All stories by Michael Billington on BroadwayStars

Friday, March 21, 2014

The Dead Dogs review – 'Violent undercurrents in Norwegian coastal life' by Michael Billington

The Print Room, LondonJon Fosse's tale of one man's grief over the loss of his dog is well-acted, yet the play lacks dramatic tensionIn the past, I've eagerly championed the work of the Norw…

SOURCE: The Guardian at 08:18AM
Thursday, March 20, 2014

Two Into One review – 'An orgy of door-slamming' by Michael Billington

Menier Chocolate Factory, London Ray Cooney's production achieves the correct delirious momentum and gets good performances from everyone, including the playwrightWhen I first saw Ray Cooney…

SOURCE: The Guardian at 07:59AM
Tuesday, March 18, 2014

Blithe Spirit review: The play's the thing in a fine Noël Coward revival by Michael Billington

Gielgud, LondonAngela Lansbury is back on a London stage after nearly 40 years, but her presence has a faintly distorting effectGood as it is to see Angela Lansbury back on a London stage af…

SOURCE: The Guardian at 07:00PM
Sunday, March 16, 2014

Invincible review – Torben Betts' latest perceptive social commentary by Michael Billington

Orange Tree, RichmondThis abrasive comedy about the UK's recent economic belt-tightening suggests writer Torben Betts should be a bigger nameClass is the engine driving much British drama. I…

SOURCE: The Guardian at 10:21AM
Friday, March 14, 2014

The Big Meal review – a helter-skelter family saga, from soup to nuts by Michael Billington

Ustinov Studio, BathAll of life's big dramas take place around the dining table in Dan LeFranc's madcap look at love and marriageMichael Boyd, after a decade with the Royal Shakespeare Compa…

SOURCE: The Guardian at 09:27AM

Radio 2 broadcast helps Oh What a Lovely War go out with a whizzbang by Michael Billington

Stratford East's musical will be broadcast tonight, proving radio is still doing more for the stage than TVTonight Oh What a Lovely War could be said to be coming home. The current Theatre R…

SOURCE: The Guardian at 08:34AM
Thursday, March 13, 2014

Twelfth Night review – a charming start for the cracking new Everyman by Michael Billington

Everyman, Liverpool The reborn theatre's first production boasts a superb Malvolio in Nicholas Woodeson and Matthew Kelly as Sir Toby Belch, but could do with speeding up a bit"We want to cr…

SOURCE: The Guardian at 09:23AM
Tuesday, March 11, 2014

Urinetown – review: 'Flawed, but with a welcome satirical bounce' by Michael Billington

St James's, LondonA formidable cast saves this musical pastiche from undermining its own messageFlushed with success on Broadway, where it ran for three years, this bizarre show finally make…

SOURCE: The Guardian at 07:00PM
Monday, March 10, 2014

Olivier awards 2014: where are the great new plays? by Michael Billington

Lucy Kirkwood's Chimerica stands head and shoulders above the other nominees. This year's lineup confirms that British theatre's current success lies more in interpretation than in original …

SOURCE: The Guardian at 08:42AM
Sunday, March 9, 2014

Visitors review – 'Infinitely touching' by Michael Billington

Playwright Barney Norris's first full-length work for the stage sensitively captures a married couple's descent into old ageBarney Norris is a young man in his mid‑20s. I mention this beca…

SOURCE: The Guardian at 02:16PM
Friday, March 7, 2014

Do I Hear a Waltz? review – 'rare revival exudes a pleasant, watery charm' by Michael Billington

Park theatre, LondonThis Stephen Sondheim-Richard Rodgers holiday-romance musical isn't perfect, but is put across with convictionThe fiercest critic of this 1964 American musical is one of …

SOURCE: The Guardian at 09:17AM
Thursday, March 6, 2014

Good People review – 'Imelda Staunton fills a cracking lead role to perfection' by Michael Billington

Hampstead theatre, LondonDavid Lindsay-Abaire's tale of a working-class single mum explores social mobility in the US with compelling resultsI sometimes fret at the Americanisation of Britis…

SOURCE: The Guardian at 06:47AM

Five theatre flops that deserve a revival by Michael Billington

Whether too avant garde, too shocking or simply unlucky, sometimes a great play doesn't find favour with the public. I'd like to see these given another run – how about you?CE Montague, a …

SOURCE: The Guardian at 03:00AM
Wednesday, March 5, 2014

We Are Proud to Present… review – 'A Pirandellian take on a little-known genocide' by Michael Billington

Bush, LondonArtifice and art overlap in this self-referential piece about a theatrical group trying to stage a show about an African genocideHow do you tackle a subject such as genocide in e…

SOURCE: The Guardian at 06:00PM
Monday, March 3, 2014

Variation on a Theme review – first revival of Rattigan's take on Dumas by Michael Billington

Finborough, LondonPanned when it was first produced, this piece has no hint of the inequality of passion that normally drives Rattigan's playsCritically hammered on its debut in 1958, Terenc…

SOURCE: The Guardian at 08:29AM

Musicals we love: Sweeney Todd by Michael Billington

Stephen Sondheim's serial-killing barber may be an unsavoury hero, but the musical skilfully mixes savagery, tragedy and comedy to create a work of art that leaves one in aweThere are musica…

SOURCE: The Guardian at 06:43AM
Friday, February 28, 2014

Versailles review – five stars for Peter Gill's new play by Michael Billington

Donmar Warehouse, LondonWelsh playwright Peter Gill tracks the damage done to the English middle classes by the first world war in this taut and passionate dissection of the doomed 1919 peac…

SOURCE: The Guardian at 07:00AM
Thursday, February 27, 2014

The Knight of the Burning Pestle review – 'A spirited romp by candlelight' by Michael Billington

Sam Wanamaker Playhouse, London This boisterous production brings Francis Beaumont's 1607 burlesque of citizen drama and chivalric romance to lifeThis dashing new theatre has already proved …

SOURCE: The Guardian at 08:58AM
Tuesday, February 25, 2014

The Full Monty – review by Michael Billington

Noel Coward Theatre, LondonSimon Beaufoy's stage version of the iconic film is well directed but feels like a missed opportunity to address any of the degradation of unemploymentIn the end, …

SOURCE: The Guardian at 08:10PM

The A-Z of Mrs P review – Isy Suttie in a witty musical that loses its way by Michael Billington

Southwark Playhouse, LondonIsy Suttie is perkily determined, but this musical about the woman who mapped London lacks dramatic tensionIt is rare to find a new British musical that is not by …

SOURCE: The Guardian at 11:45AM

Why Stephen Ward was the wrong musical for Andrew Lloyd Webber by Michael Billington

Audiences struggled to relate to the 50-year-old Profumo scandal. Lloyd Webber needs to focus on passionate love• Matt Trueman: Stephen Ward to close after four months• Xan Brooks: Steph…

SOURCE: The Guardian at 08:10AM
Monday, February 24, 2014

Les Fausses Confidences review – 'Isabelle Huppert is sensational' by Michael Billington

Odeon theatre, Paris Luc Bondy's stylish, modern-dress production of Marivaux's comedy is a compelling portrait of a woman poleaxed by passionIsabelle Huppert, a veteran of some 90 films, is…

SOURCE: The Guardian at 11:52AM
Friday, February 21, 2014

Smallholding – review by Michael Billington

Soho theatre, LondonThis story of a couple's escape to the countryside finds a visceral intensity as it explores the symptoms of drug addictionAddiction lies at the heart of this short, shar…

SOURCE: The Guardian at 07:36AM
Wednesday, February 19, 2014

A Taste of Honey – review by Michael Billington

Lyttelton, London This revival of Shelagh Delaney's portrait of sexuality, working-class life and mothers and daughters in the 1950s has the same emotional bite as the originalAlthough much …

SOURCE: The Guardian at 07:38AM

Forget 1984: here are my top five theatrical dystopias by Michael Billington

Dystopian plays are rare, but from Samuel Beckett's Happy Days to Caryl Churchill's Far Away, there have been some standout original stage creationsThe arrival of 1984 at the Almeida theatre…

SOURCE: The Guardian at 04:00AM
Tuesday, February 18, 2014

Superior Donuts – review by Michael Billington

Southwark Playhouse, LondonAuthentic acting makes up for a slightly nostalgic script by Tracy Letts about an ailing Chicago doughnut storeAs you enter the theatre, a sign warns you of "mild …

SOURCE: The Guardian at 07:06AM
Monday, February 17, 2014

Oh What a Lovely War: the show that shook Britain by Michael Billington

Joan Littlewood's pioneering 1963 musical about the first world war not only changed attitudes towards the conflict, it remade British theatre. As the show gets a loving revival, Michael Bil…

SOURCE: The Guardian at 02:00AM
Thursday, February 13, 2014

The Hotel Plays – review by Michael Billington

The Langham, LondonA trio of plays by Tennessee Williams benefit from their plush hotel setting: there is angst and politics as well as sex in the airA lot of theatre these days takes the au…

SOURCE: The Guardian at 08:15AM
Wednesday, February 12, 2014

David Lan will bring flair to the World Trade Centre arts complex by Michael Billington

He may not look like a showman, but Lan has a Diaghilev-like talent for bringing artists togetherIt comes as no surprise to learn that David Lan has been appointed as a consulting artistic d…

SOURCE: The Guardian at 07:03PM

Oh What a Lovely War – review by Michael Billington

Theatre Royal Stratford East, LondonTerry Johnson's revival of Joan Littlewood's iconic musical restores a classic for a new generationIf ever a show deserved to be called "iconic" it was Jo…

SOURCE: The Guardian at 07:03AM
Tuesday, February 11, 2014

It Just Stopped – review by Michael Billington

Orange Tree, RichmondFrom art to politics, consumerism and climate change, this is a play that is not afraid to address big ideasI instinctively warm to plays on big issues and they don't co…

SOURCE: The Guardian at 10:06AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre