All stories by Tim Bano on BroadwayStars

Friday, March 2, 2018

Electra review at the Bunker, London – ‘a stylish adaptation’ by Tim Bano

As well as being a play about war, John Ward’s adaptation of the Ancient Greek story of Electra is a production at

SOURCE: The Stage Registration at 05:23AM
Tuesday, February 27, 2018

Trust review at Gate Theatre, London – ‘chaos and complexity’ by Tim Bano

Set to a text by German writer Falk Richter, director Jude Christian’s inventive, occasionally bamboozling show, Trust, is like watching a huge

SOURCE: The Stage Registration at 07:15AM
Thursday, February 15, 2018

Girls and Boys starring Carey Mulligan – review at Royal Court, London – ‘a blindsiding climax’ by Tim Bano

It’s a worry when Euripides is thanked in a play’s acknowledgements. In a way, the brutal, blindsiding climax to Dennis Kelly’s monologue,

SOURCE: The Stage Registration at 06:59PM
Wednesday, February 14, 2018

The York Realist review at Donmar Warehouse, London – ‘a tender love story’ by Tim Bano

Peter Gill’s 2002 play is a masterpiece of subtext – appropriate for a play about directors and actors since subtext is their

SOURCE: The Stage Registration at 05:06AM
Tuesday, February 13, 2018

Step inside NST City, Southampton’s flexible new venue for performing arts by Tim Bano

As Nuffield Southampton Theatres prepares to open a long-awaited second site in the city, its artistic director tells Tim Bano how the

SOURCE: The Stage Registration at 12:00PM
Thursday, February 8, 2018

Alan Ayckbourn’s The Divide review at Old Vic, London – ‘clunky and insensitive’ by Tim Bano

Duing the gay marriage debate a few years ago, opponents kept trotting out the word ‘complementarity’. It was supposed to privilege the

SOURCE: The Stage Registration at 05:59AM
Wednesday, February 7, 2018

Long Day’s Journey Into Night review at Wyndham’s Theatre – ‘an immense performance from Lesley Manville’ by Tim Bano

In his production of Eugene O’Neill’s 1956 magnum opus, which started life at Bristol Old Vic in 2016, Richard Eyre shows how

SOURCE: The Stage Registration at 05:32AM
Monday, February 5, 2018

Director John R Wilkinson: ‘The disability debate has moved on from using sledgehammers’ by Tim Bano

Quiet and considered, John R Wilkinson is the antithesis of the domineering director stereotype. He tells Tim Bano how his next project,

SOURCE: The Stage Registration at 08:28AM
Thursday, February 1, 2018

Eugenius review at the Other Palace, London – ‘a fantastic score’ by Tim Bano

The second British musical about superheroes to open this month, after Bananaman at Southwark Playhouse, Eugenius has the same fond mockery, super

SOURCE: The Stage Registration at 06:00PM

Yous Two review at Hampstead Theatre, London – ‘an impressive debut’ by Tim Bano

Georgia Christou’s debut play is fighting on two fronts. Hampstead Theatre’s downstairs space opened in 2010 but has only recently started inviting

SOURCE: The Stage Registration at 06:40AM
Friday, January 26, 2018

Review: Lady Windermere’s Fan at the Vaudeville Theatre by Tim Bano

The loveliness, and ultimate uselessness, of wit: Tim Bano reviews Kathy Burke's take on Oscar Wilde. The post Review: Lady Windermere’s Fan at the Vaudeville Theatre appeared first on Exe…

SOURCE: exeuntmagazine.com at 04:43AM
Monday, January 22, 2018

The War Has Not Yet Started review at Southwark Playhouse, London – ‘frustratingly abstract’ by Tim Bano

In this collection of 12 short sketches by Russian playwright Mikhail Durnenkov, we’re left to figure out quite a lot as an

SOURCE: The Stage Registration at 07:37AM
Monday, January 15, 2018

Playwright, actor and producer Asif Khan: ‘As a Muslim, I felt I could bring something more authentic’ by Tim Bano

Actor and playwright Asif Khan is passionate that British Muslim voices be heard on stage, so in order to tour Hassan Abdulrazzak’s

SOURCE: The Stage Registration at 12:50PM

The Here and This and Now at Southwark Playhouse, London – ‘tar-dark, twisted comedy’ by Tim Bano

Every moment of former fashion journalist Glenn Waldron’s taut little play is a tease. The biggest and the smallest ideas – from

SOURCE: The Stage Registration at 09:03AM
Friday, January 5, 2018

Bananaman the Musical review at Southwark Playhouse, London – ‘uneven, but fun’ by Tim Bano

Originally appearing in Nutty Comics, then the Beano, and best known as a 1980s cartoon series voiced by the Goodies, Bananaman is

SOURCE: The Stage Registration at 05:49AM
Sunday, December 31, 2017

A Christmas Carol Goes Wrong review on BBC1 – ‘wonderfully warped’ by Tim Bano

Last Christmas, after dominating the West End with three productions running simultaneously, the endearing chaos of Mischief Theatre made its first foray

SOURCE: The Stage Registration at 07:10AM
Monday, December 25, 2017

2017: Alternative awards of the year by Tim Bano

Theatre is all about the craft, excellence and… awards ceremonies. Ahead of the Olivers and after the Evening Standard Awards, Tim Bano

SOURCE: The Stage Registration at 04:00AM
Saturday, December 23, 2017

Elf the Musical: Live on Channel 5 review – ‘slow-moving and anodyne’ by Tim Bano

Continuing the increasingly frequent trend for televised theatre, Channel 5 has programmed the stage adaptation of the consummate Christmas film Elf. Recorded

SOURCE: The Stage Registration at 07:25PM
Thursday, December 21, 2017

Hamilton review at Victoria Palace Theatre, London – ‘world-shattering’ by Tim Bano

For two years, musical theatre lovers, the in-crowds, the quick and the dead-lucky ticket holders have all had the same words on

SOURCE: The Stage Registration at 05:15PM
Monday, December 4, 2017

The Woman in White review at Charing Cross Theatre, London – ‘hard to take seriously’ by Tim Bano

When Andrew Lloyd Webber’s adaptation of Wilkie Collins’ 19th century mystery novel premiered at the Palace Theatre in 2004 it was not

SOURCE: The Stage Registration at 07:01PM
Thursday, November 30, 2017

New Diorama and Underbelly to support emerging artists at Edinburgh Fringe by Tim Bano

London’s New Diorama Theatre has formed a three-year partnership with entertainment company Underbelly to help emerging and mid-career artists and companies take

SOURCE: The Stage Registration at 08:00AM
Wednesday, November 29, 2017

Body-shaming play among winners of Heretic Voices monologue competition by Tim Bano

Annie Fox, Sonya Hale and Tatty Hennessy have been named as winners of the inaugural Heretic Voices competition, a writing prize that

SOURCE: The Stage Registration at 12:54PM

Bishop’s Stortford unveils plans for new 500-seat theatre by Tim Bano

Plans for a 500-seat theatre in Bishop’s Stortford have been published as part of a bid to increase arts and culture provision

SOURCE: The Stage Registration at 07:33AM

West End theatre workers vote to accept 3.5% pay increase by Tim Bano

Backstage and front-of-house workers in the West End have voted to accept a pay increase that is less than half of what

SOURCE: The Stage Registration at 07:33AM
Tuesday, November 28, 2017

Investigation reveals secondary ticket sites are flouting UK law by Tim Bano

Secondary ticketing websites suspected of breaking the law will face enforcement action, including court action, the Competition and Markets Authority announced today.

SOURCE: The Stage Registration at 11:35AM
Monday, November 27, 2017

Royal Variety Performance 2017 review at London Palladium – ‘enjoyably silly and eccentric’ by Tim Bano

This year’s Royal Variety Performance, returning to the London Palladium for the 41st time, in the presence of Kate and Wills, is

SOURCE: The Stage Registration at 06:14AM
Thursday, November 23, 2017

Paul Clayton becomes new patron of London’s Hope Theatre by Tim Bano

The Hope Theatre in London has announced that actor and The Stage columnist Paul Clayton will become its new patron. Clayton, who

SOURCE: The Stage Registration at 12:06PM

Bad Road review at Royal Court, London – ‘devastating performances’ by Tim Bano

Natal’ya Vorozhbit’s exploration of women in war takes a while to get going, but escalates into something frightening, excruciating and abhorrent. Translated

SOURCE: The Stage Registration at 05:13AM
Wednesday, November 22, 2017

Everybody’s Talking About Jamie review at the Apollo Theatre, London – ‘fabulous homegrown musical’ by Tim Bano

The cobwebs are finally being blown away from some of those old West End theatres. It feels like something’s changing. And that’s

SOURCE: The Stage Registration at 06:53PM

Fiona Shaw and Ed Balls to feature in BBC Radio’s Christmas schedule by Tim Bano

A celebration of musical theatre by former politician Ed Balls and an exploration of stage lighting from Harry Potter actor Fiona Shaw

SOURCE: The Stage Registration at 03:12PM

Qdos’ Jon Conway on his arena Peter Pan: ‘You don’t have to spend big. You have to think big’ by Tim Bano

With a capacity of 4,000, a computer-generated Neverland and a pirate ship bigger than a double-decker bus, the ‘world’s biggest panto’ is

SOURCE: The Stage Registration at 12:00PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic