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More dyspeptic social laughs from the writer of “Bad Jews.”
Genuinely catchy numbers keep Andrew Lloyd Webber musical rocking.
The Russian president as a trending topic in the American imagination.
“I wanted that six-to-six moment,” says director Sheldon Epps.
Heidi Schreck’s hit may come to Woolly at a later date.
The play by Keith Hamilton Cobb, who plays the lead part, is a diagnosis on race and theater.
Coming from Broadway to D.C.’s National Theatre, the production recruited from actual School of Rock branches, other music schools and music camps.
“She has a vast knowledge of the business models of theater,” says artistic director.
Written by Alexandria native Sarah Burgess, the show and its inside-the-Beltway jargon may hit Washingtonians close to home.
The comedy is athletic as a murder mystery practically kills its actors.
D.C. lobbyists get skewered in “Kings,” and God gets therapy in “Oh, God.”
The new national tour is as big, beautiful and difficult as ever.
Lanford Wilson’s Pulitzer-winning romance is produced at GALA Hispanic Theatre’s Tivoli stage.
Sonya Kelly’s autobiographical show gets its D.C. premiere at Solas Nua.
The operatically scaled drama examines post-slavery America as the 20th century begins.
Touring productions and local standouts that illuminated Washington stages.
The insightful U.K. import at the Kennedy Center cuts across borders — from Britain to Africa.
Energetic and exciting are not the same things.
The play at Studio Theatre gets serious about the challenges, especially for women.
Colin Hovde, who has run the company since 2011, steps away.
The Olney Theatre Center show lacks originality and spirit.
Arena Stage revives the Cole Porter classic.
Oscar Wilde’s “A Woman of No Importance” benefits from an all-female cast.
Yarn expands from animated film to song and dance.
The winner, “Sing to Me Now,” features a muse with the blues.
Brave Spirits Theatre takes on “The Duchess of Malfi” and “The Changeling.”
Politics invades a living room in ‘Blight,’ and Dario Fo’s ‘Can’t Pay, Won’t Pay!’ is revived.
Alex Timbers and David Korins offer a sneak peek at the set of their new Broadway-bound show.
Anna Ziegler’s Title IX drama arrives in Theater J’s show at Arena Stage.
The troupe 600 Highwaymen brings the experimental show about the human bond to Woolly Mammoth.
The 1997 Pulitzer winner’s depiction of abuse has not dulled.