All stories by Martha Schabas on BroadwayStars

Tuesday, March 6, 2018

How ballerina Elena Lobsanova transforms on stage by Martha Schabas

How the National Ballet of Canada’s principal dancer brings unprocessed feeling to the stage

SOURCE: The Globe and Mail at 05:33PM
Friday, March 2, 2018

Review: He Who Falls is a unique and powerful hybrid dance-circus by Martha Schabas

It is a a strange, quiet, disconcerting and often mesmerizing performance about the end of the world and how we might deal with it.

SOURCE: The Globe and Mail at 03:14PM
Thursday, February 22, 2018

Review: Walerski’s minimalist Romeo and Juliet somehow has elusive quality of feeling new by Martha Schabas

Excellent performances make the production at Queen Elizabeth theatre in Vancouver both powerful and laconic

SOURCE: The Globe and Mail at 09:29PM
Tuesday, February 13, 2018

National Ballet’s 2018-19 season disappoints with zero female choreographers by Martha Schabas

Centrepiece ballet, Anna Karenina, features literature’s most canonical female victim. Maybe audiences are ready for a differetn type of heroine

SOURCE: The Globe and Mail at 11:00AM
Wednesday, February 7, 2018

Jackie Maxwell is right where she wants to be: in the director’s chair by Martha Schabas

The former head of Factory Theatre and the Shaw Festival is carving out a role for herself as a mentor and advocate for women in theatre

SOURCE: The Globe and Mail at 03:31PM
Friday, January 26, 2018

Review: Brodsky/Baryshnikov offers reflection on time and loss by Martha Schabas

The idea of ghosts and disappearances is at the heart of Brodsky/Baryshnikov, an understated one-man show starring famed ballet luminary Mikhail Baryshnikov, now 70

SOURCE: The Globe and Mail at 12:48PM
Tuesday, January 23, 2018

Ballet dancer Mikhail Baryshnikov on the Russian poet who inspired his new show by Martha Schabas

One of the world’s all-time great ballet dancers returned to Toronto this week to perform his solo show Brodsky/Baryshnikov

SOURCE: The Globe and Mail at 03:08PM
Friday, January 19, 2018

Review: National Ballet’s Five Creations lets dancers explore new creative territory by Martha Schabas

The new version of the National Ballet’s choreographic workshop gives company dancers the opportunity to make new work on their colleagues

SOURCE: The Globe and Mail at 03:45PM
Tuesday, November 28, 2017

How we make excuses for violence against women on stage by Martha Schabas

The conversation about misogyny has moved forward. So why do the performing arts insist on bringing us back to square one?

SOURCE: The Globe and Mail at 04:31PM
Friday, November 24, 2017

Review: Nijinsky a rich, powerful ballet that demands to be rewatched by Martha Schabas

Layered, intelligent and emotionally powerful, Nijinsky is just as powerful on second viewing

SOURCE: The Globe and Mail at 01:04PM
Friday, November 17, 2017

Review: The 7 Fingers’ triple bill Triptyque hits sour notes by Martha Schabas

There’s brilliance to be found in The 7 Fingers’ Triptyque, but it’s marred by moments both ugly and uninspired

SOURCE: The Globe and Mail at 03:10PM
Thursday, November 9, 2017

National Ballet principal dancer Jurgita Dronina rises to the international stage by Martha Schabas

Principal dancer with the National Ballet of Canada is just one of many claims to fame for the Winter's Tale star​​

SOURCE: The Globe and Mail at 05:01PM
Monday, November 6, 2017

Review: Red Sky’s Backbone delivers chills that nearly go down the spine by Martha Schabas

The riveting overlap between the performing body and real body intrigues and excites, but these experiential moments are too few

SOURCE: The Globe and Mail at 02:52PM
Friday, October 20, 2017

National Ballet’s Siphesihle November makes choreographic debut with Majid Jordan show by Martha Schabas

The 19-year-old ballet dancer was recruited to choreograph a performance for the R&B duo at the 3 Days in Toronto festival

SOURCE: The Globe and Mail at 12:32PM
Wednesday, October 11, 2017

A right to remain silent, as the volume of the Weinstein scandal rises by Martha Schabas

Actress Ellie Moon’s Asking For It, a play inspired by the Jian Ghomeshi trial, offers insight into why women often stay silent in the wake of sexual violence

SOURCE: The Globe and Mail at 12:51PM
Thursday, October 5, 2017

Review: Fall for Dance North showcases jubilant Canadian talent by Martha Schabas

