All stories by Matt Wolf on BroadwayStars

Wednesday, January 9, 2019

From Margo Channing to Tom Hiddleston: What to See in London in 2019 by Matt Wolf

A new year brings with it the promise of theatrical bounty, nowhere more so than in London where the calendar buzzes across the year. From a flotilla of musical transfers from Broadway on to…

SOURCE: Broadway.com at 06:06AM
Tuesday, January 8, 2019

Pinters Five and Six, Harold Pinter Theatre review - superlatively acted esoterica by Matt Wolf

The Pinter season gallops into the home stretch, with Rupert Graves and Jane Horrocks leading the chargeThe scintillating, commercially bold season of Pinter one-acts at the theatre bearing …

SOURCE: theartsdesk.com at 07:54AM
Thursday, January 3, 2019

London Theater Reviews: On London Stages, the Atmosphere Is Tragic by Matt Wolf

There’s new writing, Shakespeare and a classic musical on offer. And the tone of them all is bleak.

SOURCE: The New York Times Subscription at 02:54AM
Sunday, December 30, 2018

Best of 2018: Theatre by Matt Wolf

American titles were everywhere but British plays and the classics got a look-in, tooWill pride of place amongst theatre productions every year go in perpetuity to the work of Stephen Sondhe…

SOURCE: theartsdesk.com at 08:36AM
Monday, December 24, 2018

2018 Wrap-Up: Best London Shows of the Year by Matt Wolf

American work was everywhere on the London stage during 2018, as it looks to be again in the year ahead when, for example, there will be five major Arthur Miller revivals within the first si…

SOURCE: Broadway.com at 06:24AM
Sunday, December 23, 2018

2018 Wrap-Up: Best London Performances of the Year by Matt Wolf

Whoever thinks actresses are getting a raw deal these days should hang out in London, where show after show during 2018 put one or another terrific female center-stage—sometimes solo, …

SOURCE: Broadway.com at 07:32AM
Thursday, December 20, 2018

Sweat, Donmar Warehouse review - America at once fractured and fractious by Matt Wolf

Lynn Nottage Pulitzer Prize-winner emerges even more strongly in London A tremendous year for American theatre on the London stage is resoundingly capped by Sweat, the Lynn Nottage Pulitzer …

SOURCE: theartsdesk.com at 10:24AM

Best (and Worst) Theater in Europe in 2018 by Matt Wolf, Laura Cappelle and A.j. Goldmann

Our three European theater critics pick their favorite productions of the year — plus a turkey for the festive season.

SOURCE: The New York Times Subscription at 06:04AM
Monday, December 17, 2018

The Tell-Tale Heart, National Theatre review - bloody good fun as well as bloody by Matt Wolf

Anthony Neilson's latest is a Poe-faced delightThe Tell-Tale Heart may be the title of an 1843 short story by Edgar Allen Poe, but rest assured that Anthony Neilson's adaptation of it f…

SOURCE: theartsdesk.com at 05:32AM
Saturday, December 15, 2018

West End Star Bonnie Langford on Diva Behavior and Jumping from 42nd Street to 9 to 5 by Matt Wolf

here's this for next week but please run Joshua Jenkins from CURIOUS first :-) x Bonnie Langford q-and-a / Matt Wolf Bonnie Langford began her career as a child actor in such shows as th…

SOURCE: Broadway.com at 12:42AM
Thursday, December 13, 2018

ROSALIE CRAIG ON MAKING HISTORY AS BOBBIE IN ‘COMPANY’ by Matt Wolf

It’s not easy making history twice, but that’s what Rosalie Craig has managed and within not very many years.

SOURCE: www.todaytix.com at 07:11PM
Wednesday, December 12, 2018

The Double Dealer, Orange Tree Theatre review - high spirits and low morals by Matt Wolf

Congreve's Restoration-era rarity is boisterous to a fault It's been 40 years since The Double Dealer last had a major airing (indeed, perhaps any airing) in London, so on the basis of …

SOURCE: theartsdesk.com at 07:06AM
Tuesday, December 11, 2018

Joshua Jenkins on Playing a Teen Again in The Curious Incident of the Dog in the Night-Time in the West End by Matt Wolf

Joshua Jenkins has spent a sizable chunk of his acting life playing Christopher, the teenager at the wounding and wounded heart of The Curious Incident of the Dog in the Night-Time. The much…

SOURCE: Broadway.com at 02:42PM
Thursday, December 6, 2018

True West, Vaudeville Theatre review - sizzling take on seminal Sam Shepard by Matt Wolf

Kit Harington and Johnny Flynn go hell for leather as savagery-prone siblingsDon't be deceived by Kit Harington's matted, slicked-back hair that is immediately visible the minute the audienc…

SOURCE: theartsdesk.com at 10:36AM

London Theater Reviews: In These Plays About Couples, Hell Is Other People by Matt Wolf

Three productions in London look at pairings (romantic and otherwise) that come to grief, including a retelling of the myth of Orpheus in the underworld.

SOURCE: The New York Times Subscription at 06:18AM
Saturday, December 1, 2018

Summer and Smoke Star Patsy Ferran on American Voices, Working with Angela Lansbury and More by Matt Wolf

Patsy Ferran was barely out of the prestigious London drama school, RADA, when she proved that she could steal a scene or two from none other than Angela Lansbury in the 2014 West End reviva…

SOURCE: Broadway.com at 07:06AM
Saturday, November 24, 2018

Reeve Carney on Descending into London's Hadestown After Soaring in Broadway's Spider-Man by Matt Wolf

Reeve Carney soared above the audience as Spider-Man in the much-chronicled Broadway musical of the same name and this time descends to the underworld as the singing, romantically smitten Or…

SOURCE: Broadway.com at 12:12AM
Monday, November 19, 2018

Rising Star Douglas Booth on Returning to the London Stage in A Guide for the Homesick, His Broadway Girlfriend and More by Matt Wolf

Still only 26, Douglas Booth has been appearing on film and TV for a decade and has won screen attention in such titles as Noah, The Riot Club, Great Expectations and the experiment in paint…

SOURCE: Broadway.com at 03:54PM
Friday, November 16, 2018

London theatre is at the top of its game, so who will win our awards? by Matt Wolf

Much of the success has to do with a range of artists whose own creativity isn’t tethered to the Brexit-era antics at large

SOURCE: www.standard.co.uk at 09:25AM
Tuesday, November 13, 2018

Pinters Three and Four, Harold Pinter Theatre review - double-bill boasts double-acts to treasure by Matt Wolf

The Pinter season continues, this time in largely comic form The West End is specialising in two-parters of late. To Imperium and The Inheritance we can add to a growing list the latest duo …

SOURCE: theartsdesk.com at 12:24PM
Monday, November 12, 2018

West End Star Tim Howar on His Surprising History with The Phantom of the Opera and More by Matt Wolf

Tim Howar has been rocking out on the London stage of late in Rock of Ages and Chess, and the Canadian performer is now donning that legendary mask to play—you guessed it—The Pha…

SOURCE: Broadway.com at 12:33PM
Friday, November 9, 2018

London Theater Reviews: ‘White Teeth’ Makes a Big-Hearted, but Bumpy, Transition to the Stage by Matt Wolf

Among a range of plays in London exploring racial tensions, an adaptation of Zadie Smith’s novel stands out for its positive view of the city’s multicultural life.

SOURCE: The New York Times Subscription at 03:18AM
Tuesday, November 6, 2018

Pack of Lies' Finty Williams and Chris Larkin on Finally Working Together Onstage and Their Famous Mums (Judi Dench and Maggie Smith!) by Matt Wolf

Finty Williams and Chris Larkin are terrific English actors in their own right but share the fact of having a parent who is a Tony and Oscar-winning British legend—two women, in their …

SOURCE: Broadway.com at 05:06PM

Still No Idea, Royal Court review - spiky, funny, and politically pointed by Matt Wolf

Disability-themed two-hander suggests that little has changed in eight years To the recent spate of shows that put their own narrative-building first, we can now add Still No Idea, with the …

SOURCE: theartsdesk.com at 01:36AM
Thursday, November 1, 2018

London Bat Out of Hell Star Jordan Luke Gage on Taking over the Leading Role in the Rock Extravaganza and His Surprising Tattoo by Matt Wolf

Jordan Luke Gage was already doing several performances a week as the ever-young Strat in the Jim Steinman-scored rock extravaganza Bat Out of Hell at the Dominion Theatre, but when original…

SOURCE: Broadway.com at 06:32PM
Thursday, October 25, 2018

London Theater Reviews: A Gender Swap Makes Sondheim’s ‘Company’ Soar by Matt Wolf

The commitment-phobic bachelor Bobby becomes Bobbie in a new production in London.

SOURCE: The New York Times Subscription at 06:18AM
Wednesday, October 24, 2018

The Wild Duck, Almeida Theatre review - meta, merciless and altogether brilliant by Matt Wolf

Robert Icke reaches a new career plateau with his Ibsen adaptation Beware the smile that Edward Hogg wears like a shield in the opening scenes of The Wild Duck, the Ibsen play refashioned in…

SOURCE: theartsdesk.com at 09:12PM
Friday, October 19, 2018

Wise Children, Old Vic review - Emma Rice in fun if not quite top-flight form by Matt Wolf

Angela Carter adaptation strains to sustain its high spirits"What could possibly go wrong?" The question ends the first act of Wise Children, the debut venture from the new company birthed b…

SOURCE: theartsdesk.com at 10:06AM
Tuesday, October 16, 2018

Measure for Measure, Donmar Warehouse review - Shakespeare twice-over packs a partial sting by Matt Wolf

Shakespeare at the Donmar, in double visionShakespeare exists to be refracted and filtered through the age in which he is presented. So there's every good reason for the Donmar's artistic di…

SOURCE: theartsdesk.com at 08:48AM
Monday, October 15, 2018

London Company Star Jonathan Bailey on Revering Patti LuPone, Texting Samantha Barks and Not Getting Married Today by Matt Wolf

Jonathan Bailey’s credits range from Gavroche in Les Miz when he was a child actor to the most recent London revival of The Last Five Years, opposite Samantha Barks, and the Almeida Th…

SOURCE: Broadway.com at 03:48PM
Thursday, October 11, 2018

The Inheritance's Kyle Soller on Bringing the Two-Part Epic to the West End, Vanessa Redgrave's Surprise & More by Matt Wolf

West End transfers rarely come as keenly anticipated as the upgrade currently being afforded the Young Vic production of The Inheritance, Matthew Lopez’s seven-hour, two-part play chro…

SOURCE: Broadway.com at 01:36PM

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