Despicable acts: Rosemary Waugh reviews Shostakovich's opera, based on the same short story that inspired William Oldroyd and Alice Birch's recent film. The post Review: Lady Macbeth of Mts…
SOURCE: exeuntmagazine.com at 07:30AMIf Amazon Prime delivered families: Rosemary Waugh reviews Thomas Eccleshare's new play about humanoids and parenting. The post Review: Instructions for Correct Assembly at the Royal Court a…
SOURCE: exeuntmagazine.com at 03:07PMThere’s nothing misty-eyed about Kenneth Emson’s portrait of secondary school. Set in Essex, where the playwright grew up, his new play Plastic pinpoints
SOURCE: The Stage Registration at 05:55AMFrom 1753 up until 1924, William Wycherly’s The Country Wife was deemed too scandalous to be performed, though by today’s standards, this
SOURCE: The Stage Registration at 05:25AMMartin Murphy’s one-woman monologue is titled Victim, but the three characters represented in it are far from meek or mute. Tracey, a
SOURCE: The Stage Registration at 09:46AMThe central characters in Michelle Barnette’s debut play Love Me Now first appear to be a millennial everycouple. This is sex in
SOURCE: The Stage Registration at 01:07PMDon't panic: Rosemary Waugh reviews Free Falling, a double bill of dance works by Hagit Yakira The post Review: Free Falling by Hagit Yakira appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 05:12PMTim Crouch’s new play for children and adults is set on the classic British summer holiday. The weather’s damp and awful and
SOURCE: The Stage Registration at 07:36AMIt’s a very particular kind of a teenage emotion that powers Stephanie Silver’s new play Our Big Love Story. The type of
SOURCE: The Stage Registration at 06:40AMRichard Brinsley Sheridan’s 1775 play The Rivals is an overblown comedy of errant identities. Director Jonathan Humphreys’ production, however, strips it off
SOURCE: The Stage Registration at 01:49PMParadise Fields is the fictional corporate care facility created by Access All Areas for Madhouse Re:exit, an immersive promenade show about care
SOURCE: The Stage Registration at 07:35AMFemale Parts: Shorts is a collection of three monologues subverting female roles both onstage and off. All three – A Woman Alone
SOURCE: The Stage Registration at 07:53AMMirrors and warriors: Rosemary Waugh reviews Imogen Butler-Cole's work about sexual violence and healing The post Review: Foreign Body at Vault Festival 2018 appeared first on Exeunt Magazin…
SOURCE: exeuntmagazine.com at 04:10PMFoxgloves, wisteria, cornflowers, violets, roses. Paul Miller’s production of Humble Boy is set in an immaculate English garden. When Felix Humble (Jonathan
SOURCE: The Stage Registration at 06:09AMWritten in 1935, The Dog Beneath the Skin is the first play that WH Auden and Christopher collaborated on. While both writers
SOURCE: The Stage Registration at 07:51AM“Who is more admirable?” ask Pavlos Christodoulou, “David Attenborough or the Dalai Lama?” It’s the first in a series of absurd questions
SOURCE: The Stage Registration at 11:14AMFor millennials, Britney Spears’ head shaving in 2007 is a seminal celeb-culture moment. For Jo Hauge, however, it has a more personal
SOURCE: The Stage Registration at 09:39AMShopping bags and parcel tape: Rosemary Waugh reviews Rufus Norris's after-the-war Shakespeare. The post Review: Macbeth at the National Theatre appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 04:01AMFarewell, puritanism: Rosemary Waugh reviews the stage adaptation of Ingmar Bergman's famous film. The post Review: Fanny & Alexander at the Old Vic Theatre appeared first on Exeunt Mag…
SOURCE: exeuntmagazine.com at 10:03AMFemale rage comes in many forms. For the protagonist, GG, in Naomi Sheldon’s one-woman monologue Good Girl, it first manifests as a
SOURCE: The Stage Registration at 06:13AMBodies for sale: Rosemary Waugh reviews Sasha Waltz & Guests' human-focused dance work The post Review: Körper at Sadler’s Wells appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 06:00AMThe English language stage adaptation of Ghassan Kanafani’s Returning to Haifa had a troubled birth. First commissioned by the Public Theater in
SOURCE: The Stage Registration at 10:15AMIn staging The Cherry Orchard at Bristol Old Vic and Manchester’s Royal Exchange, the show’s designer, Tom Piper, is aiming to take
SOURCE: The Stage Registration at 12:00PMCome for the fringe theatre, stay for the free lube: Rosemary Waugh reviews Fran Bushe's show about Female Sexual Dysfunction The post Review: Ad Libido at Vault Festival 2018 appeared first…
SOURCE: exeuntmagazine.com at 03:43AMWilliam Shakespeare wrote several so-called ‘problem plays’, a series of works not easily categorised as comedy or tragedy. Robin Hooper’s Foul Pages,
SOURCE: The Stage Registration at 08:48AMThe aches and pains of long-term love: Rosemary Waugh reviews Lost Dog's new show about Shakespeare's lovers all grown up. The post Review: Juliet and Romeo at the Battersea Arts Centre app…
SOURCE: exeuntmagazine.com at 04:11AMFeeling blue: Rosemary Waugh reviews the premiere of Dennis Kelly's one-woman play. The post Review: Girls & Boys at the Royal Court appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 10:26AMLove and land: Rosemary Waugh reviews Peter Gill's painfully realistic picture of a relationship The post Review: The York Realist at the Donmar Warehouse appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 07:46AMA discombobulatingly epic bit of stage design: Rosemary Waugh reviews the theatre version of Astro Boy The post Review: Pluto at the Barbican appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 04:43AMStephanie Jacob’s new play, Again, is full of “what ifs”. The potential for a sentence spoken or an action taken to be
SOURCE: The Stage Registration at 06:03AMSexting with James Joyce: Rosemary Waugh reviews My Kind of Michael and Your Sexts Are Shit, as part of NOW18. The post Review: NOW18: Week 4 at The Yard appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 03:11AM
