All stories by Michael Billington on BroadwayStars

Tuesday, February 11, 2014

It Just Stopped – review by Michael Billington

Orange Tree, RichmondFrom art to politics, consumerism and climate change, this is a play that is not afraid to address big ideasI instinctively warm to plays on big issues and they don't co…

SOURCE: The Guardian at 10:06AM
Monday, February 10, 2014

Shiver – review by Michael Billington

Palace, WatfordDaniel Kanaber's first full-length play makes a sincere case for religion as an aid in the grieving processHow do you cope with the death of a loved one? That is the question …

SOURCE: The Guardian at 09:06AM
Wednesday, February 5, 2014

The Mistress Contract – review by Michael Billington

Royal Court, LondonAbi Morgan's play is something of a romcom for the intellectual classes, though it's given a bit of zip by the two actorsAbi Morgan, who has had great success on TV with T…

SOURCE: The Guardian at 09:09PM
Tuesday, February 4, 2014

Carthage – review by Michael Billington

Finborough, LondonA boy has died in care in this debut piece that couples authenticity with moral ambivalence in its exploration of guiltThe title implies that we might be in for a study of …

SOURCE: The Guardian at 06:42AM
Thursday, January 30, 2014

Happy Days – review by Michael Billington

Juliet Stevenson gives a remarkable performance in Beckett's story of a woman tragically aware of her mental plightBeckett's Happy Days, with its progressively entombed heroine, would seem t…

SOURCE: The Guardian at 07:49PM

The Robbers – review by Michael Billington

New Diorama, London There's little respite from the noise and rhetoric in Schiller's story of sibling hatred, written under the spell of ShakespeareAs part of a three-play rep season, The Fa…

SOURCE: The Guardian at 06:34AM
Wednesday, January 29, 2014

From Rags to Ritzes – review by Michael Billington

Royal Festival Hall, LondonThis Irving Berlin tribute hummed along pleasantly enough, but it failed to face the music and danceThis celebration of Irving Berlin's 125th anniversary offers a …

SOURCE: The Guardian at 10:41AM
Monday, January 27, 2014

Spot the Oscar winners of tomorrow at the Critics' Circle theatre awards by Michael Billington

Those wanting a glimpse into Hollywood's future should pay attention to what British theatre critics are saying today. Ejiofor, Dench, Weisz, Redmayne – the list of graduates goes onIt's t…

SOURCE: The Guardian at 06:18AM
Sunday, January 26, 2014

What the Women Did – review by Michael Billington

Southwark Playhouse, London This triple bill of plays about the women left behind during the first world war makes for uneven yet fascinating viewingTheatrical commemoration of the first wor…

SOURCE: The Guardian at 08:21AM
Friday, January 24, 2014

Rapture, Blister, Burn – review by Michael Billington

Hampstead theatre, LondonA grad-school reunion in New England raises pertinent questions about the role of women – and draws disappointing conclusionsGina Gionfriddo's Becky Shaw, seen at …

SOURCE: The Guardian at 08:32AM
Thursday, January 23, 2014

King Lear - review by Michael Billington

Olivier, LondonSimon Russell Beale is magnetic and unorthodox in an exceptional production that mixes the epic and the intimateAnother day, another Lear. But, although this is the third prod…

SOURCE: The Guardian at 08:44PM
Tuesday, January 21, 2014

Ellen Terry With Eileen Atkins – review by Michael Billington

Sam Wanamaker Playhouse, LondonIf the BBC does not go and record Atkins's masterclass in acting – in which she channels Ellen Terry's informal lectures on Shakespeare's female characters �…

SOURCE: The Guardian at 07:13AM
Sunday, January 19, 2014

The Pass – review by Michael Billington

Royal Court, London Russell Tovey is commanding as a repressed gay footballer in John Donnelly's witty but finally overdone new playJohn Donnelly has the enviable gift of writing plays that …

SOURCE: The Guardian at 07:19AM
Friday, January 17, 2014

Don Gil of the Green Breeches – review by Michael Billington

Arcola, London This manic farce with a first-rate cast is full of erotic confusion, but its cross-dressing comedy is stretched to breaking pointThis manic farce by Tirso de Molina kicks off …

SOURCE: The Guardian at 07:01AM
Thursday, January 16, 2014

Roger Lloyd Pack: the perfect Pinter performer by Michael Billington

His TV work might have upstaged his distinguished career in theatre, but the actor best known as Trigger excelled in work by Bennett, Marber and, especially, PinterYou can often tell the qua…

SOURCE: The Guardian at 11:56AM
Wednesday, January 15, 2014

The Duchess of Malfi - review by Michael Billington

Gemma Arterton brings beauty, determination and moral goodness to one of the great female roles, writes Michael BillingtonA new theatre is often a challenge. Until weathered and worn by use,…

SOURCE: The Guardian at 07:58PM

Putting It Together – review by Michael Billington

St James Theatre, LondonGiving this revue of Sondheim numbers a narrative may be a little tenuous, but it's a feast of pleasure delivered with real verveIt's a sign of Stephen Sondheim's fec…

SOURCE: The Guardian at 06:30PM
Thursday, January 9, 2014

Wolf Hall/Bring up the Bodies – review by Michael Billington

Swan Theatre, Stratford-upon-AvonTransferring a winning novel to stage is difficult. Doing it with two – and succeeding – is a special featTurning a novel into a play is always tricky: e…

SOURCE: The Guardian at 01:00AM
Monday, December 30, 2013

Best theatre of 2013, No 2: Chimerica by Michael Billington

Michael Billington: Lucy Kirkwood's thrillingly ambitious play tackled global politics, multinational corporations and was bursting with big ideasMichael Billington

SOURCE: The Guardian at 04:00AM
Friday, December 20, 2013

Best theatre of 2013, No 8: The Scottsboro Boys by Michael Billington

Susan Stroman's production, with its ironic minstrel-show format, skilfully suggested that the US's outlook on racial injustice had moved on since the 1930s – but not far enough• Read Mi…

SOURCE: The Guardian at 06:26AM
Thursday, December 19, 2013

Stephen Ward – review by Michael Billington

Aldwych Theatre, LondonMusical portrayal of the Profumo scandal with nifty songs in 1960s style sits oddly with social and political critiqueStephen Ward, the osteopath at the centre of the …

SOURCE: The Guardian at 06:30PM

Wendy and Peter Pan – review by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonThis reinvention of JM Barrie's story dispenses with the original's dark ambiguity, but there's still plenty to enjoyElla Hickson, who has writt…

SOURCE: The Guardian at 06:58AM
Tuesday, December 17, 2013

Coriolanus – review by Michael Billington

Donmar Warehouse, LondonA fast, witty, intelligent production that, in Tom Hiddleston, boasts a fine CoriolanusA chamber production of Coriolanus? It sounds a contradiction in terms. But, as…

SOURCE: The Guardian at 07:51PM

Fortune's Fool – review by Michael Billington

Old Vic, LondonA scathing portrait by Turgenev of the cruelties of Russian rural life finally gets a slap-up London productionWe've long thought of Ivan Turgenev as a one-play man who, in A …

SOURCE: The Guardian at 06:36AM
Monday, December 16, 2013

The El Train – review by Michael Billington

Hoxton Hall, LondonRuth Wilson excels as actor and director in these three early plays by Eugene O'Neill, making a spellbinding eveningRuth Wilson and Sam Yates have joined forces to direct,…

SOURCE: The Guardian at 10:04AM

Peter O'Toole on stage: a star's capacity to cast an unforgettable spell by Michael Billington

He found stardom on screen in Lawrence of Arabia, but O'Toole was a legendary and often mesmerising presence in the theatre• Obituary: Peter O'Toole, 1932-2013• Peter O'Toole: a life in …

SOURCE: The Guardian at 08:10AM
Thursday, December 12, 2013

Matt Smith helps Bret Easton Ellis's murderous yuppie to make a killing by Michael Billington

American Psycho, the musical, at the Almeida, LondonIt sounds improbable: a musical thriller about a serial killer. But Sondheim did it in Sweeney Todd. And, although this version of Bret Ea…

SOURCE: The Guardian at 08:52PM

The Duck House – review by Michael Billington

This satirical piece about the MPs' expenses scandal raises a few titters but lacks the brutal logic of first-rate farceI yield to no one in my love of farce, but this new one by Colin Swash…

SOURCE: The Guardian at 09:10AM
Tuesday, December 10, 2013

Drawing the Line – review by Michael Billington

Hampstead theatre, LondonHoward Brenton's ambitious account of the partition of India in 1947 crams an amazing amount into 25 scenes of cool clarityIt is not often a critic wishes a play wer…

SOURCE: The Guardian at 08:11AM
Monday, December 9, 2013

Dick Whittington – review by Michael Billington

Theatre Royal Stratford East, LondonDouble entendres abound in a family-friendly panto that puts a new spin on a familiar tale.It's not every day you hear 500 people enthusiastically chantin…

SOURCE: The Guardian at 01:48PM
Sunday, December 8, 2013

From Morning to Midnight – review by Michael Billington

Lyttelton, LondonGeorg Kaiser's 1912 expressionist landmark comes to life thanks to a production full of vitality and a beautifully unsentimental central performanceThe National is clearly g…

SOURCE: The Guardian at 07:40AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre