Close Login Box
Art about depression – whether that’s theatre, literature or music – often shares characteristics with the condition it seeks to represent: low-energy
There’s been an accident. Something terrible the press are calling “The Natural History museum incident”. It’s unclear what exactly has happened, except
Neil Duffield’s adaptation of Rudyard Kipling’s children’s book is a smart, colourful and creative affair. Directed by Derby Theatre’s artistic director Sarah
The Noises is a collaboration between a mother, writer Jacqueline Saphra, and her daughter, director Tamar Saphra. Fittingly, the theme of mother-daughter
French playwright Estelle Savasta’s Going Through is simple in its poetry. Nour (Charmaine Wombwell) is raised by Youmna (Nadia Nadarajah) in a
Ignore the title. This is a show in which so much happens that it’s hard to know where to start. Is it
As The Crucible opens at the Yard, artistic director Jay Miller tells Rosemary Waugh why this is a new era for the
Art imitates life and life imitates art in Alexis Michalik’s fictionalisation account of how Edmond Rostand wrote Cyrano de Bergerac. The hapless
It makes perfect sense that David Eldridge’s 2012 play is being revived as part of the Queen’s Theatre’s Essex on Stage season.
"I never really got Yerma": Rosemary Waugh writes on finding echoes of Simon Stone's earlier work in his searing version of Medea.
The post Simon Stone’s Medea (and Yerma) appeared first …
Kazuo Ishiguro’s 1989 novel, The Remains of the Day, is driven by the idiosyncrasies of its narrator Stevens, an obsessively servile butler.
Rosemary Waugh interviews the young company behind a hit fringe show exploring trauma, clothes, and healing.
The post ThisEgg: “We’re all just trying to keep each other going.” appear…
Ned Bennett's subtle and physical production brings out 'the sticky straw and steaming shit side of horses', as represented in Peter Shaffer's play, writes Rosemary Waugh.
The post Review:…
Christopher Marlowe’s Edward II is a thrilling account of a fascinating episode in British history, one filled with personal and political dilemmas.
As friendships go, the one between Sarah (Ellie Piercy) and Frankie (Bianca Stephens) falls into the ‘unlikely’ category. On paper, the women
In medieval Japan, troupes of blind women known as ‘the goze’ would travel across the land earning a living by telling stories
Radio dramas and foley secrets: Rosemary Waugh writes on an ingenious staging of two vintage Pinters.
The post Review: A Slight Ache/The Dumb Waiter at Harold Pinter Theatre appeared first o…
Opened in 1841, the London Library has been used by an illustrious list of authors, including Bram Stoker. In fact, the gothic
In this new version of the ancient Greek myth, Icarus starts out as an average modern schoolboy. But sofa wars and sibling
Life’s not going great for Sasha Clayton. Her time as the queen bee of secondary school is over, she’s living in her
'Meticulous in depicting the reality of being a body dependent on another body to care for it': Rosemary Waugh writes on Martyna Majok's 'painstakingly realistic' play.
The post Review: Cos…
Jeanine Tesori and Brian Crawley’s musical, originally performed Off-Broadway in 1997, is in many ways a classic Bildungsroman, complete with a heroine
Written and directed by Robert Lepage, Cirque du Soleil’s Totem was last in the UK in 2011. The ambitious show loosely chronicles
'Beautifully considered visual language': Rosemary Waugh writes on Anna Jordan's new play, which follows three soldiers returning from different wars.
The post Review: The Unreturning at Th…
Malaprop Theatre's approach mixes big ideas with bags of quirky warmth. They talk politics, Irish theatre, and collaborative working ahead of their stint at Vault.
The post Malaprop Theatre:…
Maud and Cynthia live together in a world of chicken nuggets, feather boas and Shirley Bassey. Despite being a couple, their relationship
Elite Homes is the current residence of Roddy Meakin (Geoffrey Freshwater) and Amanda Goose (Sara Kestelman), two retirees who enjoy a cheeky
Christmas comes but once a year, bringing with it two types of panto: the glitzy, big budget ones plumped up with celeb
"Cook, stirring, until the misery has melted": Rosemary Waugh's review of the ROH's opera takes the form of a very festive recipe.
The post Review: Hansel & Gretel at Royal Opera House …
'Fifty shades of beige': Rosemary Waugh reviews The Meyerhold Theatre Centre's adaptation of Ivan Vyrypaev's play about a couple arguing themselves round in circles
The post Review: The Sun …
Ola Ince’s staging of Danai Gurira’s The Convert is one of those rare productions in which every element – performances, direction, design, everything