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Thursday, November 14, 2019

'Black History Museum' Review: Learn. Laugh. Suffer. Move Along. by Maya Phillips

An immersive play crossed with an art installation offers sharp angles on race and white supremacy, but is dampened by didactism.

SOURCE: The New York Times Subscription at 07:24PM[SHARE]

Thursday, October 24, 2019

'When It Happens to You' Review: A Daughter's Rape, a Mother's Anguish by Maya Phillips

Tawni O'Dell set herself a bracing challenge: Writing and reliving her family's trauma onstage. But it's more than the novelist can pull off.

SOURCE: The New York Times Subscription at 09:03PM[SHARE]

Wednesday, October 9, 2019

Review: Stuck in Maine in 'Nothing Gold Can Stay' by Maya Phillips

Friends and family about to be left behind when a young man goes to college reckon with a world of narrow choices in Chad Beckim's play.

SOURCE: The New York Times Subscription at 06:54PM[SHARE]

Tuesday, October 1, 2019

Review: 'Katsura Sunshine's Rakugo' Offers Stand-Up Comedy Without the Standing by Maya Phillips

Mr. Sunshine is one of the rare Westerners to become a master of the centuries-old Japanese comic storytelling form.

SOURCE: The New York Times Subscription at 03:33PM[SHARE]

Wednesday, September 25, 2019

'Mothers' Review: Mommy and Me and the Apocalypse by Maya Phillips

A barbed comedy takes a grim turn when friends find themselves tested over how far they'll go to defend their choices and protect their children.

SOURCE: The New York Times Subscription at 10:54PM[SHARE]

Wednesday, March 13, 2019

Review: Scripture With the Lunch Lady in 'Surely Goodness' by Maya Phillips

Chisa Hutchinson's earnest morality play spends time with a Newark schoolboy and the brusque cafeteria worker he befriends.

SOURCE: The New York Times Subscription at 09:45PM[SHARE]

Monday, September 10, 2018

Review: A Beatboxer Climbs Up and Out in 'The Unwritten Law' by Maya Phillips

In this stage memoir, Chesney Show struggles to balance a powerful personal story with historical heft.

SOURCE: The New York Times Subscription at 02:24PM[SHARE]

Tuesday, April 17, 2018

Review: In 'ms. estrada,' Campus Feminists Say No to Sex, Yes to Hip-Hop by Maya Phillips

This "Lysistrata" update at the Flea Theater is consistently lively, but its comic aims are scattershot.

SOURCE: The New York Times Subscription at 04:05PM[SHARE]

Thursday, March 29, 2018

Review: A Bad Romance with Operatic Overtones in 'Dido of Idaho' by Maya Phillips

This retelling of the ancient Greek queen's plight, set in the modern Midwest, is hilarious until it takes a grisly turn.

SOURCE: The New York Times Subscription at 01:26PM[SHARE]

Wednesday, December 20, 2017

Review: A Runaway Slave Rides West in 'Cross That River' by Maya Phillips

The show features jazz, blues and country music from Allan Harris, who also plays the title character.

SOURCE: The New York Times Subscription at 05:18PM[SHARE]

Thursday, August 3, 2017

Review: Celebrating a 'Golden Land' With a Lot of Song and a Little Mugging by Maya Phillips

The National Yiddish Theater Folksbiene show is at once a rapid-fire revue and a textbook chronology of Jewish history in New York.

SOURCE: The New York Times Subscription at 04:04PM[SHARE]

Monday, June 26, 2017

Review: A Father Consumed by Grief in 'My Eyes Went Dark' by Maya Phillips

A man who lost his family in a plane crash funnels his grief and despair into a quest for revenge.

SOURCE: The New York Times Subscription at 06:24PM[SHARE]

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