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Adrienne Warren is exhilarating as Tina Turner in this biomusical.
Stephen Sondheim and Hal Prince top the duo’s annual fall fling, while Lainie Kazan remembers flings, flames and fiascos.
All the ingredients for this musical looked promising, but the result is underwhelming.
Even with good acting, a play told entirely in monologues can be difficult to make lively.
Corey Stoll has a powerful physical presence as he leads a tight ensemble of actors.
Kathleen Chalfant embodies Mabel Loomis Todd, who s remembered for editing Emily Dickinson s poetry, in this solo play.
CSC’s minimalist staging of Shakespeare’s spookiest play takes the slippage between stage and reality to whole new levels.
Theresa Rebeck’s two-act is a tangy and satisfying Off-Broadway main course.
David Byrne leads a trio of works including Soft Power and Scotland, PA that reflect on the state of the union.
Will Arbery s new play is heavy on polemics and light on action.
Gerard Alessandrini s latest parody of Broadway shows deserves to run longer than some of the shows it spoofs.
Harvey Fierstein creates a finely detailed portrait of the late Bella Abzug, a strong Democratic politician who made her mark on her time.
This crowd-pleasing show is an utter delight for any musical theater fan.
Playwright Adam Rapp and actress Mary-Louise Parker make an electrifying match.
Conor McPherson’s sobering portrait of lives devastated by booze gets a beautifully acted revival.
A teen-oriented musical grows too big for its britches.
A slapstick approach to Tennessee Williams comedy misses out on the more poignant parts of the play.
Despite the comedic brilliance of Marisa Tomei, something in the tone of this revival doesn t hold together.
Tracy Letts’ dark-tinged rom-dram is a portrait of an unsympathetic man in the throes of an ugly divorce and a middle-age tailspin.
Fine performances and a fleet staging can t counteract the more tedious parts of this work.
Brian Cox takes on the role of LBJ in Robert Schenkkan’s follow-up to All The Way.
Fans of the TV series should be quite pleased with the plot-packed film they ve been given.
Jonathan Pryce and Eileen Atkins are perfectly in tune with each another in this excellent London transfer.
Although we are on well-worn territory with this play, the two fine leads bring it to life.
Despite the fact that it keeps you guessing as to what s real or not, this play fails to achieve any dramatic intrigue.
Renée Zellweger dazzles as Judy Garland in a film that gives new juice to an old story.
David Staller s production lacks realism in parts, but it s a lively take on George Bernard Shaw s comedy.
Michael Tucker’s sincere new play sees three couples trying to take the best approach to their autumn years.
If two Beatles sitting in a hotel room talking sounds boring to you, you re not wrong.
Jaclyn Backhaus comedy rewrites scenes from history with a focus on women who were overshadowed by men.
There is genius in this production that transcends the campiness of its plot and score.