Sexting with James Joyce: Rosemary Waugh reviews My Kind of Michael and Your Sexts Are Shit, as part of NOW18. The post Review: NOW18: Week 4 at The Yard appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 03:11AMRosemary Waugh reviews the premiere of Simon Longman's brutal, bloody and foreboding rural play. The post Review: Gundog at the Royal Court appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 07:03PMConor McPherson is an expert of the uncanny – a fact not lost in Matthew Xia’s fantastically dreamlike production of Dublin Carol.
SOURCE: The Stage Registration at 05:45AMBursting bubbles: Rosemary Waugh reviews Sarah McDonald-Hughes' play about growing up fast The post Review: How To Be A Kid at the Orange Tree Theatre appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 05:06AMCommunity, up to a point: Rosemary Waugh reviews Gecko's new work on being 'wedded to society'. The post Review: The Wedding by Gecko appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 03:46AMLots of knots: Rosemary Waugh reviews the arrival of Andrea Dunbar's play at the Royal Court. The post Review: Rita, Sue and Bob Too at the Royal Court appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 11:11AMA cult hit: Anoushka Warden's debut monologue is bold, brash and baggy. The post Review: My Mum’s a Twat at the Royal Court appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 06:50AMCharles Dickens’ The Chimes was published in 1844, one year after A Christmas Carol. Like the better-known festive tale, The Chimes is
SOURCE: The Stage Registration at 12:25PMLittle green men, intergalactic radio broadcasts and a baby in a suitcase do not make for conventional Christmas theatre. However, Lucy and
SOURCE: The Stage Registration at 09:56AMThe cast makes the panto, and Snow White and the Seven Dwarfs at the New Theatre in Cardiff strikes gold with a
SOURCE: The Stage Registration at 06:03AMBea Roberts’ Little Mermaid for the Egg theatre in Bath is, without exaggeration, a thing of beauty. Hans Christian Andersen’s fairytale is
SOURCE: The Stage Registration at 07:14AMThere are two pantomimes happening in Exeter this year and, like gloriously mismatched sisters, there’s room enough for the both of them.
SOURCE: The Stage Registration at 09:04AMSomeone at Qdos Entertainment didn’t get the memo marked “it’s 2017” before staging Aladdin at the Bristol Hippodrome. Or indeed the ones
SOURCE: The Stage Registration at 07:10AMMany of the best pantomimes add local quirks to the festival staples. Tony Lidington’s Dick Whittington for the Exeter Northcott follows this
SOURCE: The Stage Registration at 09:16AMShell suits, ET and Walkmans. To a particular age group, this is enough to whisk them back to an early 1980s childhood.
SOURCE: The Stage Registration at 07:07AMThe city of Bath, famous for its Georgian architecture and sanctification of Jane Austen, is not the natural environment for pantomime. Accordingly,
SOURCE: The Stage Registration at 07:13AMJude Law, overpriced supermarkets and Arriva Trains Wales all get a mention in Flossy and Boo The Alternativity, a cabaret-style mixture of
SOURCE: The Stage Registration at 05:30AMToad Hall is up for auction in Mike Kenny’s adaptation of Kenneth Grahame’s The Wind in the Willows. Like Evelyn Waugh’s Brideshead
SOURCE: The Stage Registration at 08:10AMExplorations of the American family have long been used by US playwrights as a way of taking the temperature of the country.
SOURCE: The Stage Registration at 10:38AMSunshine and suicide: Rosemary Waugh reviews the English National Ballet's performance of Nureyev's take on Shakespeare. The post Review: Romeo and Juliet by the English National Ballet appe…
SOURCE: exeuntmagazine.com at 07:40AMYou're being watched: Rosemary Waugh reviews Anders Lustgarten's new play about Elizabethan intrigue. The post Review: The Secret Theatre at the Sam Wanamaker Playhouse appeared first on Ex…
SOURCE: exeuntmagazine.com at 05:39AMPut down your iPhones: Rosemary Waugh on Ivo van Hove's multi-channel story of a news anchorman driven to breaking point. The post Review: Network at the National Theatre appeared first on E…
SOURCE: exeuntmagazine.com at 06:46AMViolence and justice are the overriding themes of the Other Room’s current season. The final production is a deliberately confrontational staging of
SOURCE: The Stage Registration at 09:02AMThis is the second collaboration between German playwright Daniel Kehlmann, translator Christopher Hampton and director Laurence Boswell after The Mentor, which transferred
SOURCE: The Stage Registration at 07:05AMOverthinking overthinking: Rosemary Waugh reviews the UK touring production of People, Places & Things. The post Review: People, Places & Things at the Bristol Old Vic appeared fir…
SOURCE: exeuntmagazine.com at 05:32AMPeople watching: Rosemary Waugh reviews the UK tour of Clod Ensemble's work placing humans behind glass. The post Review: Under Glass at Hackney Showroom appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 08:55AMDirector Mark Rosenblatt’s new production of Waiting for Godot deals less in existential speculation and more in the friendship between two men
SOURCE: The Stage Registration at 07:25AMYana and the Yeti is set in a world of snow and ice, deep dark forests and mythical creatures nestling between the
SOURCE: The Stage Registration at 07:39AMI mean, at least you’d have a woman’s voice... Adelaide Waldrop and Brendan Macdonald record their post-show discussion about David Ives' play. The post Review: Venus in Fur at the Theat…
SOURCE: exeuntmagazine.com at 03:53AMGary Owen’s new version of Anton Chekhov’s The Cherry Orchard is a gloriously inventive reimagining that wrings the grief from the original,
SOURCE: The Stage Registration at 06:46AMJust a week after a production of My Name Is Rachel Corrie opened at the Young Vic, a second opens at the
SOURCE: The Stage Registration at 08:23AM
