All stories by Natasha Tripney on BroadwayStars

Thursday, December 3, 2015

Must the show always go on? by Natasha Tripney

Five minutes before the end of the press performance of Waste, Roger Michell’s production of the play by Harley Granville Barker at

SOURCE: The Stage Registration at 06:34AM
Wednesday, December 2, 2015

Natasha Tripney’s theatre picks: December 2 by Natasha Tripney

Along with the West End transfer of Martin McDonagh’s new play, Hangmen, this week also sees major new productions opening at the

SOURCE: The Stage Registration at 02:20AM
Wednesday, November 25, 2015

Natasha Tripney’s Theatre Picks: November 25 by Natasha Tripney

As we head towards December, venues across the country are bringing out the glitter guns and snow machines. The coming week sees

SOURCE: The Stage Registration at 02:00AM
Friday, November 20, 2015

Lucy Bailey: ‘It takes a wild approach to release a play’s energy’ by Natasha Tripney

Lucy Bailey’s career has been one of seismic shifts. In a career spanning more than three decades, she’s worked in both opera

SOURCE: The Stage Registration at 05:00AM
Thursday, November 19, 2015

The Bruntwood Prize: 10 years on by Natasha Tripney

“It definitely changed everything,” says Anna Jordan, winner of the Bruntwood Prize for Playwriting in 2013 for her fourth play, the vivid,

SOURCE: The Stage Registration at 05:00AM
Tuesday, November 17, 2015

Natasha Tripney’s theatre picks: November 18 by Natasha Tripney

Fewer major openings this week, but lots of intriguing things happening elsewhere: the Radar festival of new writing continues at the Bush

SOURCE: The Stage Registration at 02:00AM
Friday, November 13, 2015

Natasha Tripney: Written a short play? Here’s why the Miniaturists matters by Natasha Tripney

The lights dim and there are actors on stage. There are actors on stage and this time they’re saying things I’ve written.

SOURCE: The Stage Registration at 10:52AM
Monday, November 9, 2015

‘RoosevElvis is the smallest thing the Team has ever made’ by Natasha Tripney

The Team is not a company to shy away from a grand narrative or an iconic American image. The work of the

SOURCE: The Stage Registration at 03:41PM

Polly Findlay: ‘It’s a privilege to work in the Olivier’ by Natasha Tripney

There’s something pleasingly circular about the fact that As You Like It was one of the first productions Polly Findlay ever directed

SOURCE: The Stage Registration at 03:41PM
Wednesday, November 4, 2015

Natasha Tripney’s theatre picks: November 4 by Natasha Tripney

As November arrives, wreathed in mist, the prospect of retreating indoors for a couple of hours of an evening to be told

SOURCE: The Stage Registration at 04:00AM
Tuesday, November 3, 2015

Natasha Tripney: Why was 2015 the year theatre went Greek? by Natasha Tripney

This is the year that theatre went Greek, where the ancient and the modern collided, violently, brilliantly, beautifully. The Almeida Theatre flew

SOURCE: The Stage Registration at 03:00AM
Wednesday, October 28, 2015

Natasha Tripney’s theatre picks: October 28 by Natasha Tripney

After a little lull, things kick up a gear this week with a major new opening at the National, plus the third

SOURCE: The Stage Registration at 05:00AM
Tuesday, October 27, 2015

Natasha Tripney: I watched Benedict Cumberbatch’s Hamlet at the Barbican – on screen by Natasha Tripney

There’s a sizeable queue of people at the stage door already. Benedict Cumberbatch is in the building, about to perform in Lyndsey

SOURCE: The Stage Registration at 04:00AM
Wednesday, October 21, 2015

Natasha Tripney’s theatre picks: October 21 by Natasha Tripney

The Royal Court, which has just announced a pretty dazzling 60th anniversary season – including new work from Caryl Churchill, a well-deserved

SOURCE: The Stage Registration at 04:00AM
Monday, October 19, 2015

Making theatre dementia-friendly by Natasha Tripney

Memories make us, they shape us: they are our narratives, a fundamental part of our sense of self – and, conversely, their

SOURCE: The Stage Registration at 12:13PM

Natasha Tripney: The UK Theatre Awards prove risks are still being taken on the nation’s stages by Natasha Tripney

What I found most striking, when helping to compile the shortlist for this year’s UK Theatre Awards, was just how difficult a

SOURCE: The Stage Registration at 07:13AM
Friday, October 16, 2015

Natasha Tripney: Was school cancellation censorship or child protection? by Natasha Tripney

On October 13, the Out of Joint co-production of Rebecca Lenkiewicz’s new play Jane Wenham: The Witch of Walkern, based on the

SOURCE: The Stage Registration at 05:00AM
Wednesday, October 14, 2015

Natasha Tripney’s theatre picks: October 14 by Natasha Tripney

It’s not quite as busy this week as it has been of late, certainly not in London, but some breathing space is

SOURCE: The Stage Registration at 04:00AM
Saturday, October 10, 2015

Bringing Huxley’s nightmare vision bang up to date by Natasha Tripney

“Brave New World is full of incendiary, slippery debates which readily adapt to the stage. But the really powerful confrontation is the one between the

SOURCE: The Stage Registration at 08:33AM
Friday, October 9, 2015

Natasha Tripney: Watching Battersea Arts Centre rise from the ashes by Natasha Tripney

Last time I stood in this space it had a ceiling. Now the Battersea Arts Centre’s Grand Hall resembles an ancient ruined

SOURCE: The Stage Registration at 02:27PM
Tuesday, October 6, 2015

Natasha Tripney’s theatre picks: October 6 by Natasha Tripney

While there are major new productions opening both the Donmar Warehouse and the Young Vic in London, one of the most exciting

SOURCE: The Stage Registration at 04:00AM
Saturday, October 3, 2015

The tricky transition from page to stage by Natasha Tripney

Reader, I loved it. Sally Cookson’s adaptation of Jane Eyre for the National Theatre is a thing of riches. First staged at

SOURCE: The Stage Registration at 07:00AM
Tuesday, September 29, 2015

Natasha Tripney’s Theatre Picks: September 29 by Natasha Tripney

Alongside big openings this week at the Lyric Hammersmith and the Almeida, there’s intriguing new work at the New Diorama and Battersea

SOURCE: The Stage Registration at 04:00AM
Monday, September 28, 2015

Laura Wade: ‘I enjoy work that has truth and muscularity’ by Natasha Tripney

When Laura Wade talks about the Sheffield Crucible her face lights up; it is, she says, her “home theatre”. The opportunity to

SOURCE: The Stage Registration at 09:16AM
Saturday, September 26, 2015

Barney Norris: ‘I’m extending a conversation into the heartland of the enemy’ by Natasha Tripney

“I think about oxbow lakes a lot.” My conversation with Barney Norris, though contained in time and space, sat on a sagging

SOURCE: The Stage Registration at 08:24AM
Tuesday, September 22, 2015

Natasha Tripney’s theatre picks: September 22 by Natasha Tripney

September continues to be busy with an epic Iliad in Wales, major new productions at the Royal Exchange and an intriguing double

SOURCE: The Stage Registration at 04:00AM
Tuesday, September 15, 2015

Natasha Tripney’s Theatre Picks: September 15 by Natasha Tripney

September is certainly not showing any sign of slowing. Major opening follows major opening. Nicole Kidman kicks the week off with Photograph

SOURCE: The Stage Registration at 04:00AM
Tuesday, September 8, 2015

Natasha Tripney’s theatre picks: September 8 by Natasha Tripney

The autumn season kicks up a gear this week with a slew of new openings in London and a major festival of

SOURCE: The Stage Registration at 04:00AM
Saturday, September 5, 2015

A gentler fringe, but full of promise by Natasha Tripney

The phrase that keeps recurring is: “Not a vintage year.” That seems to be the consensus. There’s been a lot of solid,

SOURCE: The Stage Registration at 07:00AM
Tuesday, September 1, 2015

Natasha Tripney’s theatre picks: September 1 by Natasha Tripney

The Edinburgh Festival Fringe is over for another and while it’s left me, as ever, feeling slightly smudged at the edges and

SOURCE: The Stage Registration at 06:00AM
Wednesday, August 26, 2015

Natasha Tripney: This year’s Edinburgh Fringe was brought to you by youth and anger by Natasha Tripney

Each Edinburgh Fringe tells its own story. Different themes and narratives emerge every year. One of the threads running through this year’s

SOURCE: The Stage Registration at 05:18AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime