“Nothing’s too sacred to re-examine,” says the adapter of “Vanity Fair.”
SOURCE: Washington Post at 12:24PMDirector Seema Sueko has cast her production splendidly, with Laura C. Harris holding the spotlight as a whip-smart but paralyzingly anxious Catherine.
SOURCE: Washington Post at 12:24PMThe bio shows elbow aside plot, character and narrative for a different set of showbiz goals.
SOURCE: Washington Post at 12:24PMA non-Equity tour alights in D.C., but production isn’t the best look.
SOURCE: Washington Post at 12:24PMThe violent concept has power, but some human drama gets cut away.
SOURCE: Washington Post at 01:33PMThe sleeper indie film enjoys a different life onstage.
SOURCE: Washington Post at 03:24PMMosaic’s “Shame 2.0” chronicles battles with the government, and the public.
SOURCE: Washington Post at 03:24PMThe action-packed comedy at Woolly Mammoth follows young women through one wild and crazy night.
SOURCE: Washington Post at 04:06PMWoolly Mammoth dominates the play category, with three shows in a top slot.
SOURCE: Washington Post at 09:04PM1st Stage revisits one of the MacArthur “genius” grant winner’s early triumphs.
SOURCE: Washington Post at 07:48PMFacing the loss of its Crystal City venue to the retail giant, Synetic Theater searches for an affordable space.
SOURCE: Washington Post at 04:54PMThis revival of the Fats Waller show is disjointed.
SOURCE: Washington Post at 02:06PMThis semi-staged version features cast members that might be holding scripts but loses none of the Broadway talent.
SOURCE: Washington Post at 10:48AMTwo shows in black and white.
SOURCE: Washington Post at 01:12PMThe memorializing play is still personal and political in Keegan Theatre revival.
SOURCE: Washington Post at 02:24PMMore dyspeptic social laughs from the writer of “Bad Jews.”
SOURCE: Washington Post at 02:54PMGenuinely catchy numbers keep Andrew Lloyd Webber musical rocking.
SOURCE: Washington Post at 12:32PMThe Russian president as a trending topic in the American imagination.
SOURCE: Washington Post at 07:42AM“I wanted that six-to-six moment,” says director Sheldon Epps.
SOURCE: Washington Post at 02:48PMHeidi Schreck’s hit may come to Woolly at a later date.
SOURCE: Washington Post at 02:24PMThe play by Keith Hamilton Cobb, who plays the lead part, is a diagnosis on race and theater.
SOURCE: Washington Post at 01:24PMComing from Broadway to D.C.’s National Theatre, the production recruited from actual School of Rock branches, other music schools and music camps.
SOURCE: Washington Post at 03:24PM“She has a vast knowledge of the business models of theater,” says artistic director.
SOURCE: Washington Post at 06:18AMWritten by Alexandria native Sarah Burgess, the show and its inside-the-Beltway jargon may hit Washingtonians close to home.
SOURCE: Washington Post at 05:54PMThe comedy is athletic as a murder mystery practically kills its actors.
SOURCE: Washington Post at 03:42PMD.C. lobbyists get skewered in “Kings,” and God gets therapy in “Oh, God.”
SOURCE: Washington Post at 01:04PMThe new national tour is as big, beautiful and difficult as ever.
SOURCE: Washington Post at 01:54PMLanford Wilson’s Pulitzer-winning romance is produced at GALA Hispanic Theatre’s Tivoli stage.
SOURCE: Washington Post at 02:04PMSonya Kelly’s autobiographical show gets its D.C. premiere at Solas Nua.
SOURCE: Washington Post at 03:48PMThe operatically scaled drama examines post-slavery America as the 20th century begins.
SOURCE: Washington Post at 02:18PMTouring productions and local standouts that illuminated Washington stages.
SOURCE: Washington Post at 12:06PM
