s Wells ablaze. In Arcadia, the first main
SOURCE: The Stage Registration at 10:00AMLibby Liburd is a single parent. Like 91% of single parents – who head up one in four UK households – she’s
SOURCE: The Stage Registration at 06:50AMVictoria Melody’s father is the TV antiques dealer Mike Melody, ousted from ITV for the grave misdemeanour of “yawning at David Dickinson
SOURCE: The Stage Registration at 07:26AMYorke Dance Project perform Kenneth MacMillan’s only barefoot ballet with a remarkable sense of enigmatic drama and technical assurance. A chamber piece for
SOURCE: The Stage Registration at 11:17AMKenneth MacMillan’s final work The Judas Tree is an emotionally eviscerating ordeal of a one-act ballet. Performed by the Royal Ballet as
SOURCE: The Stage Registration at 07:28AMJazzy trots, pom-pom berets and balletic vaudeville swagger: Anna Winter reviews Concerto / Le Baiser de la fee / Elite Syncopations. The post Review: Kenneth MacMillan: A National Celebrat…
SOURCE: exeuntmagazine.com at 09:22AMPlenty to unpick: Anna Winter reviews Shobana Jeyasingh’s take on Marius Petipa’s La Bayadere. The post Review: Bayadere – The Ninth Life at Sadler’s Wells appeared first on Exe…
SOURCE: exeuntmagazine.com at 08:13AMThe best fairytales filter dark material through the realm of fantasy. Angela Clerkin’s firmly tongue-in-cheek fairytale for grown ups The Secret Keeper
SOURCE: The Stage Registration at 05:54AMStoke-on-Trent in the early 1950s: the pot banks threw out smoke and the horizon, if you could see it, was lined with
SOURCE: The Stage Registration at 10:24AMIn Event of Moone Disaster, the 2016 winner of the Theatre503 Playwriting Award, heralds a triumphant launch to the career of its
SOURCE: The Stage Registration at 06:52AMPrecarity, pride and power underpin Oli Forsyth’s riveting Kings. It’s both a compassionate political indictment of the contemporary rise in homelessness and
SOURCE: The Stage Registration at 07:51AMData-inspired dance: Anna Winter reviews the latest work from Company Wayne McGregor, inspired by mapping the human genome. The post Review: Autobiography at Sadler’s Wells appeared fi…
SOURCE: exeuntmagazine.com at 03:10AMA rasping, strident horn heralds the arrival of Medea. A draped and veiled figure, she emerges from an upstage hinterland of shadows
SOURCE: The Stage Registration at 07:47AMThe latest star vehicle for Strictly faves Flavia Cacace and Vincent Simone inadvertently offers a deeply dismal and reductive take on modern
SOURCE: The Stage Registration at 05:33AMTo mark 25 years since the death of the ballet maverick, five companies from around the UK will join the Royal Ballet
SOURCE: The Stage Registration at 10:00AMHijabi Monologues isn’t about oppression or radicalism or what it means in religious terms to wear the headscarf. These things are touched
SOURCE: The Stage Registration at 07:51AMGyre and Gimble’s retelling of the Hartlepool Monkey legend is highly skilful, slick and unsettling. It’s a strangely pitched production. Marketed as
SOURCE: The Stage Registration at 08:09AMActor, pianist and writer Hershey Felder specialises in stage portrayals of Western music’s big figures. With the likes of Gershwin, Chopin and
SOURCE: The Stage Registration at 06:22AMLucy Light is a tender and funny two-hander about female friendship and the threat of cancer that is by turns sensitive and
SOURCE: The Stage Registration at 07:40AMThere’s no single route into a career on the West End’s biggest stages. Three figures from the world of dance tell Anna
SOURCE: The Stage Registration at 01:04PMThe Little Mermaid completes Northern Ballet’s hat-trick year of premieres in sparkling style. Choreographed by company director David Nixon, it’s a thoroughly
SOURCE: The Stage Registration at 07:07AMPhoebe Eclair-Powell’s all-female adaptation of The Picture of Dorian Gray is a winning and witty affair, nimbly directed by Owen Horsley and
SOURCE: The Stage Registration at 06:54AMBullish sets out to gore the conventional heart of the gender binary with cabaret charm, sincerity and fuzzy bovine heads. A cast
SOURCE: The Stage Registration at 06:07AMWith DeadClub, directing duo David Rosenberg and Frauke Requardt leave behind the outdoor spectacles of previous collaborations and move into a suggestive
SOURCE: The Stage Registration at 05:17AMJogging is a remarkable piece of theatre, even in its currently altered form – a result of the Home Office’s refusal to
SOURCE: The Stage Registration at 12:18PMChoreographer Sara Juli’s one-woman show about urinary incontinence and the burdens of motherhood – both bodily and psychological – flows with an
SOURCE: The Stage Registration at 10:27AM