The Toronto festival wasn’t at its strongest, but still delivered energy to an excited crowd

SOURCE: The Globe and Mail at 12:24PM
Monday, September 25, 2017

Tanztheater Wuppertal Pina Bausch returns to Canada to perform two classic pieces by Martha Schabas

Tanztheater Wuppertal, Pina Bausch’s famous and much celebrated dance troupe, will perform The Rite of Spring and Café Muller

SOURCE: The Globe and Mail at 03:50PM
Tuesday, June 20, 2017

Dance-opera Bearing makes art out of residential-school ashes by Martha Schabas

The production, premiering at Luminato this week, is a representation of how the past disrupts the present

SOURCE: The Globe and Mail at 05:24PM
Friday, June 9, 2017

Dana Michel brings Yellow Towel to Toronto’s Dancemakers MiniFest by Martha Schabas

Michel's work is heavily autobiographical – the title refers to a towel she would put on her head as a child to become 'blond'

SOURCE: The Globe and Mail at 01:12PM
Friday, June 2, 2017

National Ballet of Canada’s most senior ballerinas on their dance evolution by Martha Schabas

A popular misconception finds that dancers, like athletes, peak in their 20s. But as the National Ballet of Canada’s most senior ballerinas prove, Martha Schabas writes, there are benefits…

SOURCE: The Globe and Mail at 03:22PM
Friday, April 21, 2017

Trio of Canadian ballet companies debut emotional program at National Arts Centre by Martha Schabas

ENCOUNT3RS features newly commissioned ballets by the National Ballet of Canada, Ballet BC and Alberta Ballet

SOURCE: The Globe and Mail at 03:06PM
Thursday, April 20, 2017

Marie Chouinard’s take on Bosch is beautifully unsettling by Martha Schabas

Canadian choreographer Marie Chouinard crafts a dance/theatre piece based on Hieronymous Bosch’s The Garden of Earthly Delights

SOURCE: The Globe and Mail at 06:26PM
Tuesday, April 18, 2017

ENCOUNT3RS: A ‘legacy project’ in Canadian contemporary dance by Martha Schabas

ENCOUNT3RS unites three prominent ballet companies in honour of the country’s sesquicentennial

SOURCE: The Globe and Mail at 06:33PM
Wednesday, April 12, 2017

The Radio Show: Political ideas fail to cohere but dancers offer powerful performance by Martha Schabas

Recurring motif is one of stunted communication, and some of the best dancing comes from the tension between the will and inability to express

SOURCE: The Globe and Mail at 02:21PM
Thursday, March 30, 2017

Audience is key in Amanda Acorn and Heidi Strauss’s dance double-bill by Martha Schabas

The two Toronto-based choreographers’ works baseline/multiform are the latest iteration of Compagnie Coleman Lemieux’s Bright Nights series

SOURCE: The Globe and Mail at 03:34PM
Friday, March 17, 2017

Canadian Crystal Pite gives pointed look at refugee crisis in London debut of Flight Plan by Martha Schabas

B.C.-born choreographer’s first work for Royal Ballet is a clear and purposeful look at an ongoing humanitarian crisis

SOURCE: The Globe and Mail at 02:56PM

Canadian Crystal Pite gives pointed look at refugee crisis in London debut of Flight Pattern by Martha Schabas

B.C.-born choreographer’s first work for Royal Ballet is a clear and purposeful look at an ongoing humanitarian crisis

SOURCE: The Globe and Mail at 02:56PM
Thursday, March 9, 2017

National Ballet’s Pinocchio arrives with on-the-nose timing by Martha Schabas

British choreographer Will Tuckett’s interest in the classic tale dates back well before our latest anxiety over the elusiveness of truth

SOURCE: The Globe and Mail at 11:55AM
Friday, March 3, 2017

Inside Shen Yun’s delicate dance between politics and the stage by Martha Schabas

The New York performing arts company has been controversial since its inception. But in fact, politics weigh their show down

SOURCE: The Globe and Mail at 03:15PM

Looking ahead at an ambitious season at the National Arts Centre by Robert Harris, J. Kelly Nestruck and Martha Schabas

What's ahead in theatre, dance and music at the National Arts Centre for Canada's sesquicentennial​

SOURCE: The Globe and Mail at 02:59PM
Wednesday, February 15, 2017

National Ballet’s 2017-18 season keen on shaking things up by Martha Schabas

NBOC announces next year’s lineup plus appointment of newly created associate artistic director position

SOURCE: The Globe and Mail at 04:27PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic