All stories by Matt Wolf on BroadwayStars

Thursday, July 26, 2018

Spamilton, Menier Chocolate Factory review - fun if overstuffed by Matt Wolf

Gerard Alessandrini's latest is smart but needs streamliningIf it's possible to have somewhat too much of a good thing, that would seem to be the case with the British premiere at the M…

SOURCE: theartsdesk.com at 08:04AM
Saturday, July 21, 2018

Pity, Royal Court review - whacked-out and wearing by Matt Wolf

Collegiate-style Armageddon takes over the Court mainstage The apocalypse arrives as a series of collegiate sketches in the aptly-named Pity, the Rory Mullarkey play that may well prompt sym…

SOURCE: theartsdesk.com at 05:12AM

West End Star David Haig on Writing and Starring in Pressure, His Historical Drama Set on the Eve of D-Day by Matt Wolf

David Haig q-and-a / Matt Wolf Weather is the unlikely if potent topic of Pressure at the Ambassadors Theatre, written by and starring the protean Olivier Award-winning actor David Haig, who…

SOURCE: Broadway.com at 12:24AM
Saturday, July 14, 2018

The Lehman Trilogy, National Theatre review - an acting tour de force by Matt Wolf

A newly-minimalist Sam Mendes guides an expert cast to sublime heights There's surprising and then there's The Lehman Trilogy, the National Theatre premiere in which a long-established direc…

SOURCE: theartsdesk.com at 06:48AM
Friday, July 13, 2018

Lara Martins on Her Record-Breaking Run as Carlotta in London's The Phantom of the Opera by Matt Wolf

Lara Martins has quietly carved a slice of theatrical history by becoming the longest-running Carlotta in the storied history of The Phantom of the Opera, continuing on in its original West …

SOURCE: Broadway.com at 12:18PM
Thursday, July 5, 2018

The Lieutenant of Inishmore, Noel Coward Theatre review - Aidan Turner makes a magnetic West End debut by Matt Wolf

Martin McDonagh revival brings Poldark to the London stage, guns blazing Aidan Turner may not reveal those famously bronzed pecs that have made TV's Poldark box office catnip in his West End…

SOURCE: theartsdesk.com at 06:42AM

London Theater Reviews: London’s Stages Are Awash With American Plays by Matt Wolf

From big-name musicals to challenging new work at small theaters, the Yanks are everywhere.

SOURCE: The New York Times Subscription at 05:12AM
Friday, June 29, 2018

Kelli O'Hara on Revisiting The King and I in London & Gearing Up for Kiss Me, Kate on Broadway by Matt Wolf

Kelli O’Hara is finally making her West End stage debut as British governess Anna Leonowens in Rodgers and Hammerstein’s The King and I, the role that brought the beloved America…

SOURCE: Broadway.com at 12:48AM
Tuesday, June 26, 2018

West End Star Oliver Tompsett on How Starring in Kinky Boots Affects His Footwear Choices, Meeting Cyndi Lauper and More by Matt Wolf

Oliver Tompsett is a West End alum of such musicals as We Will Rock You, Wicked, Rock of Ages and Guys and Dolls. In June, he joined the Tony and Olivier Award-winning musical Kinky Boo…

SOURCE: Broadway.com at 01:04AM
Friday, June 22, 2018

Imperium Star Joseph Kloska on the Appetite for Epic Theater in London and Beyond by Matt Wolf

Joseph Kloska has become something of a Royal Shakespeare Company regular of late and steps up a career notch with his co-starring performance opposite Tony winner Richard McCabe (The Audien…

SOURCE: Broadway.com at 12:32AM
Thursday, June 14, 2018

The Prime of Miss Jean Brodie, Donmar Warehouse review - Lia Williams makes an iconic role her own by Matt Wolf

Familiar title is reinvigorated afresh in a startling revival Lia Williams can be said to have been in her prime ever since the double-whammy several decades ago when she appeared onstage in…

SOURCE: theartsdesk.com at 05:48AM

London Theater Reviews: Stars Shine on London’s Stage. But Who Wants Stars These Days? by Matt Wolf

Laura Linney and Orlando Bloom are drawing audiences to London’s playhouses, even as theatergoers seem to be growing indifferent to who’s in the cast.

SOURCE: The New York Times Subscription at 03:48AM
Wednesday, June 13, 2018

West End Consent Star Stephen Campbell Moore on His Penchant for New Work and Overcoming a Health Crisis by Matt Wolf

Fondly remembered from his London and Broadway run in Alan Bennett’s Tony-winning The History Boys, Stephen Campbell Moore has since returned to the West End in Clybourne Park and Chim…

SOURCE: Broadway.com at 12:54PM
Monday, June 11, 2018

Machinal, Almeida Theatre review - descending into darkness by Matt Wolf

Lesser-known American classic exerts a clinical fascination The American playwright /journalist Sophie Treadwell's 1928 expressionist drama crops up every so often in order to allow a direct…

SOURCE: theartsdesk.com at 07:32PM

BOTTOMLESS ABYSS by Matt Wolf

This is a feisty, animated Iceman , with the magnificent Denzel Washington leading the cast.

