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Thursday, April 21, 2022

Beanie Feldstein Warms Up for ‘Funny Girl’ by Juan A. Ramírez

After filming “Impeachment,” the actor had to work to rebuild her voice.

SOURCE: The New York Times Subscription at 05:33AM

How Katerina Tannenbaum Dances Her Way Out of Her Head by Juan A. Ramírez

When feeling overwhelmed, the “And Just Like That…” actor rents a studio and finds freedom in movement.

SOURCE: The New York Times Subscription at 05:00AM

Thursday, April 7, 2022

‘The Wanderer’ Review: A Dion Musical Hits All the Familiar Notes by Juan A. Ramírez

A new production about the 1960s doo-wop idol follows the usual rise-and-fall formula. Still, the songs are wonderful, as is the angel-voiced ensemble.

SOURCE: The New York Times Subscription at 01:54PM

Tuesday, March 22, 2022

Review: ‘Bruise & Thorn,’ a Gay Fantasia at a Laundromat by Juan A. Ramírez

Hip-hop, impromptu duckwalks and loving shade fill C. Julian Jiménez’s new play about two cousins dreaming of escaping their day jobs.

SOURCE: The New York Times Subscription at 03:37PM

Tuesday, March 8, 2022

Review: In ‘Jane Anger,’ Michael Urie Shines as Shakespeare by Juan A. Ramírez

Talene Monahon aims to give Shakespeare his comeuppance in this comedy at the New Ohio Theater.

SOURCE: The New York Times Subscription at 06:54PM

Tuesday, February 8, 2022

‘Clue’ Review: A Whodunit That Looks a Lot Like a Board Game by Juan A. Ramírez

This Paper Mill Playhouse production is a welcome throwback to an era of physical comedy.

SOURCE: The New York Times Subscription at 03:33PM

Friday, January 21, 2022

A Reimagined ‘Long Day’s Journey Into Night’ for the Covid Era by Juan A. Ramírez

Robert O’Hara directs a trimmed-down revival of Eugene O’Neill’s classic, with a colorblind cast and a weary eye on the pandemic and the opioid crisis.

SOURCE: The New York Times Subscription at 02:06PM

Tuesday, November 23, 2021