A new adaptation streamlines the classic play, but doesn’t overhaul it.
SOURCE: Washington Post at 06:03PMThe production of the Yasmina Reza play never really finds its comic stride.
SOURCE: Washington Post at 01:24PMThe folk-pop musical “Fly by Night” at 1st Stage also picks up four wins at the “drama prom.”
SOURCE: Washington Post at 11:06PM“Now it’s just about execution,” founder Joy Zinoman said of the Studio Acting Conservatory.
SOURCE: Washington Post at 04:33PMAfter a successful “In the Heights,” director-choreographer Luis Salgado returns to GALA Hispanic Theatre.
SOURCE: Washington Post at 03:24PMTimothy Douglas puts tall tales on a small stage at Signature Theatre.
SOURCE: Washington Post at 06:18PMDawn Ursula and Erika Rose reprise their roles while a last chapter gets written.
SOURCE: Washington Post at 11:24AMThe testimonial drama anchors Georgetown University’s international theater and politics festival.
SOURCE: Washington Post at 05:48PMPerformances of the ensemble show will resume May 14.
SOURCE: Washington Post at 06:42PMThe show gets meta as the famed Shakespearean library inspires the set.
SOURCE: Washington Post at 02:18PMThe British drama gets a vivid area premiere at Studio Theatre.
SOURCE: Washington Post at 04:18PMTwo plays set in schools get mixed results.
SOURCE: Washington Post at 03:06PMThe only surviving Greek trilogy is coming to Sidney Harman Hall as Michael Kahn’s final production as STC artistic director.
SOURCE: Washington Post at 10:00AMThe theaters are aiming to get their old programs, photos and other archival material in order, perhaps for public access.
SOURCE: Washington Post at 08:00AMThe James Baldwin-Richard Wright flap goes hip-hop in the new Psalmayene 24 play.
SOURCE: Washington Post at 01:45PMKen Ludwig’s 1980s hit “Lend Me a Tenor” gets a sequel, but the backstage farce doesn’t quite hit its mark.
SOURCE: Washington Post at 01:30PMA Bieber figure gets the reality-TV treatment in “P.Y.G., or the Mis-Edumacation of Dorian Belle”
SOURCE: Washington Post at 05:19PMA discussion that touches on the “Hamilton” effect, directing and white patronage, August Wilson and more.
SOURCE: Washington Post at 12:00PM‘The Peculiar Patriot,’ Liza Jessie Peterson’s solo show at Woolly Mammoth, is a personable take on our prison system.
SOURCE: Washington Post at 02:16PMAt the Kennedy Center, the Fukushima-set “Falling Out” opens the festival.
SOURCE: Washington Post at 10:00AMChazz Palminteri’s signature fable gets another incarnation.
SOURCE: Washington Post at 01:56PMWashington Stage Guild presents the area debut, and Nu Sass stages the whimsical “Dead Dog’s Bone.”
SOURCE: Washington Post at 05:25PMA classic work gets a modern rewrite at D.C.’s Undercroft Theatre.
SOURCE: Washington Post at 03:54PMTheater J offers an English-language debut from the Yiddish canon.
SOURCE: Washington Post at 01:28PMThe news catches up to a play that questions privilege.
SOURCE: Washington Post at 03:57PMThe Keegan Theatre show needs more horsepower to drive the Trey Anastasio score.
SOURCE: Washington Post at 01:20PMD.C.’s Solas Nua has imported the show from Dublin’s Fishamble troupe.
SOURCE: Washington Post at 12:21PMThe troupe’s “Limits” arrives at the Kennedy Center from Sweden.
SOURCE: Washington Post at 02:29PMThe ‘novel without a hero’ takes a shine to its durable antiheroine.
SOURCE: Washington Post at 01:47PMAnd at the D.C. Arts Center, John Feffer offers a solo travelogue of North Korea.
SOURCE: Washington Post at 01:23PM“Nothing’s too sacred to re-examine,” says the adapter of “Vanity Fair.”
SOURCE: Washington Post at 12:24PM