SOURCE: Theater News Online at 06:04PM
Saturday, June 9, 2018

Julie, National Theatre review - vacuous and unilluminating by Matt Wolf

Vanessa Kirby leads superfluous update that is a lot more Stenham than Strindberg It seems appropriate that an onstage blender features amidst Tom Scutt's sleak, streamlined set for Julie gi…

SOURCE: theartsdesk.com at 07:32AM

London Stage Star Gavin Spokes on Truth and Consequences in James Graham's Quiz by Matt Wolf

Gavin Spokes is among those invaluable English performers who can do plays and musicals across both the British and American repertoire. A 2016 Olivier nominee for playing Nicely Nicely John…

SOURCE: Broadway.com at 12:12AM
Wednesday, June 6, 2018

The Rink, Southwark Playhouse - lesser-known musical lands afresh by Matt Wolf

1980s Broadway flop proves an Off West End knockout Two dynamite lead performances and the chance to savour an underappreciated score give genuine charge to The Rink, a decades-old Broadwa…

SOURCE: theartsdesk.com at 09:12AM
Monday, June 4, 2018

London Stage Star Adam Gillen on Moving from the Viennese Court of Amadeus to the Trailer Park of Killer Joe by Matt Wolf

Adam Gillen recently finished an extended and electrifying run as Mozart in the National Theatre’s glorious revival of Peter Shaffer’s Amadeus, only to segue from the world of Eu…

SOURCE: Broadway.com at 01:12PM

The Two Noble Kinsmen, Shakespeare's Globe - a breezy bromance served up slight by Matt Wolf

Late Shakespeare collaboration is by turns engaging and daftThose who find the Bard tough going – wasn't that one of Emma Rice's admissions back in the day? – should beat a path to The T…

SOURCE: theartsdesk.com at 06:36AM
Thursday, May 31, 2018

Translations, National Theatre review - an Irish classic returns with cascading force by Matt Wolf

Brian Friel's luminous play fully lands in the National's largest space What sort of physical upgrade can a play withstand? That question will have occurred to devotees of Brian Fr…

SOURCE: theartsdesk.com at 06:36AM

Blind to Race, Gender and Disability, Shakespeare’s Globe Goes a New Way by Matt Wolf

Michelle Terry, the playhouse’s artistic director, defines her agenda with productions of “Hamlet” and “As You Like It.”

SOURCE: The New York Times Subscription at 05:48AM
Tuesday, May 29, 2018

Caroline O'Connor on Leaving Anastasia for London's The Rink and the Legacy of Chita Rivera in the Role by Matt Wolf

Caroline O’Connor was born in the north of England to Irish parents, grew up in Australia, and works regularly in the U.S., including most recently on Broadway in Anastasia. She is ret…

SOURCE: Broadway.com at 12:24PM
Friday, May 25, 2018

The Grönholm Method, Menier Chocolate Factory - sleek and short but in no way deep by Matt Wolf

Much-traveled play contains one twist too many Add Catalan writer Jordi Galcerán to the shortlist of European playwrights who are finding an international perch, in this case with a tricks…

SOURCE: theartsdesk.com at 06:04AM
Thursday, May 17, 2018

The Moderate Soprano Star Nancy Carroll on Singing Ambition, Opera Appreciation & a Sondheim Dream Role by Matt Wolf

Nancy Carroll won a 2011 Olivier Award for Best Actress for her searing and stylish performance at the National Theatre in After the Dance and is rarely long away from the London stage. Know…

SOURCE: Broadway.com at 12:06AM
Friday, May 11, 2018

London Theater Reviews: Healing and Hurting on the London Stage by Matt Wolf

Matthew Lopez’s “The Inheritance” refracts gay American life through an English novel, while two new British plays choose a shorter, satirical path.

SOURCE: The New York Times Subscription at 05:18AM
Saturday, May 5, 2018

West End Les Miserables Star David Thaxton on the Joy of Returning to the Role of Javert by Matt Wolf

David Thaxton won the 2011 Olivier Award for his stunning performance as Giorgio in Stephen Sondheim’s Passion, but the performer has been spending much of his career returning to Les…

SOURCE: Broadway.com at 11:42AM

West End Les Miserables Star David Thaxton on the Joy of Playing Javert On and Off for 13 Years by Matt Wolf

David Thaxton won the 2011 Olivier Award for his stunning performance as Giorgio in Stephen Sondheim’s Passion, but the performer has been spending much of his career returning to Les…

SOURCE: Broadway.com at 12:48AM
Wednesday, May 2, 2018

Chess, London Coliseum review - powerfully sung but still problematic by Matt Wolf

Eighties musical remains a melodically rich muddle Its origins as a concept album cling stubbornly to Chess, the Tim Rice collaboration with the male members of ABBA first seen on the West E…

SOURCE: theartsdesk.com at 06:42AM
Tuesday, May 1, 2018

The Writer, Almeida Theatre review - deconstruction run rampant by Matt Wolf

Romola Garai gives a storming performance in deliberately tricksy Ella Hickson playForget write what you know: writing what you feel would seem to be the impetus driving Ella Hickson's often…

SOURCE: theartsdesk.com at 06:42AM

Red's Alfred Enoch on Returning to the London Stage, Talking Theater with How to Get Away with Murder Co-Star Viola Davis & More by Matt Wolf

Alfred Enoch hit the big time as Wes on ABC’s How to Get Away with Murder and played Dean Thomas in the Harry Potter films, but the fast-rising screen star is returning to the stage to…

SOURCE: Broadway.com at 12:32AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre