All stories by Michael Billington on BroadwayStars

Wednesday, January 15, 2014

Putting It Together – review by Michael Billington

St James Theatre, LondonGiving this revue of Sondheim numbers a narrative may be a little tenuous, but it's a feast of pleasure delivered with real verveIt's a sign of Stephen Sondheim's fec…

SOURCE: The Guardian at 06:30PM
Thursday, January 9, 2014

Wolf Hall/Bring up the Bodies – review by Michael Billington

Swan Theatre, Stratford-upon-AvonTransferring a winning novel to stage is difficult. Doing it with two – and succeeding – is a special featTurning a novel into a play is always tricky: e…

SOURCE: The Guardian at 01:00AM
Monday, December 30, 2013

Best theatre of 2013, No 2: Chimerica by Michael Billington

Michael Billington: Lucy Kirkwood's thrillingly ambitious play tackled global politics, multinational corporations and was bursting with big ideasMichael Billington

SOURCE: The Guardian at 04:00AM
Friday, December 20, 2013

Best theatre of 2013, No 8: The Scottsboro Boys by Michael Billington

Susan Stroman's production, with its ironic minstrel-show format, skilfully suggested that the US's outlook on racial injustice had moved on since the 1930s – but not far enough• Read Mi…

SOURCE: The Guardian at 06:26AM
Thursday, December 19, 2013

Stephen Ward – review by Michael Billington

Aldwych Theatre, LondonMusical portrayal of the Profumo scandal with nifty songs in 1960s style sits oddly with social and political critiqueStephen Ward, the osteopath at the centre of the …

SOURCE: The Guardian at 06:30PM

Wendy and Peter Pan – review by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonThis reinvention of JM Barrie's story dispenses with the original's dark ambiguity, but there's still plenty to enjoyElla Hickson, who has writt…

SOURCE: The Guardian at 06:58AM
Tuesday, December 17, 2013

Coriolanus – review by Michael Billington

Donmar Warehouse, LondonA fast, witty, intelligent production that, in Tom Hiddleston, boasts a fine CoriolanusA chamber production of Coriolanus? It sounds a contradiction in terms. But, as…

SOURCE: The Guardian at 07:51PM

Fortune's Fool – review by Michael Billington

Old Vic, LondonA scathing portrait by Turgenev of the cruelties of Russian rural life finally gets a slap-up London productionWe've long thought of Ivan Turgenev as a one-play man who, in A …

SOURCE: The Guardian at 06:36AM
Monday, December 16, 2013

The El Train – review by Michael Billington

Hoxton Hall, LondonRuth Wilson excels as actor and director in these three early plays by Eugene O'Neill, making a spellbinding eveningRuth Wilson and Sam Yates have joined forces to direct,…

SOURCE: The Guardian at 10:04AM

Peter O'Toole on stage: a star's capacity to cast an unforgettable spell by Michael Billington

He found stardom on screen in Lawrence of Arabia, but O'Toole was a legendary and often mesmerising presence in the theatre• Obituary: Peter O'Toole, 1932-2013• Peter O'Toole: a life in …

SOURCE: The Guardian at 08:10AM
Thursday, December 12, 2013

Matt Smith helps Bret Easton Ellis's murderous yuppie to make a killing by Michael Billington

American Psycho, the musical, at the Almeida, LondonIt sounds improbable: a musical thriller about a serial killer. But Sondheim did it in Sweeney Todd. And, although this version of Bret Ea…

SOURCE: The Guardian at 08:52PM

The Duck House – review by Michael Billington

This satirical piece about the MPs' expenses scandal raises a few titters but lacks the brutal logic of first-rate farceI yield to no one in my love of farce, but this new one by Colin Swash…

SOURCE: The Guardian at 09:10AM
Tuesday, December 10, 2013

Drawing the Line – review by Michael Billington

Hampstead theatre, LondonHoward Brenton's ambitious account of the partition of India in 1947 crams an amazing amount into 25 scenes of cool clarityIt is not often a critic wishes a play wer…

SOURCE: The Guardian at 08:11AM
Monday, December 9, 2013

Dick Whittington – review by Michael Billington

Theatre Royal Stratford East, LondonDouble entendres abound in a family-friendly panto that puts a new spin on a familiar tale.It's not every day you hear 500 people enthusiastically chantin…

SOURCE: The Guardian at 01:48PM
Sunday, December 8, 2013

From Morning to Midnight – review by Michael Billington

Lyttelton, LondonGeorg Kaiser's 1912 expressionist landmark comes to life thanks to a production full of vitality and a beautifully unsentimental central performanceThe National is clearly g…

SOURCE: The Guardian at 07:40AM
Friday, December 6, 2013

Let The Right One In – review by Michael Billington

Royal Court, London While the story is about the mutual love between two marginalised people, it lacks any coherent frameworkI came fresh to Jack Thorne's play never having seen the film or …

SOURCE: The Guardian at 07:01PM
Wednesday, December 4, 2013

Emil and the Detectives – review by Michael Billington

National Theatre, London Bijan Sheibani's play is at its best when it returns to the human values of Erich Kastner's storyThe National has set the bar high when it comes to family entertainm…

SOURCE: The Guardian at 07:17PM
Tuesday, December 3, 2013

Henry V – review by Michael Billington

Jude Law's performance as Shakespeare's contradictory king brings to mind John Sutherland's provocative essayJude Law is the big draw in the fifth and final production of Michael Grandage's …

SOURCE: The Guardian at 06:00PM

Candide – review by Michael Billington

Menier Chocolate Factory, LondonLeonard Bernstein's musical gets a restless, comic-strip production that has a jaunty ebullience and two outstanding leadsI suspect there are two ways to appr…

SOURCE: The Guardian at 07:02AM
Sunday, December 1, 2013

Marathon '33 – review by Michael Billington

Guildhall School, LondonA beautifully staged show about the brutal Depression-era dance marathons is something of an endurance test for us as wellAvid fans of Gypsy will recall that Dainty J…

SOURCE: The Guardian at 09:29AM
Friday, November 29, 2013

The White Carnation – review by Michael Billington

Finborough, London There are strong performances in this entertaining revival of RC Sherriff's ghost story, but much of the play feels like paddingIt is the fate of RC Sherriff to be remembe…

SOURCE: The Guardian at 08:20AM
Thursday, November 28, 2013

Once a Catholic – review by Michael Billington

Tricycle, LondonGuilty of the very intolerance it condemns, Mary O'Malley's 1977 convent school drama – here directed by Kathy Burke – is a jolly but nonetheless flawed affairTime has n…

SOURCE: The Guardian at 12:23PM
Tuesday, November 26, 2013

In the Next Room (Or the Vibrator Play) – review by Michael Billington

St James's, LondonSarah Ruhl's superb drama of female frustration and solitude is well served by director Laurence BoswellSarah Ruhl's brilliant play is, to put it mildly, an eye-opener. Set…

SOURCE: The Guardian at 08:11AM
Thursday, November 21, 2013

Theatre Uncut – review by Michael Billington

Young Vic, LondonSix politically engaged playlets demonstrate that drama has extra bite and zest when it deals with big issuesDo we all get more rightwing in times of austerity? That's the p…

SOURCE: The Guardian at 10:52AM
Tuesday, November 19, 2013

Strangers On A Train – review by Michael Billington

Gielgud Theatre, LondonWhile the mechanics of the dual murders are moderately exciting, in the second half the tension deceleratesTheatre is theatre, film film. Right? Actually not any more …

SOURCE: The Guardian at 07:18PM

No Place to Go – review by Michael Billington

Gate, LondonThis wryly resilient musical monologue about the corporate world is as New York as a triple-decker pastrami sandwichAn authentic piece of Manhattan has landed in west London. It …

SOURCE: The Guardian at 06:58AM
Sunday, November 17, 2013

Eat Pray Laugh! Barry Humphries' Farewell Tour – review by Michael Billington

London PalladiumDame Edna's creator pushes the bad taste boundaries in this raucous show that confirms just what a rare bird he isIn a theatre shorn of outsize personalities, the idea of a B…

SOURCE: The Guardian at 08:58AM
Friday, November 15, 2013

Scenes from a Marriage – review by Michael Billington

Barbican, LondonThe audience become eavesdroppers in Ivo van Hove's gripping and inventive restaging of the Ingmar Bergman classicWho's afraid of Ingmar Bergman? Obviously not Ivo van Hove a…

SOURCE: The Guardian at 07:27AM
Wednesday, November 13, 2013

Mojo – review by Michael Billington

This revival of Jez Butterworth's play – a tale of rock'n'roll rivalry in gangland Soho – packs plenty of punchJez Butterworth's first play burst on the scene like a fireball in 199…

SOURCE: The Guardian at 06:00PM

Jeeves and Wooster in Perfect Nonsense – review by Michael Billington

Duke of York's, LondonMatthew Macfadyen is a fine Jeeves in this farce-fuelled dramatisation of PG Wodehouse's The Code of the WoostersHow do you dramatise a sublime novel like PG Wodehouse'…

SOURCE: The Guardian at 07:44AM
Tuesday, November 12, 2013

Twelve Angry Men – review by Michael Billington

Garrick, London This 1950s courtroom drama is an efficient piece of entertainment but is beginning to show its ageReginald Rose's script has had an incredibly long life. It first surfaced on…

SOURCE: The Guardian at 08:20AM

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